Jungian-Gygaxian Alignment

I still have to do some thinking on all the implications, but mull this chart over as I do. It shows Jungian Archetypes super-imposed with the AD&D alignment axis.

The Finer Elements of Inner Planar Adventuring

The original of this post appeared in 2014.

It's not an uncommon complaint on the internet that the Elemental Planes are boring because they're featureless expanses of the same thingm, which is sort of like saying dungeons are boring because thy're just empty spaces underground, or wilderness adventures are dullsville because it's just a whole bunch of trees. Most environments are probably not in and of themselves terribly interesting. They're interesting because of (a) what you can put in them and (b) the additional challenges their nature presents to PCs. I would also say that the Elemental Planes can be an interesting cosmological element in a setting even if not viewed as a place to go adventuring, but it's "place for adventuring" I'm going to focus on here.

First off, the Elemental Planes as typically described are for the most part pretty hostile to human life. I don't think that's a bad thing, necessarily. High level adventurers have access to a lot of great technology (i.e. magic) to protect themselves. Guarding against equipment failure and avoiding changing conditions certainly creates a lot of tension in science fiction books and movies; there's no reason it can't be put to similar effect in gaming. It's resource management that's more than just counting.

Here are some brief ideas and inspirations for Elemental Plane adventures:

Air
This one's probably the easiest, with flying creatures, cities on clouds and the like. I would draw some inspiration from sci-fi imaginings of life in the atmosphere of gas giants. The plane of air should only be featureless like space is featureless: there should be pieces of stuff falling/tumbling through it. There should be air-dwelling Portuguese man o' war type things and air-whales like living zeppelins that one can travel or even live on. Reliance on the strongest air streams for travel would ensure that there were certain air caravan routes.
Inspirations: the Cloud City of Bespin in The Empire Strikes Back, the Star Trek episode "The Cloud-Miners," The Mysterious Explorations of Jasper Morello, Castle in the Sky (1986), Last Exile.

Fire
Fire is like a really big star, though it's surface is much cool. There would be islands of rock (and by islands, I mean things bigger that continents) floating across it, or great metal craft drifting through it's smoke-choked corona. It would, of course, be populated (though perhaps not exclusively) by beings (jinn?) composed of Fire who did very similar stuff to Prime Material humans but were fiery while doing it.
Inspirations: Any Adventure Time episode dealing with the Fire Kingdom, the neutron star life of Forward's Dragon's Egg, parts of Sunshine (2007), Secrets of the Fire Sea by Stephen Hunt.

Earth
This plane is a huge sphere (or block or tesseract, or whatever) of rock, riddled with tunnels and chambers. In other words, it's a dungeon in three dimensions. It's sci-fi asteroid mining and molerat sapients, too.
Inspirations: Dig Dug, the Star Trek episode "Devil in the Dark," Derinkuyu.

Water
Like Air, it's fairly easy to see what to put into the Plane of Water, but maybe difficult to see why you wouldn't just do that stuff on a Prime Material ocean. I would say it's like an extraterrestrial ocean planet: You can make it far more exotic than you would the oceans of your main campaign world. Societies would have vertical and horizontal borders. Different depth layers would be like different levels of a dungeon, except (depending on how science fictional you got) adventurers might need increasing pressure protection to descend to the next level.
Inspirations: Neptune's Brood by Charles Stross, The Abyss (1989), Finding Nemo, 20,000 Leagues Under the Sea, Blue Submarine No. 6, Sub-Mariner, Aquaman, and Abe Sapien comics.

Wednesday Comics: Storm is Coming

After a bit of hiatus, I'm getting ready to return to my survey of Don Lawrence's Storm (hopefully) next week. To catch you up since it has been a while, here are the installments so far on the current volume "The Living Planet":

Part 1
Part 2
Part 3

Two Towns

These settlements go in this world, but certainly could be placed elsewhere.

Tuskinth: A village whose primary industry is nonnig husbandry. it specializes in the so-called healing breed of furry nonnig, whose purring and warmth is said to have a calming influence on the nerves which aids in healing, and of course, nonnig of any breed are highly nutritious and flavorful. The nonnig yards are composed of hill-mounds surrounded by small moats (the nonnigs avoid water). The nonnig breeders can be recognized by the mail gauntlets they wear on their left hands, to protect themselves from the sting of the mound wyrms that form a symbiotic relationship with the nonnigs and protect them from predation with the warrens. Some nonnig breeders may keep small mounds of scintilla-sniffers on the side, but the practical folk of Tuskinth look down upon treasure-seekers.

