The Princess and the Darkness

Our 5e Land of Azurth campaign continued last night, with the party climbing the stairs to the next level, despite the madness-inducing noise. (Their plan of using Silence proved to be unwieldy.) They all stuffed wax in their ears (except the frogling that has no external ears to put wax in!). Shade was the first up. She found a room full of automata pieces with a whole in the ceiling and bodies of birds beneath it. Beyond that room was an iris-type door.

After retrieving the rest of the party (most of whom made their saves, and the one's that didn't were only minorly impaired), they opened the door. Inside they found a circular shaft with an obelisk, skirted with a platform floating inside. Leading to it was a climbing, arcing path of floating discs, each separated by about 5 feet. Interestingly, the dread noise seemed absent from the shaft--but no other spells worked, either.

Waylon the Frogling was made for leaping, so he was chosen to jump from disk to disk to reach the obelisk and platform. There, he discovered another brass mechanical face. The face explained it was the guardian of the obelisk's treasure, which certainly got Waylon's interesting. It initially was reluctant to reveal the treasure but Kully the Bard connived the head into doing it, though he strongly warned them any attempt to tamper with it would lead to the collapse of the floating obelisk and the release of the "criminal" fire elemental, leading to everyone's death.

Within a milky, glass sphere and festooned with wires, Waylon found a book called The Wondrous Wizard of Azurth, with a drawing of a smiling, benevolent old man on the cover. The book was dangerous, he was told, because it was an anomaly. Not heresy per se (as Dagmar though), but perhaps heresy against the nature of reality.   The book was somehow related to the Clockwork Princess' madness. It's author is listed as O. March Loam (which brought to mind Mirabilis Lum for the player's), but the guardian suggests this was the actual identity of the author who is a "thought form" of some other being, a being with name such "fragments."

Despite Waylon's desire to look for other treasure, the party is more eager now than ever to seek out the princess. On the next level of the castle, they find her. Her face, frozen in horror or madness, is on a great tree like shape of brass and iron, gears and wires. It's wire and conduit canopy spreads out across the ceiling, and his root-like tendrils radiate out along the floor.

There is a shadow, think as velvet, along the ceiling, that slowly brings itself together like a snake coiling for a strike. The party doesn't notice at first. When the shadow has become a whispy sphere, and triangular eyes open in its void like malevolent stars, they do take notice! It tells them it has waited so long for someone to kill so it can be released from this prison of cold light and return to the embrace of the dark void.

Then it nearly kills half the party with a blast of necrotic damage.

The party flees to heal and regroup. Dagmar's knowledge of the arcane suggests it's a aberration from the Outer Dark, which hates light. The party them remembers they are in possession of energy weapons they do radiant damage. Gearing out with Haste spells, Light, and of course those energy guns, they return the challenge the creature.

Though still a fearsome foe, it is perhaps overconfident from its last victory and they catch it off guard. It doesn't long survive what is practically artillery fire of laser beams form Hasted gunmen.

They now have the Princess to confront.

TO BE CONTINUED.

Weird Revisited: The Gods Themselves

This post originally appeared in June 2014.

I've being thinking on the idea that all deities in fiction can be defined by two axes: Mythological-Literal and Transcendent-Physical. Mythological gods have origins and interactions that don't make sense in a literal sense; Think gods born from salt licks or jumping from their fathers' skulls. On the other end of the scale are literal beings whose origins are at least logical and generally pretty much biologically or technologically similar to other classes of lifeforms. Transcendent beings are bound by the usual limitations of single body, mind, and/or perspective, while physical beings certainly are.

The gods from the Greek or Norse mythology are typically mythological, but either physical or transcendent. (They tend to be physical seeming in the texts of the myths, but seem somewhat transcendent in terms their actual historical worship.) 

The Asgardians of Marvel Comics or Apollo of the Star Trek episode "Who Mourns for Adonis?" are mostly literal and mostly physical in portrayal. The Asgardians of the movie Thor and its sequel are entirely literal and physical.

AI masquerading as gods? Literal, transcendent or physical. 

The Endless from Sandman? Straddling the literal-mythologic border, transcendent. 

Kirby's New Gods? Slightly mythological, physical.

