Wednesday Comics: DC, June 1982 (week 3)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics at newsstands around March 18, 1982.

Brave & the Bold #187: Boatner and Aparo present a Batman/Metal Men team-up with a continuity deep cut. The Metal Men are being destroyed one by one and Batman tries to protect the remaining ones from harm. He fails at that, but he also discovers they all have lost their memories of a previous member of their group he recalls. Batman asks Doc Magnus about that and learns that the Doctor is responsible for erasing the Metal Men's memories of "Nameless" after their first reconstruction. Magnus rebuilds them and Batman convinces him to give them their memories back.

It turns out Nameless is at the root of the attacks, as is Platinum Man (one of a group of now-destroyed gender-swapped Metal Men). Once their neglect of Nameless is explained as due to Magnus' actions, the vendetta by the snubbed robots halt. Tin and Nameless can resume their relationship and they decide to get "alloyed," but the ceremony comes to a tragic end when a rogue Missile Man attacks them and Nameless sacrifices her existence to save her friends. She dies with the new name Tin had given her: Beautiful.

Legion of Super-Heroes #288: Princess Projectra and Karate Kid are about to be executed by her usurping cousin, but a squad of Legionnaires shows up just in time. Karate Kid and Projectra best her cousin, and Projectra ascends the throne. Meanwhile, the spy squad and Saturn Girl are lost on an icy world after an attempt to infiltrate Khundia--necessitating Saturn Girl returning to her pre-disco outfit. Back at HQ the remaining Legionnaires are trying to figure out what to do.

Green Lantern #153: Wolfman/Mishkin and Cohn and Staton/DeCarlo present the solution to last issues mystery.  Jordan realizes that all beings on M'Brai - the Savages, the Cormm, and the Queln - are part of the same species evolving cyclically: every individual progresses from single-celled organism all the way to Queln and beyond, and then repeats the cycle, without retaining any memory of it. So if the Queln use their devolving ray to get rid of the other factions, their entire race will become extinct. Hal uses a meteor to destroy the satellite and stop the Queln plan. He figures out that the meteor shower is in collision course to the planet, and it could disrupt its entire life cycle. Hal deviates the meteors, succeeding in his mission.

In the backup by Kupperberg and Infantino, Jeryll attempts to stop the invasion on Glirell peacefully as she had been commanded. But when a group of children is killed by the invaders, Glirell's people explode into violence in outrage. Realizing, that this is her burden not her people's, Jeryll stops the suicidal charge of her people and goes on to destroy the invasion fleet. In the aftermath, the Council tells her that she is forgiven, and won't be banished. However, Jyrell bids farewell to her people and leaves voluntarily, feeling she betrayed the peaceful ways of her people. 

House of Mystery #305: The first story by Cavallieri and von Eeden has a derivative artist trapped in a world populated by characters from famous art works after he tries to unleash his potential. "The Rings of Kur-Alet" by Jones and Carillo is tale set in ancient Egypt of time traveling magic rings and a Pharoah and his jealous wife who met their ends using them.

The Jones/Colon "I...Vampire" story takes an odd turn as a cure for cancer is discovered. Also, Vampires across the world begin dying mysteriously with no marks. Bennett tracks into the Egyptian desert. He finds her helpless and dying, where she reveals that the cancer cure has made humans poisonous to vampires! In her weakness she's reverted to the personality he fell in love with, losing her evil. She tells Andrew about the magic rings from the previous story this issue, so they can use them to travel to a time when they are still human and be together. Andrew helps Mary reach the rings, but she betrays him and travels back alone. He travels back in time after her.

Sgt. Rock #365: The main story is another one of those introduce a new character to Easy Company who dies heroically. In this case, it's a kid who makes jigsaw puzzles. It also has the common Sgt. Rock story trait of reviewing how great the recurring members of Easy are.

