The Sixth and Seventh Cities of Heaven

Art by Luca Nemolato

Hidden in the crags of the windswept heights of the Holy Mountain, the tenacious Pilgrim may glimpse, no doubt with some relief, the gleaming, orichalcum gates of the Sixth City. While they will find respite from the wind and cold, the Sixth City is not as hospitable as some of the cities through which they have passed before. The Sixth City, though grand, is a necropolis. It's buildings are mostly the ornate tombs of all the sleeping monarchs of the Material Plane's hopes, those noble figures that will return to the world when the need is greatest. Their bodies, perhaps has much dream as flesh, now reside in these tombs, always with a guardian of some sort, whether it be mighty warrior, dutiful pet, or merely a humble witness.

There is a palace in the center of the city. The souls of the awaited heroes sit in unending council at a great table within the palace's hall. Unworthy visitors who somehow arrived at the palace gates will be denied entry, and if they protest overmuch, may be thrown from the Mountain by frightening and terrible deva. Those who are worthy are given a seat at the table. They will be counselled to return to the world and focus on the performance of noble deeds. What is another lifetime of service to a selfless soul? But what would it mean to the suffering world? For those who remain steadfast in their goal, the monarchs will answer three questions put to them, but for every question they demand a dangerous service on the Prime Material Plane that will take a year and a day. Each service requires climbing the Mountain to the Sixth City again. 

Where the path to the summit runs from the Sixth City no one who has not reached it can say with certainty. It is conjectured to be one of the secrets of the monarchs.

The Seventh City is known only by rumor. If those rumors are to be believed it scarcely merits the name city; it is a monastery. Quiet and shrouded in clouds, the monastery is the home of those ascetics who could have joined the Unity, but tarried to guide the travelers that would come after. They dress in black robes, because they mourn the suffering of the worlds. They bid any pilgrim to sit and mediate with them. In these devotions, the Mountain is said to sound the true depths of the Pilgrim's conviction. After seven days, the Pilgrims who the Mountain has accepted are taken by the monks to the gates where the four archons stand guard, there to begin the final unknown steps of their journey.

The Fourth and Fifth Cities of Heaven

The path up the Holy Mountain out of the Green City is less frequently trod and thus harder going. None but the most dedicated servants of the Mountain would come the way of the Pilgrim; other visitors typically arrive by magical gates or portals and receive a less welcoming reception from the devas.

The Fourth City of Heaven is Golden and effulgent. Here resides the spirits of many sages and philosophers who inhabit libraries full of everything that is known, though the finding of information within their vast repositories is a task that staggers most mortal endeavors. The city's rulers are a triumvirate of 3 masked judges, though some say they are but one ruler with three forms called Forethought, Awareness, and Reflection. They question each pilgrim regarding their reasons for making the journey, and point out ways they might serve the cause of Noble Law in the Material World. Some Pilgrims are sent back to the Material Plane with specific tasks, others they will bid stay in the city under the tutelage of the learned souls residing there. A few they will direct to the secret exit and the trail leading upwards.

The Fifth City has walls of iron and spires sharp as swords. It is a city under siege. It sits upon a crag overlooking a wide valley where demonic forces are encamped. These forces frequent assail the city's walls, but are forever driven back by the warrior deva. Pilgrims must pass through the demon's lines to gain entrance to the city. Once within, their bravery will be commended. The general archons will advise them of places in the world where their fortitude might be used in the cause of Noble Law. They also offer them a chance to join the city's defenders, for it is their grim judgement that should the Iron City fall so goes the Mountain, and no Pilgrim will see the summit again. Many warriors have stayed and fought; others have returned to the Material Plane armed in heavenly panoply and done great deeds. These do not reach the summit of the Mountain in this incarnation. 

Both of these cities become the stopping places of good and lawful souls. It is said that only a steadfast and resolute few continue upward. Beyong the fifth city, they must climb.