So there it is. There may be other factors I haven't thought of.

Classic Monsters Classed

After yesterday's podcast, I had the Universal Monsters on the brain. Probably got another, less frivolous, post on a monster topic.

Wednesday Comics: Bronze Age Book Club: Man-Wolf!

We're normally going to do biweekly episodes, but we were on a roll, so here's the second episode of the Bronze Age Book Club podcast: Marvel Premiere #45!


Listen to "Episode 2: MARVEL PREMIERE #45" on Spreaker.

In addition to Spreaker, you can find the podcast on Spotify, Castbox, and Deezer. Google Podcasts and Apple Podcasts are coming soon.

Once Upon A Time in Hollywood...With Cthulhu

Truthfully, I find Cthulhu himself a bit played out, but invoking his name is a nice shorthand for the concept I had in mind. Warning: This will contain some spoilers for Once Upon A Time in Hollywood, so read at your own risk.



In contrast to the rather enervated protagonists of a number Lovecraft stories and pastiches, rpg characters tend to face eldritch horrors with action. Cue Rick Dalton and Cliff Booth, the (perhaps unlikely) protagonists of Tarantino's latest, Once Upon A Time in Hollywood, who prove surprisingly handy at dealing with kill-crazed hippie cultists, even then intoxicated.

Los Angeles in 1969 is pretty far from Lovecraft country both geographically and conceptually, but their is precedent at least for California Noir as a Lovecraft pastiche setting. (See Kim Newman's "Big Fish," for one.) And if Charlie and the Manson family lurking in the desert and an abandon TV and movie Old West town can't be connected to the Mythos, then what is the Mythos good for?

I could see an initially clash with Manson just being the tip of the iceberg. A raid by the protagonist on the Spahn Ranch would follow, and what horrors would be uncovered?

Of course, the horror need not be cosmic and certainly it can be cosmic without any of the Lovecraft staples, but I think this sort of spin on the film would make a good one shot or con game, at least.

Omniverse: The Spirit of '76, or Get Down America!

In 1976, America’s dissatisfaction with the Presidential candidates offered by the major parties went in some strange directions. The All-Night Party, holding their convention in New York City, wound up nominating a security guard working the event. Who was also a talking duck.

The Constitutional question of whether a nonhuman from an alternate earth actually qualifies as an American citizen was never answered, because a photo published on the day of election suggesting inter-species sex destroyed Howard the Duck’s campaign.

The second most unusual candidate of that year was a super-villain, though admittedly, a super-villain in disguise. Ruby Thursday, a pipe-smoking young Californian, was actually ahead in the polls for a time. Her vague but proactive slogan “New Heads for Old” resonated with younger voters. Just when her campaign was gathering steam she was forced to reveal her head was actually a red sphere of flexible polymer circuitry at a public event. Her campaign was effectively over, as was her cabal’s attempt at world domination, thanks to the Defenders.

Weird Revisited: Zyrd

The original version of this post appeared in 2016. I've reused the name Zyrd at least twice since.

Someone fucked up. Wizards blame the gods--who are dead or gone and can't defend themselves. It's official church policy to blame the hubris of man and unofficially to suggest that means wizards. Whoever did it fucked up. Whoever did it opened a rent in the fabric of the universe and chaos poured in and the world was dissolved.

Gods, Wizards, or devils, somebody made a last ditch effort to save something. Gods were sacrificed, either willingly or unwillingly, and a haven was created: a hypercube hewn from the bodies of titans left to drift in amundic chaos. Zyrd.

Buried deep in the center of Zyrd is a cross of land, the Crux. Once civilization was more than the Crux, but over time, things have broken down. Beneath the Crux is the Underworld--any direction from the Crux is the Underworld. It holds out the chaos and traps the monsters spawned by it in its labyrinthine depths. 

But the chaos keeps creeping in. The only way to save Zyrd is to clear it. To reclaim the dungeon depths and the riches of ages lost there.

That's where you come in.

Wednesday Comics: Bronze Age Book Club

I started a podcast with fellow Hydra heads Jason Sholtis and Robert Parker, and my friend and fellow blogger, Jim Shelley (though he couldn't make the first episode). Take a listen! We discuss Destructor #1 form Atlas Comics. Check it out:

Listen to "Episode 1: DESTRUCTOR #1" on Spreaker.