The other two stories are oddly both science fiction. In the first, by Harris and Mandrake future warriors find out that their ultimate weapon which supposedly allows them to take control of enemy soldiers unleashes their enemies' primitive instincts. In the last story, two operatives who can't get along are united in death on an alien world.

Superman Family #219: Kupperberg and Mortimer have the Master Jailer show up and put the Girl of Steel in quite a predicament. He uses a device to put her in a sort of phantom state so she can observe, but not interact with the world. Playing clever by using a Supergirl robot only backfires on Kara as it leads to the destruction of the device she needs to change back to normal. In the Bridwell/ Schaffenberger Mr. and Mrs. Superman, Supes is perplexed when the Flying Tiger identity he created last issue, starts committing crimes. Lois comes undercover again as his sidekick "Kitty" to ferret our the perpetrator who turns out to be Funny Face.

Jimm Olsen, star reporter for the Metropolis Eagle, is given the assignment to discover Superman's secret identity. In reality, this is all a dream implanted by Brain Storm to trick Olsen into uncovering Supes' ID when he wakes up. In the O'Flynn/Oksner have Lois meeting another Lois Lane, a blonde fan of hers who runs into trouble when a thief attacks her boss. The characterization may not be quite right (though it isn't bad) but the Teri Hatcher Lois Lane of the '90s is a pretty much exact visual representation of Oksner's version of the character in the early 80s, much more so than the Margot Kidder version.

Warlord #58: I detailed the main story in this issue here. In the Kupperberg and Duursema Arion backup, the three beings representing the balance are mocking Arion and his powers seem as nothing to them, but then it turns out Calculha was still around, just waiting for Arion to show humility. He dismisses the three beings and reveals that Arion was born in the stars from cosmic forces. Then, he sends the sorcerer and his pals on their way back home.

Mythic Exalted

Back n 2001, I heard White Wolf was releasing a fantasy game. I was interested when I heard (I don't remember where) that it was going to have a Sword & Sorcery vibe and was inspired by CAS's Zothique and Tanith Lee' Flat Earth series. Still somewhere near the height of my old school Sword & Sorcery mania in those long-ago days, and impressed with the White Wolf products I had, I was bound to check it out as soon as I could make the purchase. 

I was a bit disappointed with what I found. Tanith Lee's series was namechecked (and the world was flat), as was other intriguing inspirations like the Old Testament, the Ramayana, and Greek myth, but the world failed to deliver anything close to that flavor to me. Some of that was the anime and video game aspects. Another was how the World of Darkness related-framework was implemented.  None of those things were bad, just different than what I had thought I was going to get. Maybe as Grabowski said: "it's not just Ninja Scroll the RPG, it's also a pulp fantasy revival game that happens to have anime parts," but the pulp fantasy elements seemed pretty low in the mix for me.

Mainly, the world of Creation, just didn't seem very flavorful. One of the original writers was of the opinion that the made-up words/names common to fantasy are silly to modern audiences. I've seen later writers support that view. Whether that was true (and whether it remains true post the success of Lord of the Rings, Game of Thrones and The Witcher), I was and am a fantasy fan, and it doesn't reflect my preferences.

Over time, I got over my initial disappoint and came to appreciate Exalted's Creation for what it did do well: providing a sort of fantasy supers in a world with a background conceptual complexity not unlike the other "deep settings" of rpg lore: Tekumel and Glorantha. I recognize the little bits of cool worldbuilding that existed side by side with what I had seen as an unevocative initial conception.

But I still sort of wonder what the setting would have looked like had it leaned heavier or Sword & Sorcery and Sword & Sandals and ancient myth instead of fighting anime, the requisites of White Wolf splat book based line-development, and magitech.

So, I think I may spend a few posts thinking about that.

Gnydrion

Tom Kidd

I finally decided (well, at least decided for the time being) on a name for a previously nameless science fantasy setting I've blogged about a few times over the years. The planet will be named Gnydrion (with a silent "g", I think) inspired by Clark Ashton Smith's original name for Zothique, Gyndron.