The Holy Mountain and the Silver City

The Heavenly Mountain, rises majestically and alone from a tranquil sea, which itself is separated from the astral only by a thick, silvery mist. The deva of the Mountain, and possibly the Mountain itself, like others of the Wheel, are dedicated to the great work restoring oneness to the divided multiverse. The Mountain is the Path by which Unity may achieved by the abnegation of ego, one soul at a time.

The path isn't easy. Few are those that start upon it, and fewer still those that reach it. Only rumors return regarding the final trial: the pilgrim must gain admittance from the four Heavenly Archons, and then cross a bridge as narrow as the edge of a blade, beneath which yawns a chasm that extends to The Abyss. What lies beyond is even more uncertain and variegated in the telling.

The beginnings of the path in the first of the Seven Cities of Heaven is more certain. Many visits have crossed the Astral into the pearl-bright sea that laps against the white sand beach and the marble quays. Beyond, the Silver City climbs onto the foot of the mountain beneath a night that seems more like a velvet drapery decorated with bright jewels than the cold void.

The Silver City is a very hospitable place. Its pedestrian thoroughfares and atria are garlanded with paper lanterns and strings of glowing orbs with firefly light, are full of soirées. It's central garden is decorated with alabaster sculptures of heavenly bodies and magical symbols, inlaid with moonstone. It is here the ruler of the city, a silver sphinx, holds court. The wine shops and cafes are open all night, indeed there is never anything but night in the Silver City. Many a visitor intends to leave in the morning, to continue their ascent at first light of dawn. Few ever do. This is the Trial of the Silver City: it tests Resolve.

Only the stalwart few take the path out of the Silver City and continue their trek up the Mountain.

Wednesday Comics: Annotations on Future Quest #4

My on-going look at Don Lawrence's Storm will take a break so that we can revisit Future Quest, one of DC's re-imagining of classic Hana-Barbera characters. This will contain spoilers.

"The Land Before Quest" and "The Structure of Fear"

Future Quest #4 (2016), Written by Jeff Parker; Art by Evan "Doc" Shaner and Ron Randall

I am Mightor!" Mightor and Moby Dick ran from 1967-69. In that series Tor was a teenage caveman who used the power of the club to turn into Mightor. Here, Tor is older and mated to Sheera, Mightor's club apparently contains part of Omikron's mass, which is what gives it it's power. The Space Ghost cartoon has already established Mightor as existing in the same universe.

Listening to some music. The band streaming on Deva's tablet is the Impossibles,  The stars of the 1966 series were pop stars and superheroes.

"My name's Todd." Todd is one of the two main characters in 1966's Dino Boy in the Lost Valley. He meets a Neanderthal presumably named Ugh. Their first meeting is portrayed differently here than in the cartoon series and Todd is also given parents and a last name.

Called GARGANTUAN. Frankenstein Jr. shared a show with The Impossibles. Buzz Conroy was the son of a male Professor Conroy (his mother is never mentioned) who built the giant robot Frankenstein, Jr. Here, Ted Conroy was killed by sabotage by Dr. Zin (the same incident that took the life of Ellen Quest) and it is Buzz's scientist mother, Linda Kim-Conroy who builds Frankenstein Jr.

Wednesday Comics: Future Quest #3 Annotations

My on-going look at Don Lawrence's Storm will take a break so that we can revisit Future Quest, one of DC's re-imagining of classic Hana-Barbera characters. This will contain spoilers.

"Birdman in: The Deadly Distance" and "Vortex Tales: The Herculoids in Mine-Crash"

Future Quest #3 (2016), Written by Jeff Parker; Art by Steve Rude/Aaron Lopresti and Karl Kesel

Vortex Tales. The stories in this issue are a departure from the storyline in the first two. They showcase past exploits of characters.

Mt. Avia. We see Birdman in his secret hideout with his pet eagle, Avenger. We learn he was an academic before he was endowed with power in the temple of Ra (a process he doesn't understand) and became a secret agent.

