A Supers Campaign Idea from the Vaults

Re-organizing some old gaming stuff (i.e. moving from one closet to another). I came across a campaign intro document for a Mutants & Masterminds game I ran maybe 10 years ago. The idea was a universe where characters from virtually every comic book publisher existed in the same world and there was no "sliding timescale," so characters than first appeared in the 60s for example were in that era.

I don't have it in digital form anymore, but here's a scan of it:

Bootstrap Paradox

More than once, accounts blithely relate that someone or another built a time machine, yet we seldom are shown or given details about the construction,,and this achievement is notably beyond the greatest geniuses like Reed Richards, Lex Luthor, or Tony Stark. Rip Hunter is in possession of two time ships which he keeps in working order, but we have never been privy to their design or development. Victor von Doom claims to have invented one, but we only ever see the finished product, and the exchange depicted above with Rama-Tut suggests some doubt about its origins. Rumors swirl that Doom made a deal with the Devil, or a devil at least, for the secrets of time travel, but where did Mephsito get them?

Was it the nameless (or more accurately, variously but unofficially identified) Traveler whose account H.G. Wells edited? Or perhaps from it was an outgrowth of the Philadelphia experiment that transport the USS Eldridge through time and space in 1943. Nathaniel Richards (another man later said to have invented a time machine) seems to have been involved in the planning stages of that experiment. If so, he would have been aware—and possible even provided oversight—to the secret project that followed to develop saucer-like time travel craft, based in the Rockies and led by Eldridge survivor Reno Franklin. Franklin’s team definitely developed time craft of a sort, so are they the original source? Or is all time travel technology a causal loop and an example of the bootstrap paradox?

Operation Unfathomable Players Guide

One of the stretch goals in the Operation Unfathomable kickstarter was the Players Guide. Like all the other, Operation Unfathomable material it's nearing completion. It's one I've been involved with in some small ways, and I got a look at the rough layout of yesterday.

The guide will include:

• A compilation of the Operation Unfathomable one page comic strips that were created as promotional material
• New Races: Underworld Otter and Wooly Neanderthal
• New Classes: Citizen Lich and Underworld Ranger
• New Spells & Equipment

Alligator People

The script writers must have had a source pretty close to the events, because the 1959 film gets a lot of details right, though the names and locations are changed. There were experimental treatments for limb regrowth being used on a veterans in a secluded clinic in the swamps, and it all ended in tragedy.

Not enough of a tragedy that after a little more work on his formula, Curtis Connors didn't try again, this time on himself. The results, unfortunately, were similar. He got his arm back, and much more than he wanted

What the movie doesn't say, what the filmmakers possibly didn't know, was the amnesiac nurse was pregnant. She wasn't driven into a fugue state by the transformation and death of her lover, but by the birth of a son that carried similar disfigurements, similar reptilian DNA.

The child was named Waylon Jones but as a criminal and assassin he was known as Killer Croc. The doctor's told the aunt that raised him he had a peculiar skin condition. No one ever side just how peculiar.

The Trail to Gorilla City

It’s been nearly two decades since Gorilla City petitioned for and was granted United Nations membership, but still the colony of super-intelligent apes remains mysterious.

Some accounts suggest that the city’s inhabitants are actually aliens, inadvertently brought to Earth by the actions of Green Lantern Hal Jordan from a world where apes evolved from man. Either Pierre Boulle’s novel carries some degree of truth, or this is a telepathic fiction created by Grodd or another of the apes for some purpose. Other accounts suggest they are terrestrial hominids, evolved by the actions of an alien visitor. It is possible (and some of the depictions of their physical characteristics support this) that they are not actually gorillas at all, but rather evolved Mangani, their ancestors cousins of the tribe that raised Tarzan.

More intriguingly, there seems to be (or have been) more than one gorilla city. In 1931, Tarzan discovered a replica of London, peopled by gorillas uplifted by a mad geneticist who called himself and was thought of by the apes as “God.” “God's” notes on hybridizing gorilla and human DNA were sought (and possibly found) by both Robert Yerkes and Ilya Ivanovich Ivanov (and possibly Ivanov’s protégé Ivan Kragov, the Red Ghost).