Here's a selection of a couple of posts in the setting:

Science Fantasy Hexcrawl Inspirations

Two Towns

And the post where I collated more of them can be found here.

GRIDSHOCK'D!

I had a conversation with my friend Paul Vermeren recently about his 80s-veneered, post-apocalyptic superhero game, GRIDSHOCK 20XX available on drivethru in pdf and in hardcopy from Exalted Funeral. Here's the first part of that conversation:

What's the secret origin of GRIDSHOCK 20XX?

GRIDSHOCK 20XX was born from my then-local gaming group's attempt to return to playing Rifts, a game we had loved as teens, 20+ years after we had left it behind. Though we knew there were things about Rifts that were going to be difficult for us to work with, we still had a lot of enthusiasm for the world and our characters, and we wanted to give it another shot as adults. We eventually ended up replacing the Palladium rules with Fate, and then ICONS Superpowered Roleplaying (when we wanted something Fate-like that could handle all the crazy powers and characters). While we enjoyed it for a while, it eventually fizzled out. Despite all the elements in Rifts that didn't work for us anymore, I felt strongly that there was something worth exploring further. 

For me, the genius of Rifts was that it's a post-apocalyptic game which still seems to include every single thing its creator thinks is cool, sort of like Dungeons & Dragons is a hodgepodge of every variety of fantasy. So, I decided I should try to make my own "spiritual successor" to Rifts. I stumbled at first, but it began to take shape once I realized that rather than starting with the real world as the starting point, I could create a post-apocalyptic setting that included all of the elements I wanted if the world was a superhero setting before everything went wrong. Since the superhero genre already contains elements of every other one, I could include whatever I liked.

As I tinkered with what I was calling GRIDSHOCK, it became less of a Rifts tribute and more of its own unique thing - though the influence of Rifts is pretty clear if you look for it. After several years of tinkering, it dawned on me that I could keep on tinkering forever, so I decided (on the spur of the moment) to publish what I had written as a set of small zine-style booklets, using ICONS Superpowered Roleplaying for the system. Lo and behold, GRIDSHOCK 20XX was born.

As currently conceived, is it in your mind more a "post-apocalyptic superhero setting" or "post-apocalyptic kitchen sink setting?" Essentially, is it more like Rifts where anything goes and it can be played in different ways or is it more focused and aimed as supers?

I've occasionally called GRIDSHOCK 20XX a "post-superhero" setting. It's a superhero world that went terribly wrong in 1986 is very important to understanding its present day, 20XX. Many of the player character templates (called Vectors in the setting) riff on established superhero archetypes. In its current booklet incarnation, it uses a superhero RPG system, because ICONS is relatively light but can handle the full array of powers and characters the setting includes. 

The game can played in many different ways, but the default mode of play in GRIDSHOCK 20XX assumes that you're heroic characters standing up to a villainous status quo. That's not usually the case in the traditional superhero genre. 

If you called the world of GRIDSHOCK 20XX a "kitchen sink" or even "gonzo" setting, I'd say that's probably fair. Those terms are often used to describe Rifts, but while Rifts was apparently a cyberpunk-esque world when its apocalypse happened, GRIDSHOCK 20XX was a comic book superhero world. As a result, I've put a good deal of work into unleashing many of the wilder elements of the superhero genre in ways that I think make for an interesting post-apocalyptic, kitchen sink setting where civilization has been radically reshaped, if not destroyed. 

Are there any particular superhero comics you'd point people to for inspiration?

There's a whole page of inspirations (seinen manga, European comics, British comics, movies, video games, toy lines, cartoons, etcetera that were on my mind in addition to American superhero comics) listed on the back inside cover of the fourth zine, Reference.

But to your question, the "Days of Future Past" storyline from Uncanny X-Men #141-142 is the first exposure I had to the idea of a superhero world gone disastrously wrong - though since it does have all those other influences, GRIDSHOCK 20XX is perhaps not quite as grim. It's still something I would recommend. GRIDSHOCK 20XX also has things in common with "deconstructed" superhero comics like Watchmen or Squadron Supreme, and with "alternate future" stories like Earth X, Wonder Woman: Dead Earth, and maybe even "Age of Apocalypse."