Harfo and Sons is the most prosperous of the breeders, though many in Tuskinth would opine that only the old man, Grenz Harfo has any particular head for nonnig-breeding. His eldest son, Halx, is a handsome dullard, and his youngest. Festeu, is a idler and wastrel. Of note, he does own a rare (outside of the Daor Obdurate) telesthetic hound. The poor beast is quite mad, made so by an over-sensitivity to human anxieties resulting from over-breeding. Its shrew-like snout is has a-quiver and dripping, and it's whip-like tail sways nervously.

Horbizond: Was the name of an ancient city, and also the current modest village that squats in a meager portion of it. The people of Horbizond dress in the decaying finery of the ancients and appoint their over-sized but crumbling homes in an equally ostentatious fashion. They live in holy dread of the Prismatic Man, an angular, crystalline visitant, who materializes at random intervals to isolated folk of the town. The actions of the Prismatic Man are various and strange. He has at times pointed with a glassy finger to hidden treasures. Other times, he has emitted a chiming that the hear perceived as some spiritual wisdom. Then there are the occasions when he has seemed to produce rays of color from his palms that struck an individual dead. If there is any rationale to whom the Prismatic Man favors and whom he destroys, the folk of Horbizond have yet to discern it. In fact, they believe it would be blasphemous to do so. The Hwaopt Library is willing to pay for detailed observations of the Prismatic Man, whose nature and purpose they are eager to discover.

More Supers Art

This is Agus Calcagno's rendition of the Abhumans, which I haven't got around to coloring yet. I have colored their headshots, though:

Weird Revisited: In Arcadia

Here's another of my refinements/spins on the D&D Outer Planes. This one from 2012 was expressly for the world of Weird Adventures but might be usable elsewhere.

Astral travelers sometimes finding themselves passing through a veil of mists and arriving in the apotheosis of sylvan settings, the realm of Arcadia. In this plane dwell forgotten woodland spirits and pastoral gods and creatures out of myth.

Arcadia is hyper-real; it seems more vibrant and alive than the material plane. Smells and tastes seem directly drawn from the most vivid examples in memory; everything is in technicolor and imbued with a faint glow. The world itself is alive--with potentially communicative spirits in everything. Night and day and shifts of weather are sentimental things, sensitive to the meaning of events or the mood of powerful beings.

Arcadia borders other related realms. The Land of Faerie emerges from it (though this realm also has tunnels linking it to the Lower Planes). There is also the Land of Beasts, where the iconic animal lords dwell, ruled over by King Lion.

Despite it’s ties to age-old fables, the Land of Beasts keeps up with the expectations of modern visitors. Adventures from the City have found there home mirrored there in a city of anthropomorphic animals who frequent nightclubs and drive cars. The Cat Lord can often be found here, in the swankest of night-spots.

Magical practitioners view Arcadia and its neighboring realms as places to salvage materials and items out of myth and legend, and to parley with powers that--though perhaps consciously forgotten--still retain great mythic resonance in Man's unconscious.  As with all extraplanar dealings, caution is warranted: These primal beings have agendas of their own.

Quake Alley Mayhem!

David Lewis Johnson has released the first adventure for his Gathox The Vertical Slum setting (read about it here): Quake Alley Mayhem. It's design for use with Swords & Wizardry, which means it will fit most retroclones well enough, and interestingly its a tournament module, so it's good for running at your local con, so people can see the sort of wild creative the OSR is about.

The setup is simple: The leader of the Purple Rockets has had a magical artifact (the Holy Driver--a big drill-thing like something a Dreadnok might use) by these cyclopean alien ne'er-do wells and he wants it back. They've hidden it in their trap-laden and dangerous "inverted tower" safehouse. Get it back, and you'll reap a reward, but you have to make it out alive.

Dave tells us the fatality rate in the playtests was well over 80%, so "mayhem" is well put. Further reason it would be perfect for a con or oneshot, though it obviously can be dropped into an ongoing campaign. The gonzo setting and weird gangs gives the whole enterprise a Heavy Metal magazine feel, or at least a Heavy Metal gloss on a grindhouse film. It's a very fitting approach and a strong answer to the question "what do you do with Gathox?"