"I wonder if Mentok has surfaced again?" Mentok was a villain with mind control powers who appeared in a 1967 episode aptly titled "Mentok the Mind-Taker."

"Her name is Deva Sumadi." We are seeing the events just before the start of the first issue. Birdman leaves Avenger behind and sets off to meet his contact.

Xenomass. The amorphous creature called Omnikron appears again, though Birdman

Amzot. The homeworld of the Herculoids, at least until the 1981 Space Stars series.

Quasar, The name of the Herculoids homeworld in the Space Stars episodes. Here it is used as the name of a sister planet, the former home of Zandor and Tara.

Organite. A living mineral. It makes up much of Igoo's rocky hide and it's used to make the synthetic brains of the robot overlords of Quasar. The Herculoids are the gardens of the largest deposits on Amzots.

Wednesday Comics: Future Quest #2 Annotations

My on-going look at Don Lawrence's Storm will take a break so that we can revisit Future Quest, one of DC's re-imagining of classic Hana-Barbera characters. This will contain spoilers.

"Part Two: Visitors from Beyond"

Future Quest #2 (2016), Written by Jeff Parker; Art by Eric "Doc" Shaner, Ron Randall & Jonathan Case

The main cover. Features the nonhuman characters of several Hana-Barbera series: Bandit from Jonny Quest, Blip from Space Ghost, and Zok, Igoo, Gloop and Gleep from The Herculoids.

"Now a spaceship?" Space Ghost materializes in the Everglades and appears ready to blast Jonny and Hadj with his power bands. He seems to be in conflict with someone named Omnikron, then he disappears. The kids next discover a crashed spacecraft, Space Ghost's Phantom Cruiser. Inside, is an injured, unconscious Jan and an irate Blip.

"A lot of tough guys that point guns at kids." A bunch of goons--agents of FEAR from Birdman attack. They also have a spider eye-bot like the one employed by Dr. Zin in the eighth episode of Jonny Quest ("The Robot Spy"). The boys are rescued by the timely arrival of Race Bannon and Birdman.

"Don't you dare point guns at my family!" Dr. Quest and Deva Sumadi arrive in a two-man flying craft of the type we've seen previously employed by Dr. Zin's henchmen in "The Fraudulent Volcano." The badguys manage to get away, though, airlifting out the Phantom Cruiser. They also discovered an unconscious Jace, still under Inviso power.

Jezebel Jade. She appears to be working with Dr. Zin. Jade appeared in two episodes of the original Jonny Quest series. She appears to have a history with Race Bannon, has Dr. Zin hints here again.

Wednesday Comics: Annotations on Future Quest

My on-going look at Don Lawrence's Storm will take a break so that we can dive into Future Quest, the first of DC's re-imagining of classic Hana-Barbera characters. This will contain spoilers.

"Part One: Lights in the Sky"

Future Quest #1 (2016), Written by Jeff Parker; Art by Eric "Doc" Shaner & Steve Rude

"A Distance World." The story opens with what appears to be the origin of Space Ghost as the last survivor of a Green Lantern-esque group of space peacekeepers. They they all wear uniforms resembling those worn by Jace and Jan (and Gleep) in the Space Ghost cartoon. The opening caption ("years before") suggests Space Ghost's adventures do not take place in the future,  point that was unclear in the various cartoon series.

Looking for Strange Phenomena. Next, we're introduced to the members of the Quest team: Jonny, Hadj, Benton Quest, "Race" Bannon, and their dog, Bandit. They seem pretty similar to the original versions from the 1964 series, though Jonny and Hadj are older than they were when they were first introduced.

Birdman. Two characters are introduced as government agents visiting Dr. Quest: Ray Randall and Deva Sumadi. We're given a couple of clues to Ray Randall's other identity: He has a pet bird named Avenger and we're told his superior is named Falcon 7. He is (as confirmed later) Birdman, solar-powered secret agent superhero, who worked for Inter-Nation Security in his 1967 cartoon series. He was never given a secret identity in those adventures.