Mysterious Map

In the long overdue moving of some of my stuff from my parents storage shed, I found this old map that came with a video game. I think I kept the map long after the gaming system that played it was gone, because I thought to use it in an rpg. I never have though, but hey, there's still time!

(Turns out the map is from Quest for the Rings for the Odyssey2, released in 1981. Thanks, internet!)

Weird Revisited: Planet of the Elves

This post from 2012 takes us to a future world where Man is only a dim memory...

Many young elves heed the call to adventure, despite the fact their simple and pleasure-loving society sees their actions as odd--perhaps even aberrant.  The elvish word for "hero" carries the connotation of "fool."

The shimmering sprites are sometimes found in old forests.  These beings claim to be visitors from metal cities which circle the earth like the moon. Right-thinking dwarves don't believe such foolish tales.

Though their numbers are few, ancient dragons know many secrets and will impart them--for a price.

Mutated cultists haunt subterranean ruins.  Not only are they dangerous, but their ideas are theologically suspect.

Our Land of Azurth party in Hero Forge

Tragically, Hero Forge still doesn't have a frog folk race option, so poor Waylon gets left out, but we've it can replicate the other members of the party pretty well:

Erekose, Human Fighter

Shade, Elf Ranger

Bellmorae, Dragonkin Sorcerer

Kairon, Demonlander Sorcerer

Kully, Human Ranger

Everything Goes Better with Ravenloft

Well, maybe not everything, but I think Ravenloft could mix with several of the other D&D settings like chocolate and peanut butter.

Art by Bruce Pennington

Blood Red Sun [Dark Sun/Ravenloft]
Some Dying Earth stories have more than a touch of the Gothic to them (Clark Ashton Smith's Zothique stories immediately come to mind), so this is really a natural. As the sun dimmed and sputtered, the Dark Powers grew stronger and fed upon the energy of the planet, slowing leeching it of life. Replace the sorcerer-kings with the Dark Lords, and (probably) loose the mists. Some tweaking of the domains might be in order, to make them a little less Dracula and a little bit more Vathek, but that's up to you.

Planet of the Vampires [Spelljammer/Ravenloft]
Each domain is a world, and the mists and phlogiston are combined into one. Maybe give Spelljammer more of a 18th Century or even Victorian vibe: Combine Kipling (his sci-fi stories like "With the Night Mail" and his horror yarns) with Stoker.

And why limit myself to AD&D settings?

Terror Under the Eternal Sun [Hollow World/Ravenloft]
I'm thinking ditch most of the Hollow World idea, except for it being the repository of things preserved from the outer world. Take it back to it's Burroughsian roots and have a land of dinosaurs and mostly primitive peoples, except for these areas and mists containing weird, otherworld realms of madness. Probably the realms of dreads should be a bit smaller, maybe just a castle and a village in some cases. Like Turok meets Dracula.

Wednesday Comics: Jimmy Olsen & Dragons

Weirdworld: Dragonmasters of Klarn
Back in 2010, I gave the rundown of Marvel's fantasy series Weirdworld. Most of it was collected back in 2015, but the story "Dragonmasters of Klarn" from 1981-1982 in Epic Illustrated and Marvel Super Action #1 by Moench, Buscema, Nebres, and Severin got left out. Marvel corrected that this week with a thin but complete collection of this story. While it's probably not as good as "Warriors of the Shadow Realm" is very much worth checking out.

Superman's Pal Jimmy Olsen #1
Matt Fraction and Steve Olsen present a humorous tale of Superman's danger-prone pal (reminiscent in tone of Fraction's FF). Olsen is banned from Metropolis by his bosses at the Daily Planet (who tolerate the cost of insuring him because he's internet fandom is the only thing keeping the venerable paper afloat in the digital age) and winds up in Gotham! Easily my favorite read last week.

Weird Revisited: Sasquatch Variations

This post originally appeared in October 2013, but it's always a good time for 'squatch.

In a post-Harry and the Hendersons and Bigfoot and Wildboy world, your run of the mill Sasquatch may not pack the fearful punch it once did. In keeping with the season, here are a couple of sasquatch-like cryptids with a twist to move 'squatch back from "gentle giant" to "scary."

