Operation Unfathomable Cover Aprocrypha

During the Operation Unfathomable Kickstarter and run-up to publication, I did a number of cover mockups, as brainstorming and placeholder images. Here are some of those, most of which are unlikely to grace a product. 

Remember these are mockups, not finished products. They were not complete in some cases.

First up, here's the Jason Sholtis artbook that was one of the stretch goals we didn't reach:

We thought about blacklight covers (or covers with the black vibe) for the DCC conversions:

Finally, here's an unused design for the Player's Guide recalling old Boy Scout merit badge pamphlets:

Season of the Witch

Agatha Harkness, elderly former governess to Franklin Richards, was alive (according to some sources) well before the sinking of the last remnant of Atlantis. She is one of the homo magi, a subspecies of humanity with a greater facility at the magical arts. A witch, in other words, and one of the oldest still living. Mundane humanity has not always been kind to members of homo magi, and the witches and wizards have long sought an escape from persecution. Some sought refuge in other dimensions; Harkness and others hoped the New World would be a place of safety.

She and her coven contrived to bring a witch homeland into being through their actions in Salem village in Massachusetts in the late 17th century. The project is depicted in the television series Salem, albeit in a sensationalized and one-sided fashion. Mistakes were made, to be sure, and many of those could be blamed on Harkness’ son, who would begin calling himself Nicholas Scratch in mockery of the Puritans’ fear of the Devil. The Harknesses and their cover were forced to move on.

They found refuge in an isolated valley in the Rocky Mountains and founded the town of New Salem where they could live in peace. Once the town was well established, Agatha chose to return to the outside world, perhaps to search for other homo magi, perhaps to keep a closer eye on wider humanity. During World War II, she may have joined our magical practitioners in helping the Allies. She likely had a hand in helping to establish the national Council of Witches and Miss Robichaux's Academy in New Orleans to secretly nurture more attenuated homo magi bloodlines. Certainly, she would have checked in on the Spellmans, her descendants through her daughter, Abigail.

In her absence, Nicholas Scratch eventually took power. He fathered several children by several wives: those becoming the magically mutated individuals known as the Salem Seven, and at least one illegitimate child among another hidden sect of witches named Klarion Bleak. Eventually, Scratch and his children and followers in New Salem sought to move against Harkness. With the aid of the Fantastic Four he was defeated and vanished to another dimension, though he would continue to plague the Fantastic Four and his mother.

The settlement of New Salem does not survive the end of the 21st century. Its inhabitants will choose to join other homo magi refugees on the distant world of Zerox.

Wednesday Comics: X-Men Grand Design

X-Men: Grand Design is a mini-series, planned to last 6 issues, that is intended to weave the over 40 years of X-men publication history into a single, epic narrative. This bold perhaps even foolhardy task is undertaken by Ed Piskor, alternative comic artist, who has already authored another sprawling epic, the Hip Hop Family Tree.

Piskor's version begins with Namor's flooding of New York in the 1940s (setting the stage for mutant hysteria) and moves through the formative years of both Magneto and Xavier, before getting to the formative years of the X-men--and that's just issue one. This is no summary like Marvel Saga, but something more like comic book adaptations of the Bible. It's pretty condensed, but it's a genuine narrative. Piskor makes up very little. Instead he emphasizes certain elements and streamlines or omits others in the name of giving these stories by numerous creators with different visions a throughline. The incarnation of a new Phoenix Force host is a big thing that obviously didn't appear quite some early in the original comics.

The style of the comic is a fusion of an alternative comics sensibility with the decidedly retro that works. There are no glorious splash pages to drool over, though. This is all about the story.

Issues 1 and 2 are currently available.

Cult of the Cobra

On May 25, 1953, one of a pair of twins was stolen from a New Delhi hospital by the shadowy Cobra Cult. Twenty-three years later, Jeffrey Burr ruled the cult as Kobra, and had transformed it into an international subversive organization.

In the next few years, his organization would see even greater expansion in Western hemisphere and pose a sufficiently serious threat to American interests that a special task force would be created to deal with them. The unlikely architect of this success was a recent convert to the cause: A former car salesman turned con man and anti-government agitator who would become known as Cobra Commander.

The key to the future Cobra Commander’s success seems to have lain in his ability credibly speak to the desires of angry political fringe of whatever persuasion. He could recruit from the United Freedom Front, Black Spectre, Posse Comitatus or the Sons of the Serpent, or keep things ideologically light and bring in disaffected members of strictly criminal groups. Cobra Commander’s only certain belief personally seems to have been in brokenness of the current system, and in the power of fascist symbols and pageantry. He tossed the snake-scale costumes and robes for a more imposing, paramilitary vision. Given the Commander’s success, Kobra allowed it.
It was quite a rise, but in the end too high and too quick. Kobra would not share the throne. In the mid-eighties, barely a decade into his meteoric rise, Cobra Commander was assassinated at Kobra’s command.

