Real Dungeons, American Style: Coral Castle

A mysterious stranger arrives in town. Only working at night, and with no apparent help, he constructs a structure of megalithic stones. The stones are often carved in odd designs, some perhaps with arcane significance. When asked how he moved and worked the stones, the stranger only made veiled references to ancient secrets. The construction lasts nearly thirty years, until the stranger succumbs to a wasting sickness.

Sounds like the background fluff for an adventure, doesn't it?  But it happens to be true. While not technically a dungeon, Coral Castle has enough mystery to be the inspiration for a interesting game adventure locale.

Edward Leeskalnin (1887-1951) was a Latvian emigrant who arrived in south Florida in 1919. He purchased a small parcel of land, and spent the next 28 years building a structure of megalithic stones (mostly limestone formed from coral) in homage to his "Sweet Sixteen." How he cut and placed the 1000 tons of stones that make up the structure is mystery. He never let anyone watch him work (he supposedly did much of the work at night, by lantern light), and never had any help or used any heavy machinery that was seen. This secrecy has, of course, allowed a lot of speculation about his methods over the years. Leedskalnin supposedly told people that he "understood the laws of weight and leverage well", and more enigmatically, that he had discovered "the secrets of the pyramids." He also supposedly spoke of using a "perpetual motion holder."

Wikipedia relates the story that a few teenagers reported spying on Leedskalnin and seeing him make blocks of coral to move like "hydrogen balloons." The fact that Leedskalnin published pamphlets on his own theories on magnetism and electricity have helped fuel the wild-eyed speculation. Still, photos exist of Leedskalnin on the work-site with his tools--which are tripods and block and tackle. Of course, maybe that was just to throw people off...

However he did it, Coral Castle is an impressive accomplishment. Almost all the stones are single pieces weighing about 14 tons each. There's a revolving stone door so well balanced that a child can make it turn (or at least could--it stopped working in 1986 and had to be repaired, and now doesn't turn as well) that is made of a 8.2 ton rock. Wikipedia lists its other features:

"...a two-story castle tower that served as Leedskalnin's living quarters, walls consisting entirely of 8-foot high pieces of stone, an accurate sundial, a Polaris telescope, an obelisk, a barbecue, a water well, a fountain, celestial stars and planets, and numerous pieces of furniture. The furniture pieces included are a heart-shaped table, a table in the shape of Florida, twenty-five rocking chairs, chairs resembling crescent moons, a bathtub, beds and a royal throne."

In a game setting, the strange stone structure could be the remains of an ancient pre-human culture, or a gate built by a wizard to another world, or the only visible part of a Brigadoon-like city that only appears in this dimension every so many years. Of course, in a pulp setting, one could use the real coral castle for adventure fodder--and perhaps have a run in with its real-life mysterious and reclusive wizard.

See Rock City...If You Dare!

You might rightly ask yourself: surely Trey isn't seriously going to suggest that Lookout Mt., Georgia's kitschy, but slightly trippy, roadside attraction might have an analog in the world of the City (and perhaps elsewhere) that could be an adventure local?

Well, not seriously. At least, not completely seriously...

There are stories from the Southern end of the Smaragdines about a strange place atop a mountain inhabited by extraplanar beings. It's become something of a legend across the rural South. Many barns or abandoned shacks along dusty roads and lonely highways are adorned with cryptic references to its wonders, or exhortations to "see the rock city."

The Natives of the land told stories of this place, and made visits to pay superstitious homage. Early explorers from Ealderde described a natural fortress of rock, with its components arranged so as to form the semblance "streets" and "alleyways"--and then there were oblique references to reclusive inhabitants. By the time the area had been well-settled, stories began to circulate of disappearances, and strange lights and music in the city of rock. Some Old World immigrants began to whisper about entrances to Fairyland.

Scientific thaumaturgical inquiry toward the end of the last century appears to have solved the mystery. In the heart of the rock city, reached only after passing through a maze of unusual rock formations, is a cave. The cave is the domain of clan of ultraterrestrial entities called gnomes.

Gnomes are elementals of earth. On the surface, they often appear as statues, as their experience of time isn't ours, and they sometimes stand immobile for long periods of time before springing to sudden action. They travel from the subterranean depths via veins of minerals. Their purposes are often inscrutable. In the rock city, they appear to be attempting art.

The gomes look like statues of bearded little men, with often comical expressions, and have shaped some of their substance to look like human clothing--brightly color through the expression of mineral pigments. This is not unusual gnomic behavior. What is, is that in the rock city, that have turned grottoes in their cave complex into dioramas, glowing with eerie, otherworldly light. These dioramas are scenes from Old World fairytales and nursery rhymes. The gnomes, it seems, have some knowledge of their audience.

It's for these strange and whimsical dioramas that people visit the rock city. But before making the trip yourself, consider where the non-gnomish statues in the dioramas come from. Some experts hold these are gnomes, just assuming different forms. Others point to the unusually high numbers of disappearances in the area and suggest the the gnomes may sometimes need human stock for their quaint designs.