Perhaps twenty years later, Congo Bill discovered a more primitive city of intelligent gorillas who claimed to be from a world with two moons. Bill took this description to mean Mars (an idea perhaps supported by the existence of an alternate earth where Martian apes ruled and were opposed by Jonathan Raven, Ape-Slayer), though perhaps it was Calor. The link between the current Gorilla City and these others is unclear; they may represent periods in the evolution of ape society or purposeful obfuscation of the gorillas’ true nature and history.

Wednesday Comics: Storm: The Slayer of Eriban (part 6)

My exploration of the long-running euro-comic Storm, continues with his adventures in the world of Pandarve. Earlier installments can be found here.

Storm: The Slayer of Eriban (1985) 
(Dutch: De Doder van Eriban) (part 6)
Art by Don Lawrence; script by Martin Lodewijk

Storm and Nomad race toward the royal box with the guardsmen on their heels. They effectively take the ruler hostage to get his attention. They are surprised to find young Tilio there--and even more surprised and he reveals himself to actually be Renter!

Storm tells Renter they've got him beat. One false move and they'll kill the ruler, depriving the young assassin of the ability to complete his graduation assignment. Renter, however, reveals a surprise:

Ember has been drugged and put into the Barsaman game!

Storm snatched two shields from the guards and improbably uses them as improvised "snowshoes" to cross the molten floor of the arena. He gets there just in time to catch Ember. His shoes begin to sink quicker with more weight, so Nomad is forced to relinquish the captive royal to help Storm out.

Renter takes over threatening the ruler to keep the guards at bay. One of teh guests in the bos has a surprise of his own. He removes his mask, revealing himself to be Renter's teacher. He delivers another revelation:

The royal family realizes this is the son stolen from them. Renter is in utter disbelief, but ultimately he can't bring himself to kill his father. His teacher reports Renter has failed his graduation exercise. As a horrified Renter is embraced by his mother, the teacher leaves. Storm, Nomad, and Ember make their escape, aided by both the turmoil in the royal box and the turmoil in the stadium caused by the escaped prisoners. The Barsaman games are suspended indefinitely.

They make it back to the ship. To their surprise, Renter is there waiting. He tells them he sent Tilio away with some money. Renter trained all his young life to be an assassin. He doesn't know what to do with himself now. He asks our heroes to place him in the regeneration capsule and set him adrift, where he can dream, maybe to the end of time.

THE END

Weird Revisited: Take the Subway to the Wizard's Sanctum

This post first appeared in January of 2012. It's still true today... 

You may have heard this one: A homeless newsboy in a nameless city follows a mysterious stranger into a subway station. 

The stranger leads the boy aboard "a strange subway car, with headlights gleaming like a dragon's eyes," and decorated inside and out with weird, perhaps mystic, symbols.  The car "hurtles through the pitch-black tunnel at tremedous speed."  Their destination:

And beyond, a cavernous hall decorated with grotesque statues of the iconic failings of man.  At the end of the hall, a hierophant sits immobile on a throne, a square block of granite hanging precariously over his head by a slowly unraveling thread.

The wizard is, of course, Shazam and the Boy is Billy Batson.  Billy is about to be given the power of six mythological figures. At that point this story becomes a superhero origin, but at all times it's a fantasy story, too.  Grant Morrison (in Supergods) sums it up like this:

"the train carries Billy into a deep, dark tunnel that leads from this world to an elevated magical plane where words are superspells that change the nature of reality."

My point is bringing up Whiz Comics #2, is that I think fantasy in an urban setting ought to have a bit more of this and a bit fewer succubus streetwalkers, werewolf bikers, or angels in white Armani suits.  Not that there's anything wrong with those things--but they've gotten commonplace.  Perfunctory.

There's no reason why fantasy in a modernish setting can't be infused with weird or wonder.  We've got plenty of examples: Popeye's pet jeep, the Goon's antagonists, or in a less whimiscal vein, VanderMeer's city of Ambergris suffering under occupation by fungoid invaders. I can't be the only one that wants fantasy in the modern world to be something other than 90's World of Darkness retreads.