Batsquatch: First sighted in 1994 in Washington, batsquatch is an ape-like hominid with purple skin and batwings. (In other words, something like a scarier version of the winged monkeys in the Wizard of Oz). Stat these guys like a yeti, but add winged flight like a gargoyle.

Sheepsquatch: From the hills of West Virginia comes a cryptid also known as "the white thing." It's described as a bear-sized beast covered in thick, yellowish-white fur. It doesn't look much like the usual sasquatch with its low set eyes, goat-liked horns, raccoon-like hands, and a hairless tail like an opossum. I would use giant wolverine stats for these beasties (minus the musk).

Blue Belt Bigfoot: One of the few hairy hominids known to accessorize, the so-called Blue Belt Bigfoot has only been sighted in California and only on a few of occasions. It's essentially a a regular sasquatch (perhaps with a dog-like face) with a glowing blue belt. Sometimes, they travel in groups. I'd probably treat these guys as bugbears (just because) and give the belt some special power--or maybe not (other than the glowing) just to mess with PCs.

Omniverse: Incumbents are from Earth, Sivanas are from Venus

In September of 1936, all across America aircraft beginning dropping flyers proclaiming a new candidate for the highest office in the land. At the urging of her father, Beautia Sivana was running for President. Thaddeus Bodog Sivana planned to stage a coup once his daughter was in office. Hers was the most massive, multi-media, write-in campaign this country has ever seen. Her beautiful visage graced the covers of magazines and full page newspaper ads. Her captivating voice could be heard on radio addresses. Women were cool to her candidacy, but men were enthralled. Most men. Boy reporter, Billy Batson, wasn’t fooled one bit. His alter ego, Captain Marvel foiled the Sivanas’ plot and returned mad scientist and would-be president to Venus*, where Beautia would have to content herself with being Empress.

Ultimately, Beautia didn’t share her father’s devotion to evil and in fact pursued a career in social work upon her return to Earth, according to some accounts.

*Or what Sivana said was Venus. It is difficult to square the real planet with its depiction in this record.

Spelljammer: Dead Stars & Outer Monstrosites

Art from the Oldstyle Tales Press edition

As we understand the word," said the old Doctor. "Though, mind you, there may be a third factor. But, in my heart, I believe that it is a matter of chemistry; Conditions and a suitable medium; but given the Conditions, the Brute is so almighty that it will seize upon anything through which to manifest itself. It is a Force generated by Conditions; but nevertheless this does not bring us one iota nearer to its explanation, any more than to the explanation of Electricity or Fire. They are, all three, of the Outer Forces—Monsters of the Void.... 

- William Hope Hodgson, "The Derelict"

I've been thinking about a Spelljammer recently that keeps the basic concept but utterly jettisons the feel or flavor. Spelljammer has never felt me to be about exploration, rather the vessels flying through spaces seem a means to an end. There's nothing wrong with that, but plenty of science fiction literature paints space as a place for confronting the unknown. This is really a perfect fit for Spelljammer where its pre-modern, "magical" spacecraft put the stars within reach but not the science to understand any of it. Not that there is necessarily science as we know it to understand, in any case.

I think I would look to the horror/adventure stories of William Hope Hodgson, specifically his nautical yarns like The Boats of the Glen Carrig, "The Voice in the Night," "A Tropical Horror," and "Demons of the Sea." A little pseudo-science borrowed from his Carnacki stories could only help.

The characters are competent space-hands, perhaps mildly colorful rogues like Howard's Wild Bill Clanton or just working stiffs like the crew of the Nostromo in Alien, not bold explorers or science fantasy swashbucklers. Their jobs involving them going through places that are not (usually) inhabited by hostile species of space orcs or the like, but are instead fundamentally almost wild, always strange. Weird danger can rear it's head at any time, and your vessel is just another ship that disappeared in the Void.

Weird phenomena should be encountered as frequently as monsters, I think. Monsters, when they do show up should be unfamilar, and probably not seen enough to become mundane.