Wednesday Comics: DC, June 1982 (week 2)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics at newsstands around March 11, 1982.

Batman #348: Conway and Colan/Janson are back, and we've returned to the ongoing storyline with the "Batman Family" returning to Wayne Manor. There's an amusing bit where Bruce and Dick lose control of the giant penny while moving it. Anyway, Conway's looking to tie up the Man-Bat story, so the Man-Bat is lurking about, just as Langstrom's wife, Francine, and kid show up to accuse Wayne (somewhat rightly) of not fulfilling his promise to help them. Batman makes the questionable to decision to take Langstrom's little girl with him into the caves where Man-Bat may be hiding to deliver the new antidote (that may be lethal) to him. In the end, it works out, though not until after some serious child endangerment.  Meanwhile, Vicki Vale has told her editor she thinks she might know Batman's identity, and that information gets to Rupert Thorne.

Flash #309: Bates and Infantino/Jensen have Barry and police colleagues forced to attend the birthday party of Willard Wiggins' son, which is a great opportunity for Colonel Computron to attack again. The Flash thwarts the attack, but Computron escapes. Again, we get Basil Nurbin and his wife watching the news and lowkey accusing each other of being Computron, but now a college age daughter is added to the mix. Then, Captain Boomerang shows up, looking to help Wiggins out for giving him his start, but then Computron makes him a better offer.

The Dr. Fate backup continues in the hands of Gerber/Pasko and Giffen/Mahlstedt. Nelson's again seeing visions of doom in the Orb of Fate, so Dr. Fate must investigate, and Inza again isn't happy, which I suppose is realistic, but seems a bit of backsliding from the resolution of the last story.  Fate investigates an Iowa farm and gets blasted by a farmer who is more than he seems. Meanwhile, Inza agrees to have dinner with Vern Copeland, a museum director who's been trying to get in touch with Nelson.

G.I. Combat #242: Perhaps in an effort to modernize the title, Kanigher and Catan introduce the Mercenaries feature. These characters are an American (Gordon), a Brit (Prince), and a German (Horst) who are ex-members of the French Foreign Legion, now become mercenaries. In this first story, they are fighting to defend a democratically elected African leader from a General and his forces trying to take over the government in a civil war. The story reveals their code (they refuse to work for the General who's willing to pay more because they've already got a contract). In the end, they don't get paid at all because they fail to bring the General in alive.

We get two Haunted Tank stories. In the first, they do mail delivery and then take over defense of a hill for a unit already dead when they arrived. They sit down to answer the dead men's letters. In the second, pretty ridiculous story, Jeb is found wandering and raving, and he's put in a psych unit. Still raving, he becomes the leader of the other patients, and leads them in an escape. They head out and rescue Jeb's crew, only then does he come to his senses and recall what the "green umbrella" he's being yelling about is: the camouflage cover of a German installation. In the end, all this nonsense has cured the other psych unit escapees.

Nothing special in the rest of the stories. Allikas and Glanzman/Ayers have a blacksmith getting back at a deserter in the Sino-Japanese War by sabotaging a horseshoe. Kashdan and Ayers have a photographer turn his camera into a smoke bomb to help defeat a German pillbox. The second story from this team has a black cat being good luck for a squad of American G.I.s.

Jonah Hex #61: Jonah and Mei Ling sent by the Warlord to infiltrate the Imperial palace so Jonah can assassinate the Emperor. Mei Ling is smuggled into the seraglio, while Jonah has to sneak in on his own. Unfortunately, after the agent of the Warlord that helped them is captured and tortured by the Emperor's forces, things get tough, and Jonah appears to be likely to get captured.