Magic Men

As a companion to Tuesday's post, I wanted to give a couple of examples of magic-using character concepts from the world of the City.

First though, a word about magic in general. The divide in this world is not so much cleric vs. magic-user (though, a similar divide does exist, in a fashion) but thaumaturgy vs. mysticism. Thaumaturgy is the applied science of magic, the exploitation of forces and principles as real as physics or chemistry are in our world. There are many competing models as to the "hows" and "whys" of magic, but whatever their differences, they all typically involve spells/formulae, magical aides/tools, and experimentation. Mysticism, on the other hand, is less rational and more intuitive. It relies on idiosyncratic (or even lack of) explanations. It's tools are things like meditation, physical conditioning, and/or use of drugs to create altered states of consciousness to achieve sudden insight.

With that in mind, here are two men of magic from the streets of the City:

Jim Nightshade
Nightshade's got a one-room office with "Nightshade Investigations" stencilled on the door. He solves problems.  Particular sorts of problems.  Kinds the cops won't.

He used to be a cop himself, but that was before the War. Then he had uniform and a badge. Now he's got trouble sleeping nights--and magic. He used to think he was just lucky, but luck had nothing to do with it. The ageless man that visited him in that hospital overseas clued him in, and gave him a book--a grimoire--the first of many.

The upside of insomnia is a guy's got a lot of time to read.

Sikandar the Sorcerer

The so-called "Gentleman Mentalist" is a highly-paid performer and celebrity exposer of criminal mages. He dates starlets and popular songbirds, and appears in advertisements for pomade, cigarettes ("Djinn Cigarettes--your wish for flavor is granted!") and men's shirts.

This public persona doesn't tell the whole story. His real name is Alisander Welleran and, despite his image, he's taken an oath before the Nine Unknown Sages of Agarthala to defend this plane against the forces of evil. Time after time, he's put the mystic powers he mastered in Agharthala to this purpose--and if he can increase his celebrity thereby, so much the better. He's thwarted Anarchists trying to poison the City's water supply with flesh-warping alchemicals, and bested a murderous shade striving to re-enact its pre-death killing spree, among other exploits. And he's always looked good doing it.

Warlord Wednesday: Who's Who

Work obligations got me home late, so no issue review this week, but I thought I'd present the Warlord art from Who's Who: The Definitive Directory of the DC Universe. The Who's Who began publication in March 1985, and finished in April 1987.  It featured files of most of the major Warlord characters, most with art by Mike Grell.  Skarataris also got a two spread with a map.

Here are the pictures accompanying the entries of the characters that have appeared in my review so far.  All of them are by Grell, except Mariah, who was drawn by Ron Randall--a post-Grell artist on the series.

Here's Travis Morgan, the Warlord:

His wife, Tara:

Morgan's old Gladiator buddy, and king of Kiro, Machiste:

Russian archeologist and fencing champ, Mariah Romanova:

Two Tough Guys

Or actually, one tough guy and one tough gal.

I've written quite a bit about the City and its world, but as my friend Jim pointed out to me the other day, I've yet to introduce any adventurers from the setting. Let me rectify that today by presenting two Fighter-type characters/ personalities from City's world:

Samael T. Hazard
A former Freedonian Ranger who hunted bankrobbers, banditos, and monsters along the Southwestern border, before "retiring" to the City to open a speakeasy. Going into business didn't mean Hazard had to put down his guns--he just meant he went freelance. He and his boys rescued the debutante daughters of the old money from ritual sacrifice by the sinister sorcerer, Wu Fang, and busted up a plot to hold the City for ransom with a threat to release War-surplus cloudkill in the subway. He helped clear the hobogoblin jungles in the Steel League, and stopped the Reds from replacing City ealdormen with dopplegangers. He even tangled with the Wurm at one point, but that one even he couldn't win. He made it out with his life, but left some good men underground.

Hazard eventually ran for public office, but didn't win, and went back to his bar in defeat. Still, taking out a Hell Syndicate Hit-Fiend during a live radio broadcast has got count as some sort of victory.

Eliza Gunn
Nineteen years-old, and already making her own way for several years in the bleakness of the Dustlands. Gunn is an ace mechanic, and handy in a scrap. She's been with a gang of adventures for a couple of years, defending refugees and isolated towns from road agents, black-dust zombies, and violent cyclone bosses looking to expand their territory. Between all this "do-gooding" they raid old Native mounds for treasure--mostly magical materials, but a little gold and silver, too.  There are trains to be guarded, too--a few days riding the rails from Lake City to the Stoneys, looking out for thunderbirds and as always, malevolent elemental storms.

Mostly sullen and not much for conversation, Gunn is given to almost berserker rages when she gets riled. Her favorite weapon is an over-sized wrench (rumored to be imbued with magic by a Native shaman--or maybe forged from adamantine scavenged from the sword of an ancient, Old World king, stories differ) that's cracked more than one skull of a would-be hardcase who's underestimated her.

Are You Ready for the Great Atomic Knights?