Beyond the stories of Hodgson and Alien, other potential sources of inspiration could be the comic series Outer Darkness, the science fiction stories of Clark Ashton Smith, Poe's Narrative of Arthur Gordon Pym, and of course, Moby Dick. 

Wednesday Comics: Dreadstar Omnibus

I backed the 3 volume Dreadstar Omnibus Kickstarter from Ominous Press, and the digital versions dropped yesterday. They look great and include some material that I haven't seen before.

Though the Kickstarter is over, you can still pre-order the books.

The Mysterious Levers of Castle Machina

The part climbed the stairway to level two in the scuttling Castle Machina as our 5e campaign continued last night. The strange droning sound unsettled their nerves, but they persevered. They discovered another room full of vast machinery, mate to the room below it, that kept the castle moving. Then, they found a room full of cast of spare gears, mounds of them, and a bank of levers in the floor.  A search of the room awakened metallic, insectoid guardians.

The party backed away, intuiting that the constructs protected the levers.

Next, they discovered a sauna-like room where three salamanders were playing games of change. Once one of them produced a translation device, they were able to converse with the party. They told them they had been hired from the Realm of Fire to help in the construction of parts of the castle, and they had been on their union mandated break for some time. They had never heard of a "Princess" but they knew a mad clockwork being was interfaced with the castle like it was her nervous system. Kully wanted to gamble with them, but they never could arrive at items them salamanders considered valuable.

They tried climbing the stairs to the next level, but the droning sound was more overwhelming. Waylon and Dagmar were struck with paralyzing fear, and Shade flew into a violent rage and had to be subdued. Deciding that braving the maddening noise was too risky, they returned to the room with the levers, intent on possibly bringing the castle to a halt.

They experimented with mage hand, but moving the lever had no effect. They decided to destroy the guardians to experiment more fully. The energy weapons they had stolen from the priests of the Toad Temple were instrumental in accomplishing that, as regular weapons had little effect. In their deaths, the constructs exploded with damaging fireballs.

Battered but now with full access to lever, the party started to experiment in earnest and found...well, not much. Most of the levers seemed to have no visible effect. They long debated pulling the "Portal Reversal" lever, but some feared it would release the imprisoned fire creature that heated the boiler. In the end, they decided it was too risky.

A plan was hatched to use Silence to explore the next level.

TO BE CONTINUED

Superheroes and Color Theory

A series of articles back on Comics Alliance in 2016 discussed color theory as it relates to the costumes of superheroes: stuff like heroes tend to be in primary colors, and the potential meaning of villains in green and purple. It doesn't match up hundred percent, but it is interesting. Anyway, you might want to head over and read the articles.

You could use that to make random tables for the generation of NPCs, not so much powers, but costume and personality at the same time.

Dragons of Post-Apocalyptic Twilight

I guess this is the third in a loose series of re-imaginings of old TSR settings. My knowledge of classic Dragonlance is admittedly a bit limited, but what I don't know about it, I figure I'll just fill in with other post-apocalyptic, science fantasy, or sword and sorcery stuff.

So, Kyrnn is a world locked in a protracted semi-Cold War. One side or the other (perhaps both), looking to end the stalemate once and for all uses their advanced science or scientific sorcery to pierce a veil that should have remained unpierced and contact another universe where an unlimited source of power was waiting. That power had an intelligence. They called it Tiamat.

Tiamat agreed to help their cause and taught them how to make living weapons they called dragons from a portion of "her" own substance. Their early victories were great, and several enemy cities fell before the dragons, but then somehow, the opposing side got dragons of their own.

When the two blocs were utterly dependent on dragons, the beasts turned on their masters. Civilization was nearly destroyed in the onslaught.

The only good Draconian...

Centuries later and Krynn is a world dominated by the dragons, and their lackeys the Draconians. The former dominate species now either fear and avoid or serve the planet's current rulers (not unlike the humans in Vance's Planet of Adventure, or maybe even the Planet of the Apes TV show).

Anyway, the idea is to make it more random Sword & Sorcery 70s paperback than Lord of the Ring.

Goldmoon?

Wednesday Comics: Stuff I Read Recently

Here are some recent comics I've read in the past few weeks.