One of the Other Three Great Minds. Dr. Quest is still contending with his arch-nemesis, Dr. Zin. Zin appeared in 4 episodes of the original 1964 Jonny Quest cartoon and on episodes in the 80s and 90s revivals. Here, he is working with F.E.A.R., the villainous organization that opposed Birdman in his series. Zin's spider-eye robots that appear later in this issue first appeared in the 1964 episode "The Robot Spy."

"Where do you think it came from?" Hadj and Jonny come across the body of a creature from a dimensional rift that resembles Tundro, a member of The Herculoids. In another rift they peer into they see Space Ghost, Jan, Jace and Gleep, Shazzan, Mightor, and the Herculoids. Space Ghost had crossovers with all of these other characters in the six part "Council of Doom" arc in 1967.

Another Savage Friday

In what's becoming a regular feature, let's again turn to channel Wrathofzombie as Mike has been hard at work again this week adapting Strange Stars for Savage Worlds:

Neshekk: privacy obsessed bankers.
Gnomes: eusocial asteroid miners.
Deva: mysterious, angelic, post-humans.
Blesh: alien bioroids with the minds of long-dead humans.

The Alliance

The Alliance is unique in the Strange Stars in representing interspecies cooperation on an interstellar scale. It was formed by seven peoples displaced by the Great Collapse. Initially distrustful of each other, they came to fear the lawlessness of the Zuran Expanse and religious strife in the center of the Radiant Polity more than sacrificing a bit of their own sovereignty.

Previously, we've touched on the smaragdines, the blesh and the gnomes.  Here's an overview of the other Alliance members:

The hyehoon are humanoids spliced from avian and hominid DNA. They have lighter frames than humans, but are strong for their weight. Hyehoon are a dynamic and inquisitive culture, producing explorers, scientists, diplomats and traders. They face internal strife from conflict with the minority religious faction known as the Eden Seekers.

The neshekk banking and investment clans are the financial backbone of the Alliance. Neshekk are greatly concerned (possibly obsessed) with security and privacy. They never go into public without their elaborate privacy screeens/firewalls called nizara in place. Off-worlders are restricted to certain areas of Kuznuh, the neshekk homeworld, and it is a misdemeanor to view any public space unfiltered by the metascape.

The Alliance's greatest warriors are the thrax. A clone race, created for war, they still structure their society along martial lines. They are known for their elaborate battle armor and their enthusiasm for hand to hand weapons.

The winged deva are the most mysterious of the Alliance's members. They can survive in hard vacuum unprotected and through space under their own power (at least for short distances). In their home system of Altair, they're repairing damaged moon-sized brains.

The Strange Stars

With nearly 40 posts in the Strange Stars setting, the sagacious Robert over at Rogues & Reavers suggested it might be time for an overview post to make it easier for people to see how these far-ranging elements sort of fit together. I’m not sure the best way of doing that (one might want to start with the inspirations here), but I’ll sort of summarize what’s been presented so far:

The Strange Stars is the sphere of the human phyle in the far future, a time millennia after the first human expansion and the rise (and fall) of builders of the hyperspace nodes, the Archaic Oikumene. In the current era, the Strange Stars are fragmented into smaller cultures and civilizations.

The former cradle of the Archaic Oikumene is a depopulated area without a central authority known as the Zuran Expanse. The Expanse is home to dangers like the inhuman ssraad (in three colors), and ruined worlds that entice treasure-seekers like Tenebrae and the Library of Atoz-Theln. It’s also home to unusual cultures like the invertebrate zhmun of Aygo and the self-improvement cult of Aurogov.

Art by Peter Elson

Spinward from the Expanse is the Alliance, a union of species allied for protection and trade. Members of the Alliance include the green-skinned psionicists of Smaragdoz, the privacy obsessed neshekk of Kuznuh, the avian-humanoid splice hyehoon of Omu, the human-alien blended cyborg Blesh, the gnomes of Dzrrn, and the angel-like deva of Altair.