Dave's artwork is rough, but never sloppy. It at once invokes an old school feel, but also a bit of a punk aesthetic that complete fits the material. The aesthetic continues to the pregen record sheets, but not to the map which is sensibly business-like and readily. The single column layout reads well in pdf.

If any of this sounds interesting to you, you should check out Quake Alley Mayhem. It's available at fine digital rpg sites everywhere (well, two of them).

Thrilling Locations

My ebay buying out of print game spree continued last week with me picking up most of the modules for the Indiana Jones rpg and getting a lot of James Bond stuff. The James Bond rpg has been justifiably praised, but one thing I don't seem people mention too much (at least not as much as the Q Manual) is the book Thrilling Locations.

Thrilling Locations is the equivalent of a very detailed "setting book" for the world of James Bond, or perhaps it's more the equivalent of the Flying Buffalo City Guides. It is very detailed, but it is also completely full of practical information of interest to players and GMs alike. Need to know the minimum bet on the roulette wheels in the American Room at the Casino de Monte Carlo? It's got you covered. How about the nightly rate for a suite at the Hotel de Paris when the Grand Prix is going on? It's got that too.

There are descriptions of how various gambling diversion work in the real world, a floorplan of the MGM Grand Hotel, a section on the features of luxury yachts, and the whole skinny on the Orient Express. While I can't vouch for the accuracy of all of this information, copyright notices in various places make me modern if this is a fairly accurate representation of the places and things covered circa 1985. If so, it makes it an interesting time capsule.

Thrilling Locations is an interesting read, and would be an indispensable research for a game set in the era dealing with the lifestyles of the wealthy and jett-setting.

More Armchair Planet Who's Who Art

I just got these pieces this week, and I have been too busy to color them, so here they are in their line art glory:

These representatives of that race extradimensional dealmaker and powerbrokers known to superstitious folk as the Devils as rendered by Jason Sholtis.

And here are members of the hidden race of variant humanity that inspired the legends of elves, dwarves, goblins, and the like: the entourage and exiled royals of the astonishing Abhumans! Art by Agustin Calcagno.

Wednesday Comics: Batman by Grant Morrison

I'm laid low by sinusitis, but I wanted to at least nominally honor my (self-imposed) Wednesday comic book duties. Batman by Grant Morrison Omnibus Volume One is out now. It promises to be the first of three collecting Morrison's work with the character, though I assume that means his run including Batman & Robin and Batman Incorporated, but not older stories he wrote with the character (like "Gothic"), since the first omnibus dives right in with the "Batman & Son" storyline.

While I've always liked the character, I've never been a big reader of Batman comics, but Morrison's run was really enjoyable. It's often a bit like Silver Age or goof Bronze Age with a modern sensibility, similar in goal if not in presentation to All-Star Superman. It is dark in spots, true, but it brings back a lot of elements from earlier eras that have largely been tossed from continuity, and once the "event tie-in" stuff is out of the way, it gets much tighter and, I think better. In fact, the ending of his entire saga, made me feel that the "R.I.P" portion of the storyline had faltered less than when I first read it.

Total Party Jam Kills the Blue Meanie

Our 5e Land od Azurth game continued last night with the party re-united (after the explosive ending of last session) in the strange Blue Pagoda on the Misty Isle of the Meanies. They were faced with a door which they had been told would lead to the chamber of the Supreme Blueness. Inside, they found yet more of the guards, who they slaughtered pretty quickly after the obligatory attempt at deception, spoiled once more by the Meanies noting the musical instruments carried. The Meanies hate music.

Beyond that when was another door, and a larger Blue Meanie sitting in a floating egg chair. Again, the party tries to get information from his  and deceive him, and again the fact that the bard is still carrying his guitar visibly spoils the deal. The Meanies (again) hate music!

So, the party goes about killing the few guards here. A giant flying glove emerges from behind the throne to smack down Erekose a couple of times. Shade's rain of arrows softens up all their foes for the rest of the party to finish off. In the end, their is only the Supreme Blueness and his right hand Meanie, Max.

The leader laughs at calls for his surrender. He assures the party reinforcements are on the way. He also proclaims that he is utterly immune to their attacks and magic. The party claims to discount this, yet no one attacks him to prove otherwise. For a few rounds, their is a stalemate while the party tries to figure out what to do.