Hey Kids! Comics! (Image)
This is a limited series by Howard Chaykin (perhaps the first of multiple volumes) about the history of comics from the 40s to the 2000s as seen through the eyes of three (fictional, though clearly with elements of real people) creators who got their start in the Golden Age. They interact with a number of other characters who are, at times, fairly thinly disguised stand-ins for real personalities in the industry. The throughline seems to the reputed Jack Kirby adage: "comics will break your heart, kid," or at least leave you embittered and angry, as editors and publishers profit from your work and fandom misunderstands the real history. While there are more sympathetic and less sympathetic characters, all of them are all too human, and no one involved is particularly flattered by Chaykin's portrayal.

Spider-Man: Life Story (Marvel)
The conceit here is that Spider-Man ages in real time, from his teen years in the 60s on through the decades. Chip Zdarsky and Mark Bagley weave a tale that resembles Byrne's Generations limiteds in some ways, but is more interested in clever re-imaginings of various classic storylines from each era. The result is entertaining, but this dual concern means that the idea of a Marvel universe where time passes is not as deeply explored as it might be since story time has to include secret wars, alien suits, and (multiple) clone sagas. Still, it's the sort of thing I wouldn't have thought Marvel would put out, so the novelty alone makes it worth a look. Five issues are out now with the sixth and the trade to come.

Superman: Year One #1 (DC)
Many of the reviews I have seen of this tend to be reviews of the reviewer's lack of faith in Frank Miller (not unjustified, admittedly, given his work and public statements of the past decade or so) or at least their certainty he doesn't understand Superman. (Aside: Almost any time someone says "that isn't what Superman/Batman whoever would do" they are making a statement more of personal preference than history. Of course, there are certainly portrayals that are more the center of the bell curve and some that are outliers.)

For the most part, if this take by Miller and Romita has a flaw, it's that it is all too conventional, and the minor (minor!) ways it deviates from the Standard Consensus Origin are a bit more off-putting than interesting. It is suggested that baby Kal-El modifies his behavior to manipulate the Kents into accepting him (plausible, perhaps even likely, but not what most Superman readers want to read, apparently). Clark is also always aware of the fragility of regular humans (again, plausibly, but not people are looking for). The Kents are on paper what they are suppose to be but they feel a little off. Lana Lang is more active than it most takes, but it still doesn't amount to much and she must be rescued.

So, if you just need another Superman origin, well, this is another one, but if you are looking for the Superman origin that will give you the small thrill of the truncated origin in All-Star Superman, this isn't it. It's more like a darker Man of Steel (the Byrne limited) as written by Frank Miller.

Zauberina [ICONS]

Art by Chris Malgrain

ZAUBERINA

Abilities:
Prowess: 4
Coordination: 4
Strength: 3
Intellect: 5
Awareness: 5
Willpower: 5

Stamina: 7

Specialties: Magic Expert

Qualities:
Raised in Vulthoor
Mistress of the Mystical Arts
In Love with Ultranaut

Powers:
Magic (Blast, Force Field, Illusions): 8

Background:
Alter Ego: Zabrina Zauberer
Occupation: Adventurer
Marital Status: Single
Known Relatives: John Zauberer (father, deceased), Rose Zauberer (mother, deceased)
Group Affiliation: Former general of Vulthoor; ally of the Super-Sentinels
Base of Operations:
First Appearance: SUPER-SENTINELS #37
Height: 5'7"  Weight: 130 lbs.
Eyes: Green  Hair: Red

History:
Zauberina was the daughter of the magician and adventure John Zauberer, known as Zauber the Great, and the "ghost-breaker" Rose Buchanan. Zauberina was kidnapped when she was an infant by her father's greatest enemy, Jada the Green Sorceress, ruler of the subterranean city of Vulthoor. The Green Sorceress told Zauberina she was her mother and that her father had abandoned them.

Zauberina possessed her father's aptitude for the magical arts, and she was tutored along these lines by the Green Sorceress. She soon rose in the ranks of her foster mother's magical forces, until she commanded them. She lead in Vulthoor's attempted invasion of the surface world.

Zauber and the Super-Sentinels repelled the invasion. They were aided by Zauberina, who learned that the Green Sorceress had lied about her father, and switched sides.

Zauberina became an ally of the Super-Sentinels and aided them in several of their adventures.