"World War III--The Great Atomic War--is over...And in its wake lies an earth in ruins!  Of plant life, there is none!  Of animal life, only a small number of humans lingers on! There is no government and the prevailing law is might makes right!"

- Strange Adventures #117, 1960.

As you recall, unless you've been afflicted with the h-bomb radiation-induced amnesia, there was a terrible atomic war in October of 1986. No? Well, then you don't inhabit the odd--and oddly optimistic--post-apocalyptic world of John Broome and Murphy Anderson's Atomic Knights, recently collected in one hardcover volume.

The tale of the Atomic Knights begins in Strange Adventures #117 (June 1960). Amnesiac Gardner Grayle is running from smartly-groomed, but otherwise degenerate post-apocalyptic survivors (think the folks in The Road with more Brylcreem and Burma-Shave). Luckily, Grayle comes across a newspaper that jogs his memory about the recent nuclear holocaust, and reminds him of his one brush with fame--a news piece describing him as utterly average in every way.

A lot of people would take this one-two punch of global and personal setbacks as an excuse to give up, but not our Grayle. He finds a few other survivors, and they decide to strike a blow against the local strongman. The group includes Douglas Herald, a former teacher, Bryndon, last scientist on earth, the Hobard Brothers, and Marlene, Herald's sister, and eventually Grayle's lover interest. After the lucky (and improbable) discovery that old suits of plate armor protect against the radiation beams from the bad-guy's "raguns", the group becomes the Atomic Knights, and begins a quest to re-establish democracy, and civilization.

The Atomic Knights go on to have many more strange adventures in Strange Adventures, travelling across the former United States, mostly fighting the despotic forces of the fascistic Blue Belts, but also encountering aliens, mutated plants, and mole-men--you know, the post-atomic war usual suspects. Along the way they get to use giant dalmatians as mounts, and figure out an alternative, bio-fuel source for automobiles.

In my favorite Atomic Knights' adventure, they free all the surviving doctors from being mind-controlled thugs by bringing jazz back to New Orleans. To this end, they briefly become an Atomic Knight band and play "When the Saints Go Marching In" while marching down Bourbon Street!

H-radiation, or no, is there any doubt that the fate of the America and democracy is safe in these guys' hands? Give your post-atomic gaming a boost, or just fortify yourself with Silver Age strangeness, and check them out.

Malice in Slumberland

All humans (and human-like beings) dream. Like "thought balloons" in a comic strip, clouds of dreamstuff float "upward" from the dreamer into the Astral Plane. There they form bubbles in the Astral substance, tethered to the dreamer until waking. These bubbles are permeable with, and ultimately dissolve into, the Dream Realm--more commonly called Slumberland or Dreamland, or sometimes the "Land of Nod" (but not this one, or this one ;) ). Given their nature, dreams represent the easiest portal for humans to cross the transitive plane of the Astral and move into the Outer Planes.

Slumberland is ruled--or perhaps merely managed--by a being known by many names, but often called the Dream Lord, or Dream King. He appears as a robed humanoid figure wearing a bronze, mirrored mask. He doesn't create dreams--these come from mortal (and perhaps immortal) minds, themselves--but monitors and maintains them. His castle, with its strangely-angled, dream-logic, expressionistic architecture, sits on the border between the material and immaterial worlds, existing both in Slumberland and on the dark side of the Moon. From there, he maintains the oneironic devices, and monitors the content of the flow of dreamstuff. He strives to ensure virulent nightmares don't readily infect other dreams, and that idle fantasies don't spoil and bloat to become perverse obsessions.

It's a big job, and the Dream Lord doesn't do it without help. Gnome-like creatures called "Sandmen" serve him. They carry pouches of silvery, glinting powder made from dessicated and alcehmically treated dreamstuff. They use this oneiric dust to induce sleep in a mortals, or cause waking dreams, or even to cause multiple beings to share the same dream. This is their primary tool for observing or even entering dreams--supposedly for the purposes of monitoring and testing.

"Supposedly" because there is some evidence for the existence rogue Sandmen, or at least breakdowns within their system. Regrettably common are the condensed nightmares called bugbears, or sometimes "bogies" or "bogeymen." These creatures emerge from dark, foreboding places--like "haunted" houses, abandoned subway tunnels, ancient ruins, or even children's closets! They're variable in size, but usually appear slightly larger than humans. Their bodies are described as "bear-like" or "ape-like", but their heads are something like deep-sea diving helmets, albeit with blank face-plates, and strange antennae. Bugbears, as nightmares given flesh, torment humans to feed off their fear. They then employ electronic devices or machinery--with an appearance both nonsensical and menacing--to siphon oneiric potential from the minds of their victims to incubate bugbear pups.

Bugbears aren't the only evidence of corruption in Slumberland. There are persist rumors of Sandmen on the take, selling blue dreams to Hell Syndicate incubi and succubi to slip to unsuspecting marks. There are also rumors of black-market Tijuana bibles produced from the concentrated salacious dreamings of certain celebrities being peddled on the streets of the City, and possibly elsewhere.

Thanks  to G. Benedicto at Eiglophian Press for suggesting a link between bugbears and nightmares.