Valerian

Luc Besson's new film Valerian and the City of A Thousand Planets is based on the French comic book series Valérian et Laureline by by writer Pierre Christin and artist Jean-Claude Mézières (The film seems largely drawn from the sixth story in the series, Ambassador of Shadows). It's good source material for Besson, has the exotic locales of the comic and multitude of aliens give plenty of opportunity for him to engage in the in the stunning visuals that have been part of his previous science fiction efforts.

Valerian and Laureline are special agents of the Federation, with a bantering, unresolved sexual tension thing going. After acquiring a cute and valuable alien organism, the Mul Converter, to the massive, multi-species space station Alpha, to save it from a mysterious threat. All is not as it seems, and Alpha's Commander has secret plans of his own. Our heroes make their way through the alien locales of the station to solve the mystery and save everybody.

The plot is perfunctory, its drama is simplistic, and the characters are thin, but the sort of science fiction films Besson makes have never particularly focused on those things. The Fifth Element had an breeziness about some of the core dramatic elements, but did a lot with action, humor, and a Heavy Metal visual sensibility. Valerian may not become a the cult classic it has, but would make a good double feature with it.

In rpg terms, the visuals in Besson's film will likely give plenty of fodder with sci-fi gaming. Valerian and the City of A Thousand Planets: The Art of the Film, is worth picking up for that purpose, even if you don't like the film.

Wednesday Comics: The Seven of Aromater

My exploration of the long-running euro-comic Storm, continues with his adventures in the world of Pandarve. Earlier installments can be found here.

Storm: The Seven of Aromater (1984) 
(Dutch: De Zeven van Aromater) (part 3)
Art by Don Lawrence; script by Martin Lodewijk

Ember and Nomad watch from hiding as the Prince's steamship launches a smaller boat with the Seven or Aromater aboard. As they head toward the waterspout beneath the red, Ember realizes in horror what they plan.

She breaks from hiding to try to reach Storm. She is quickly captured and the former Storm, now the Seventh, ignores her cries. The ship sails on:

The Prince has Ember and Nomad in changes. He plans to keep them alive until the the survivors of the Seven return from the Red Tear with the Brain Coral. Until then, his ship will circle the waterspout and wait.

Ember and Nomad don't plan to be idle. They have hidden the remainder of the potion that converted Storm into a monster. Ember drinks it quickly and:

With enhanced strength and resistance to harm, Ember makes short work of the sailors. She and Nomad take over the ship. Ember isn't mindless like Storm and the others, she guides the ship toward the waterspout! The ship rides through the Storm--and is ultimately smashed!

TO BE CONTINUED

3 Pitches, 4 Colors 3: Agents of A.X.E.

This is the third in a series of posts with brief campaign pitches for superhero games. This one is written by Jason Sholtis of  The Dungeon Dozen:

(based on a rejected proposal found in a briefcase left on the subway by Steve Ditko
in 1968...)

Dateline 1999: Thirty years after the total victory of the hippie counterculture,
a unilaterally disarmed America watches helplessly as nation after nation falls before an unstoppable blitzkrieg of super soldiers, futuristic war machines and weapons from newly independent Transylvania.

Shocking the world in a live press conference, President Tom Hayden unveils the existence of the Agents of A.X.E., secret defenders of America. These highly trained super-operatives, each a paragon of American virtue, are entrusted with the use of super-devices derived from the technology of an alien civilization (details still classified) such as the Gauntlets of Potential, the Girdle of Density, and the Eye of Mastery.  

Moments later, the secret headquarters of the National Institute of Xenostudies beneath
Mt. Shasta falls to a sudden strike by Transylvanian stormtroopers, the scientists and leaders
who created A.X.E. all either dead or missing. If only the Agents had been there to help instead of
a Washington dog and pony show! How can you Agents ever forgive yourselves?

There is only one way: Defend America from the Transylvanian menace until they have to peel the Girdle of Density from your cold, dead midsection.

Style/influence: In a nutshell, THUNDER Agents vs. MARS Patrol written by Pat Mills in the 80's as reactionary silver age satire but drawn by Wally Wood and Steve Ditko in their prime, so it looks cool. Old school in tone, emphasizing all-out super-hero war on beach head America, so there will be black humor, super mayhem, and super death. But fear not, when Captain Density perishes, sidekick girl is there to pick up the girdle.