Bordering the Alliance is the expansionistic and theocratic Instrumentality of Aom.

On the other side of the Expanse is the Vokun Empire. Besides the decadent vokun, the empire contains several client species. The cybernetic crustacean-like Engineers build much of Vokun technology. The yellow-skinned ibglibdishpan are their biologic computers. The kuath are bioarmored child-soldiers.

There are a number of other interesting cultures and worlds: the oneirochemist Phantasists, the ancient mind excavators of Deshret, and the warrior-poet moravecs of Eridanus, among others. The major galactic powers are at least openingly cordial (whatever may go on behind the scenes) and trade takes place between the two “civilized” portions of the galaxy that must pass through hyperspace nodes in the “wilder” areas (not just the Expanse, but the Rim and Coreward Reach, as well). New cultures, lost since the Great Collapse are discovered from time to time, and their are number of ruined worlds with treasures to loot.

Sights in the Strange Stars

Few galactic sporting events offer the sheer spectacle of the giant robot combats of Gogmagog. The robots are of unique design (but all humanoid) and tower anywhere from around 10 meters to over 80 in the world’s low gravity. Mostly they stand waiting for some signal—or maybe just the right moment. They may not move for years or even decades. Then abruptly, they sally forth to engage one of their fellows in hand to hand combat.

That’s when the motley bot breaker gangs go into action. They race to the location of the latest match on their dilapidated walkers, their howdah shantytowns rattling with the jarring motion and their frantic preparations. They have to work fast to salvage what they can from the defeated giant before the swarms of von Neumann machines skitter and crawl from their underground lairs to repair the fallen gladiator—and dissemble the bot-breakers’ tools and transport for raw materials. What the bot breakers can get away with they can sell to fringe scientists and inventors trying to duplicate exotic alloys or wealthy collectors looking for an alien objet trouvé.

A more transcendent vista can perhaps be found around Altair, the home system of the winged deva. Ten moon-sized artificial worlds are strewn like jewels around the oblate star, their diamondoid coatings glinting and iridescent in its light.  These are said to be huge brains, or perhaps the separate components of one even larger mind. Some appear damaged,  the result of some ancient war. The deva flit between between them, working to repair the spheres and restore the mind.  They let few visitors enter the spheres themselves, though that may be with good reason. Rumors abound that the damaged psyches of the spheres produce dangerous qlippothic demons from deranged code.

Tales from a Spacer's Bar

A Tale from a Spacer's Bar is a two hundred (at least) year-old work of fiction that has appeared in many different media. It's author and the world that it originated on has been lost to history--in fact several variant forms exist, so it is difficult even to determine what the original contents were. The work is an anthology of intertwining short stories and vignettes that the nameless narrator hears (and ultimately participates in) in several different bars catering to star pilots and crew on several different worlds. Here are a sampling of images appearing in various adaptations of  A Tale over the years:

"The Prospector's Tale" involves an encounter on an all but lifeless world between a determined misanthrope and a deva. The prospector is taken to the devas' diamondoid sphere habitat, where ironically, his dislike of his fellow man saves him from a demon sprung from the malfunctioning moon-size brain.

This scene is from a retro-psychedelic sim version of "The Clubber's Story." The club habitué (already high on chroma) takes a large dose of an experimental drug called "Proteus V" (a substance generally thought to be fictional). After a serious of comical mishaps, ve accidentally opens a forgotten spacetime oubliette and frees an angry contingent of amazons. Even worse, the amazon commander takes an amorous interest in ver.

"The Three Grifters and the Almost Aptheosis" involves the mysterious artifact known as the Apotheosis Maze. Two humans and a moravec in possession of a dubious map of the Maze set out in a stolen ship with the plan to walk the path and gain godhood. The ambiguous ending of the tale inspired the "Blue Shift" movement in the Gods and Devils neurosymphony by the composer collective Orm 7 Trang.