Friday, August 14, 2015

Consult the Dictionary


I've updated the Dictionary of Azurth with a few new entries, reflecting things from more recent blog posts and adventures in the ongoing campaign. Read it here.


Thursday, August 13, 2015

Sirens

Art by Diane Özdamar
In the first part of my pirate-Sargasso adventure "In Doom's Wake" the PCs encountered three unusual, but alluring creatures in a half-submerged wreck. There were 3 Cecalian (thanks, internet!) mermaids: Giddy, Sheela, and Pru. In place of legs, or a traditional mermaids fish tail, they had squid-like tentacles--a vampire squid's webbed tentacles in this case, making them look like they wore long skirts. They also had a color change and light-producing ability like a cuttlefish. In 5e, I statted them pretty much like Merfolk with a few special features. Here are their abbreviated stats:

AC 11, HP: 16
STR: 10, DEX:13 (+1), CON: 12 (+1), INT: 11, WIS 11, CHA 13 (+1)

Tentacles. Melee Weapon Attack +4 to hit, reach 5 ft., one target. Hit: 2 (1d4) piercing damage. Hit creature is grappled (escape DC 12).

Mesmerizing Light Display. As the spell Hypnotic Pattern. Wisdom save or be charmed (incapacitated, speed of 0). DC 11 to resist.

In all other respects they had the abilities of Merfolk.

Wednesday, August 12, 2015

Wednesday Comics: The Spire #2

The Spire #2 (August 2015); Written by Simon Spurrier, Art by Jeff Stokely

The Spire is a tower city in the middle of a desert. A desert (we discover in this issue) that has air toxic to humans, at least with repeated exposure. This also ties in to the origin of "the Skews," the strange, near humans that suffer prejudice within the city. They were apparently made in the "Antiki" times to live places and do things humans could not. Watch Commander Shå is a Skew. She's also trying to solve a series of murders.

There's a serial killer in the lower city who has ties to the high class upper part of town, according to a couple of tracker animals. Then there's an apparent attempt on the life of the Marchioness, the mother of the newly ascended Baroness that instead takes the life of her nursemaid.

Meanwhile, religious zealots in the deserts are massing, and a messanger sent at the death of the old baron is returning to the Spire with a mysterious group of Sculpted (the polite name for Skews).

I suspect all these things tie in together and to the history of the Spire. Still a lot of worldbuilding in this issue (which isn't bad, but any means) but the mystery seems to be picking up steam, even if the main characters don't seem to know it yet.

Monday, August 10, 2015

Castle in the Clouds


The Land of Azurth 5e campaign continued last night, with the party returning from crystalline Mount Geegaw on just one of the flying swanboats. After stopping for the night to rest (and heal), they are perhaps only half a day from Riverton when their vessel is buffeted by an unnatural wind. A whirlwind grips Waylon the Frogling, and a leering face forms out of mists to taunt him. The group manages to free Waylon, but a fierce gust tosses Dagmar, Shae, and Kairon from the boat. The wind seems to catch them, and its voice extorts their cooperation in return for not letting them drop.

The living gale introduces himself as Zykloon. He carries their ship even higher into the air to a cloud with a strange castle on it (something more like a sci-fi amalgam of futurism and brutalism than anything the PCs have seen before). He demands the crystal they took from Mortzengersturm--the magical Whim Wham stone. They reluctantly agree, but do manage to capture its reflection in the magic mirror the Princess Viola gave them before turning it over.

The dishonorable Zykloon smashes the front of their boat, stranding them, and flies off laughing. Luckily, the party finds the cloud is spongy but solid enough to walk on, so they go looking for another way back to the surface.


They find a dock with a giant-sized airship, and a number of man-sized, blue-skinned Cloud Folk. The leader of the Cloud Folk (Prince Thunderhead) explains that the Zykloon, a sorcerous giant, has been forcing them to raid the surface for captives and riches while holding their king, Cumulo, and other important Cloud Folk hostage. The Prince and his people are honor-bound not to attack Zykloon, but if the party could free their people they would share the wealth of Zykloon's castle with them and return them to the surface.

The party agrees. Thunderhead gives them healing gels and a medallion which will show the other Cloud Folk they are working together. They also are provided with a guide they meet at the gates of the castle: a young and feckless Cloud Boy named Nimbus.

Nimbus leads them through the castle's first floor to the dungeon where they free a number of prisoners: five Cloud Folk including the king, a frogling thief named Woggin, two merchants and a peasant farmer.

The poor farmer is killed during their escape by a bestial boggle (as the Cloud Folk call them) guard. Soon, the party is locked in a pitch battle with more of the creatures...

Sunday, August 9, 2015

Baroque Space: Social Classes

In the Age of Space Exploration, humankind is freed from most toil. Automata perform most agrarian, mechanical, and domestic labor. These servitors are often called "Mechanicals" whatever the actual nature of their task.

With no menial work to do, the unskilled poor rely on the charity of their betters or the government. They dwell in large tenements where ideally they go about their days sequestered from the eyes of the more sensitive members of the upper classes. The exception is those living in preserves where the local lords have sought to present an entertaining tableau vivant of antique times. Sumptuary laws dictate the clothing and hair length of those on the dole. The most basic and ill-tailored of garments are provided, as is a relatively bland but basically nourishing provender. The intoxicants available to them are likewise of the meanest sort. Is it any wonder so many become outcasts: beggars, criminals, itinerant and adventurers.
Peasants dubiously costumed supposed in the manner of an Antediluvian Age
Owing to tradition and prejudice, merchants and artisans tend to be human, though often they are no more than the human face on automaton labor. The members of this class most closely follow societal trends and the whims of higher class taste makers.This is particularly true of those dealing in fashion, cuisine, or intoxicants.

Besides governmental, social, or ceremonial functions (war being included among these) and artistic pursuits, the lives of the upper classes of the gentry and nobility are spent mostly in the pursuit of pleasure.

Fashions among the youth of the upper classes runs to the ridiculous

Friday, August 7, 2015

Metal Earth Has Got Maps for You

If you thought Aos had gone dark over at Metal Earth, you were wrong. He was just getting his second wind. Check out these maps from his last post:


This is my favorite but check out the others he's got over at his blog.

Thursday, August 6, 2015

Draconic Correspondences

This comes from a productive accidental brainstorming with Richard and Mateo on G+ yesterday. Something formed will hopefully come from this.

Chromatic Dragon Colors & Alchemical Associations:
Black: lead, vitriol (sulfuric acid), fire, the smell of sulfur, putrefation, phelgmatic.
Blue: tin, rust, water, acrid smell, dissolution, melancholic.
Green: copper, earth, saltpeter, chlorine smell, amalgamation, sanguine.
Red: iron, air, sodium carbonate, rotten egg smell, separation, choleric.
White: silver, alchemical mercury, after a rain smell, unemotional.