War for the Planet of the Apes

It's five years after a brief and unease truce between humans and apes in Northern California led to war.  The latest films is at turns The Outlaw Josey Wales and The Great Escape rather than a war film unless the title is more clever than it appears and references a war where the apes or not the primary combats--and gives a sly hint to its outcome.

Andy Serkis is again great as Caesar, and so are the other motion-capture actors. The special effects have gotten so good the apes don't really seen CGI at all, other than of course they are. Steve Zahn sort of steals the show here is the new character "Bad Ape" adding a bit of tastefully done levity to otherwise fairly grim precedings. Woody Harrelson is playing crazy, as usual, in the flavor of Kurtz from Apocalypse Now.

If you liked the previous installments in the current trilogy, you'll like this one. If you haven't seen any of this current series, you should start with Rise.

One thing I've noticed, when the first film came out it was widely commented that it was essentially a reworking/re-imaging of Conquest of the Planet of the Apes. This is sort of true and viewed from that perspective Dawn and War are then a two part reworking of Battle for the Planet of the Apes. (Dawn, particularly has a lot of specific scene parallels to Battle.)

3 Pitches, 4 Colors 2: Days of Dr. Nightmare

This is the second in a series of posts with brief campaign pitches for superhero games. This one is written by Michael "Aos" Gibbons of  The Metal Earth and Cosmic Tales:

The world lies at the feet of Dr. Nightmare and has for these 30 years. The lands he rules strain under the burden of his mad and sadistic ambition; those he does not struggle in vain to remain free, or exist now only as mutant infested wastelands, scorched by Zero-Bombs and stinking with the taint of gene-gas.

But the weed of hope grows in the garden of despair. A few individuals, scattered across the globe, locked in disparate lives, have begun to experience lucid waking-dreams of another, better world, where they were heroes. All of them know, even if they refuse to face it, that something has gone wrong with time, and only they can fix it- and at the cost of everything they know.

They are the Awakened, and Dr. Nightmare can taste their dreams.

Inspirations: Days of Future Past, Age Of Apocalyse, Uncanny X-Men in general. 

3 Pitches 4-Colors 1: OMEGA TEAM!

This is the first in a series of posts with brief campaign pitches for superhero games. The others to follow are written by some other gaming bloggers you might know...

All of the world, individuals with anomalous and fantastic powers are increasing in number: mutants or victims of strange accidents, these individuals are feared and ostracized. A secret organization located beneath a governmental office building has need of these so-called freaks. The voice of Control describes the coming threat: The work of a brilliant Dr. Rankin has clearly indicated the danger. The ever-increasing number of “freaks,” extraterrestrial contacts, and weird phenomena, can be plotted on a curve showing inexorable progress nothing less that the destruction of humankind as we know it, if it’s trajectory is not altered. A team of special individuals--freaks--can bend this curve. They are the last line of defense: the Omega Team!

Style: Silver Age veneer on Modern Age construction; like Arnold Drake writing Grant Morrison’s  Doom Patrol, or maybe Steve Gerber writing Drake’s Doom Patrol.
Inspirations: Doom Patrol, Challengers of the Unknown, Atlas-era  monsters/horror, Xombi, Thriller, Outer Limits, X-Men.

Wednesday Comics: Nocturnals: Sinister Path

I backed the Kickstarter for Dan Brereton's latest Nocturnals graphic novel, Sinster Path. The Kindle/Comixology versions are available now, and the hardcover should soon be available to the nonbacker public.

If you're not familiar with horror/pulp/superhero mashup The Nocturnals, you might want to read this post first.  If you are, then you know Brereton presents his tough guy underworld where super-science and magic exist in a matter of fact way, without a lot of explanation. Sinister Path continues this tradition, so no one evidences any surprise when Doc Horror and his crew head into the mansion of a deceased judge to get the files of dirt he kept on various underworld and government figures and encounter supernatural menaces. All in a days work for a werewolf/mob enforcer/scientist from a parallel dimension!

If that makes the Nocturnals sound like camp, it is not. The tone is serious for the most part, and Brereton makes his unusual concept work. His moody and lurid art probably helps.

Sinster Path could be read as a standalone, but it's probably, but best to start a little earlier so you know the relationships. It's fairly open-ended, promising more to come.