Silver Metal Lovers

There is no doubt that Henry Pym is a scientific genius, but advanced robotics and artificial intelligence is far afield from biochemistry and biophysics. The achievements in those areas credited to him (for contractual reasons) in Marvel Comics are actually the work of his friend, William Magnus.
Magnus was of old Dutch New York stock and his family knew the van Dynes socially (perhaps even dating Janet) before he became a student of Janet’s father, Vernon. Magnus surpassed his mentor at young age, had developed intelligent robots, the Metal Men, had an impressive list of patents and government contracts, and an advanced laboratory complex while Hank Pym was still falling into anthills.
There had been robots before, certainly, but Magnus was interested in his creations doing more than passing Turing’s test. He wanted emotive machines, something truly animate. Magnus was an esotericist as well as a man of science, and his theories on emotion were an odd mixture of alchemy and psychodynamics. He brought forth the traits than were already in the metal, he said. His nuclear-powered Philosopher’s Stones, the responsometers, were an attempt to model the mind or soul more than the brain. One of his Metal Men, Tina, made with platinum responses, fell hopelessly in love with him. For reasons conscious or unconscious, Magnus always told her this meant her responsometers were faulty.
For his second series of robots, he tried encoding the psyche of a human as a substrate. Ultron would be birthed from Hank Pym’s brow. This robot was self-evolving, and he transformed himself into an Oedipal monster who wished to kill Pym so it could have Janet van Dyne. Ultron’s reproduction has become almost viral. So many iterations have existed and become separate lines of evolution, he has proved impossible to eradicate.
When Ultron decided to build his own wife, he had Magnus aid him (perhaps with brainwashing, perhaps not). He wanted Janet van Dyne’s soul in a robot body. He named that new being “Jocasta.” His psychocircuits had surpassed any human concern with irony. Jocasta was as unlucky in love as any of her predecessors, dying at the hands of Ultron just when she found her feelings requited by Machine Man.

Unfathomable Variations

The digital version of Operation Unfathomable is now in the hands of Kickstarter backers, inching us closer to the time when anybody will be able to buy it. Having played OU in a game run by its creators, I can attest to it being a solid adventure, and one I could see using in more contexts than just old school D&D. Jason's vision seems to be informed by pulp fiction (when the boundaries of science fiction and fantasy where not so clearly delineated), B science fiction movies, and comic books. While some traditionally-minded epic fantasy campaigns might need to do some tweaking to content and tone, their are other genres where it would work with about the same amount of effort.

Here's what I've come up with with just a little bit of thought:

Post-apocalyptic: Put the Underworld beneath a Gamma World or Mutant Future. The monsters become weird mutants or alien incursions. The Chaos becomes literal radiation, or some reality warping residue of the biggest super-weapon the ancients had. Or the malfunctioning drive of an immense alien saucer. Whatever.

Call of Cthulhu or similar Pulp Horror: Tweak the tone a bit, and Jason's Underworld is every bit as much a lurid place of weird menace as K'n-Yan or red-litten Yoth. It already Great Old Ones and their cults lurking around, too, though it would be easiest enough to substitute known mythos horrors like Eihort or Tsathaggua. Turning lurid up to ultraviolet, I invite you to contemplate the potential parallels with the Shaver Mysteries.

Superhero: This will seem the most unlikely of these suggestions, and it certainly won't be for all campaigns, but I would point to the Silver Age strangeness of Cave Carson (recently rebutted for modern psychedelic strangeness) and even the Mole Man and the various subterranean cultures of the Marvel Universe. Obviously, the parameters of the mission might be different, and the previous force that cleared the path the PCs followed, might will be the campaigns next major villain. (Or the original X-men to your team's New X-Men, if you get my Giant-Sized X-Men #1 drift). You might also want to Kirby up the monsters a bit, too.

Boys of War

In 2007, the U.S. Veterans of Underage Military Service reported that most of their members had first served between the ages of 14 and 16, with twenty-nine active members entering service at 13. No report exists as to how many were in the so-called Young Allies, or as they were later and unofficially named, the Boy Commandos.

In 1941, after a few dedicated members of the Sentinels of Liberty (a patriotic youth organization and Captain America fan club) aided Bucky and Toro in defeating a group of would-be saboteurs in a Brooklyn shipyard, the United States government commissioned the formation of the “Young Allies,” a group of older youths that would help protect America’s shores against spies and saboteurs with there vigilance and prepare for military service should the need arise. A comic book was also commissioned that presented the boys in a more active role than they actually had (at least initially) and portrayed them as younger than they actually were for twofold propaganda purposes: to build support for war among young people and to ridicule the Axis powers by showing them defeated by children.

Not long after America’s entry into the war, members of the Young Allies were fighting overseas alongside Bucky and others, though their activities were directed more for publicity and propaganda purposes than military effectiveness. This “Boy Commando” unit (as it came to be called) was officially made up of boys of minimum legal military age. In fact, most were between 14 and 16, and conspicuously, all were orphans. This group allowed members from allied countries, including two from nations under German occupation.

Beyond the fictionalized incidents presented in comic books, a full accounting of the activities of these brave boy commandos has ever been given.