Wednesday Comics: The Superheroes of the Atlas Pre-Silver Age

In 1953, Martin Goodman the publisher of Interstate Publishing Group (sometimes known as Marvel, and generally referred to as Atlas these days, after the distributor whose mark appears on the cover) noted the success of the Adventures of Superman TV show and figured there might again be a market for superheroes.

Goodman publishing's Timely Comics' flagship heroes--Captain America, Sub-Mariner, and Human Torch--had been popular in the War years, but were all gone by 1950.  In Young Men #24 (1953), they can roaring back.

"The Return of the Human Torch" with art by Russ Heath picks up following the events of his last adventure in 1949. The Human Torch, after a 4 year absence, busts up on the hideout of the crime boss that sprayed him with a Soviet chemical that dosed his fire, and buried him in the desert. Luck for the the Torch, this desert part of the desert would be the site of a atomic test. Resurrected by the bomb, he was more powerful than ever.

He goes looking for Toro who disappeared in Korea. Flying right over, he finds Toro has been brainwashed and is fighting for the commies! Torch defeats him and brings him home to turn him over to doctors to fix him:

The team is back together!

In "Back from the Dead" with art by John Romita, we find the Red Skull has given up his allegiance to Hitler's regime, and is now the head of an international crime syndicate with ties to (you guessed it) "the Reds." Meanwhile, at the Lee School, Professor Steve Rogers tells his student the history of Captain America, but most of the kids think he's just a myth. Bucky (who seems weirdly to have not aged, assuming its the same kid) gets in a fight with the Cap-deniers. Bucky wants Cap back, but Rogers isn't convinced. Then, they hear on the radio that the Red Skull has returned and taken the UN hostage!

Captain America and Bucky are reborn! And the Red Skull is soon defeated...for now.

Bill Everett brings us "Sub-Mariner." Cargo ships keep sinking myteriously near the same small island. An investigation determines the wrecks have been stripped to the bulkhead. Police woman Betty Dean realizes she knows Sub-Mariner and calls up Admiral Saybrook to see if he can get in touch with Namor at the South Pole.

Four days later, Namor shows up at Betty's apartment in a suit. He agrees to look into the strange piracy. He discovers the ships are being sank and looted by robots. Robots he later learns are from Venus. The though Earthmen were weak, but they didn't reckon on Sub-Mariner. He roughs them and saves the day.

And just like that, the greatest Timely heroes are back in action!

Omniverse Vision

No android would cry over these two newly released Omniverse posts from the lost G+ about the Vision!

"Obscured Vision" looks at the weirdness around the origin of the second Vision, and reveals a conspiracy! "Obscured Vision (Reprise)" looks back to the Golden Age Vision, and his ties to the Red Planet.

"I Faced A Tyrannoclops!"

Last year, I posted about an Atomic Age riff on Operation Unfathomable. It was a good enough idea to get a second post--with new art, with illustration by Nik Poliwko.

Wednesday Comics: Storm: Vandaahl the Destroyer (part 2, review)

My exploration of the long-running euro-comic Storm, continues with his adventures in the world of Pandarve. Earlier installments can be found here.

Storm: Vandaahl the Destroyer (1987) (part 2)
(Dutch: Vandaahl de Verderver)
Art by Don Lawrence; script by Martin Lodewijk

When last we left our heroes, so kids on the water planet had just released a conqueror from another universe from what was supposed to be his eternal prison. One of his first acts is to zap Ember.

Back in his home universe, scientists inform the Lord Judge than sentenced him, that Vandaahl the Destroyer might well be alive, having slipped through a wormhole instead of being killed in a black hole. They decide the only decent thing to do is retrieve him, rather than let him lay waste to other words.

Vandaahl has already started by laying waste to the tree settlement, though he allowed the people, including Storm  and friends, some time to escape first.

With Vandaahl on the loose, Storm decides they must warn the people of Pandarve. To help him get off world, the Water-Planet people summon dolphin-like creatures that tell them of a waterspout leading off planet.

The vessel the people of the Water-Planet give them isn't made for long space voyages, though. Luckily, they run across a large trading vessel before their supplies run. They're able to get a ride.

TO BE CONTINUED