Then, Waylon the Thief, acting on a hunch, whips out his banjo and starts planning. His Supreme Blueness cries out and writhes in pain. Kully the Bard starts playing his guitar and Shade the Ranger her flute. Dagmar and Erekose begin singing (probably badly), and Kairon casts Thaumaturgy to create music at an amplified volume. Under this assault, the Supreme Blueness withers to nothing.

With his passing, the mists recede from the isle, and the people who were turned to stone are restored. The party finds a fancy, handle-bar mustache in a velvet box, and hope to locate someone who can point them in the way of the Land of Under Sea.

G.I. Joe Role-Playing Games

I've mentioned before on this blog that I made a G.I. Joe role-playing game (based on the 80s incarnation) back in the day. Revisiting the era of the action tables with Indiana Jones brought that to mind and got me interested in just what was out their in terms of unauthorized Joe role-playing. Here's what I found:

Technohol 13 has statted ip the Joes, COBRA, and even the Oktober Guard in FASERIP. He's broken them down by year (presumably of release of the toys).

Jay Libby has done this one based on the FUIZON system (remember that from the late 90s?). It's pretty comprehensive, as well.

Finally, here's one Ben Lathrop did using Mutants & Masterminds.

There are a couple of games that are G.I. Joe-ish but nor G.I. Joe, so they could be officially published. Crafty Games did Real America H.E.R.O.es for its Spycraft. They have a bundle of other cartoon-themed Spycraft conversions, misnamed "Saturday Morning Spycraft" because most of the cartoons they are homaging were syndicated afternoon fare.

Strike Force 7 by Super Genius Games is for Savage Worlds. It appears to be not as direct a pastiche as Real American H.E.R.O.es, but the G.I. Joe inspirations is still clearly there.

Kung-Fu Post-Apocalyptic Ravenloft

I have enjoyed Into the Badlands on AMC much more than I thought first saw advertisements for it. The fight scenes are well choreographed (much better than Marvel's Iron Fist) and it's vaguely Western post-Apocalyptic setting is more intriguing than expected.

Anyway, watching Into the Badlands the other night, I thought it not be cool in a mashup with Ravenloft. Perhaps it was the hint of 19th-Century that made me think of it, but you could replace Into the Badlands' barons with Ravenloft's Dark Lords and stir in some Vampire Hunter D seasoning.

This seems like it might work particularly well in 5e where the greater number of character powers/abilities would be easy to translate to a wuxia sort of thing.

This is Pride and Prejudice and Zombies, but it has martial arts, 19th Century stylings, and supernatural stuff too

Weird Revisited: Toward A Hard-Boiled Fantasy Sandbox

"Walk down the right back alley...and you can find anything."
- Sin City (2005)

Folks of a poetical inclination have called the City "unnamed."  Truth is, the City has too many monikers for anybody to know them all. But you say "the City," and everybody from yokels up in the Smaragdine Mountains, to the newsie on the corner knows where you mean. There was a city here before it became the City, you know?  Then some swell got himself itch to be an emperor and brought the five baronies together. So here we are, and that swell got his empire, but maybe it didn't turn out the way he thought. The City doesn't need soldiers or armies when it's got commerce and style.

Alright, maybe they've got all the movie stars--and most of the sunshine--out there in Hesperia, but all the other culture's right here. Ships come into this harbor from all over the world--bringing stuff to sell, bringing people. And a lot of the decide to stay.  You go to the right neighborhood and you'll swear you got dropped into some foreign country. And the nightlife? This town jumps, friend. From low-class gin-dives to tony swing-clubs, it roars.  I'd steer clear of the hinky alchemical liquors, though.  Word to the wise.

Now, those joints I was talking about are full of would-be toughs and hard-cases come here to make a name for themselves. They go ransack the ruins the Old Ones, left all over the countryside, then they come to the City to sell their haul and hit the town. City-folk are happy to separate a rube from his money. Gin, jazz, janes--you know, whatever. Guys can make money too, if they know were to look. The gang bosses that run the streets always got a need for muscle, or a little cheap wizardry. Sometimes the ghouls from Undertown get kind of rowdy, and the coppers start looking for guys to deputize, too. Or maybe the rail-yards are looking for bulls to crack a few goblin skulls. Then of course there are bounties on monsters that need killing.  What, you think there's only gold down in those ruins? Anyway, you get the idea. There's dough to be had, and plenty.

So welcome to the City.  Have a good visit--but watch yourself, pal, things can get rough.