Saga of the Swamp Thing #2: Photo cover on this one, a still from the movie that opened less than a month before. Swamp Thing and the little girl, Casey, are captured by goons working for Sunderland Corporation. A man with mechanical hands, Grasp, plans to torture Swampy to get the secret of the bio-restorative formula. Somehow, Casey manifests psychic abilities that saves Swamp Thing. They escape and Grasp doesn't survive. 

New Teen Titans #20: Kid Flash writes a letter to his parents, filling them in recent events in the lives of himself and his friends: a new super-villain calling himself the Disruptor attacks members of the team; the Titans throw a surprise birthday party for Cyborg; and Kid Flash himself is captured by the Disruptor and his demanding father, a forgotten Batman villain, "Brains" Beldon. The Titans run to the rescue, but the Disruptor keeps disrupting their powers until he is defeated by Raven's soul-self. The "day in the life" framing Wolfman and Perez chose for this issue works well and gives the Titans more depth and personality than was typical of supers comics of this era, outside of the X-Men.

Superman #372: This is a crazy one from Bates and Swan. Scientist Mason Strath threatens to destroy the world with a sphere of anti-matter if Superman doesn't go back in time and save his kids from drowning in a "tidal wave." Superman takes him back in time to prove the past can't be changed, but he discovers that the kids were just robots! It turns out his work has made Strath radioactive, and the government removed the kids to protect them and replaced them with robots. When the robots got washed out to see in the tidal wave, they just figured they'd let Strath think they died. Superman creates suits to protect the kids from the radiation and reunites father and kids. Also, he stops the anti-matter that slipped Strath's control.

Rozakis and Kane bring back "Superman 2021." Jimmy Olsen's grandchildren are kidnapped by two extortionists, so old man Jimmy improvises a new secret signal to call Superman III for help. It's amusing how "futuristic" the 2021 clothes look.

13th Age: The Strangling Sea

 

Last night we had our first actual session of 13th Age (after a character creation session). I was running the adventure The Strangling Sea. The setup for the adventure is based on the character's relationships and some random rolls, so we were perhaps a little slower getting started that normal (of course the biggest delay is always the pre-game chitchat), but it ran pretty smooth after that being a D&D derivative.

The party was sent by a wizardly patron connected with the Archmage to find a missing artificer. Their only clue was a friend of his in a distance town. This necessitated a travel montage, which is one of 13th Age's dfferences from other sorts of D&D, which asks the player's to essential describe what happened in a round-robin description of incidents. There seems to be a bit of reticence here in the players' parts, surprising since all of them have run games before and two have published works. Likely, it was just being put on the spot.

After the travel we got to the only combat of the adventure. A battle with some thugs in service of the Diabolist:

The player's triumphed, though without the escalation die, it might have been a close thing. 

Imagining the Hyborian Age

 The map of Conan's world by Katrin Dirim I shared the other day was interesting not just because her her artistic style (though that's great), but because of the way she chose to depict the Hyborian Age costume and material culture. The prevailing style, since the Frazetta covers have been a vague "barbaric fantasy," which each artist working their own variation on the theme.

Howard's stories, by contrast, tend to be much more "historical" in their depiction of these things--though they aren't really consistent in their historical era. Different locales in Conan's world seem to come from different points in history: there are High Medieval tales ("Hour of the Dragon", "A Witch Shall Be Born"), Golden Age of Piracy stories ("Black Stranger"), stories that seem to be set in the ancient world ("God in the Bowl"), and even stories that like ahistorical periods of a Medieval version of the 18th Century ("Beyond the Black River").

I think Dirm's idea to narrow this range a bit to make it make more sense is a good one. On Reddit, she says she capped the level of armor at roughly the early middle ages, and mixed in elements from as far back as the Bronze Age to keep the atmosphere.

I think this fits well with the more "ancient world" interpretation Mark Schultz does in volume 1 of the Wandering Star/Del Rey collection:

Some of the slight re-shifts of the names would be fairly simple. Iranistan becomes the Persian Empire (take you pick which one), and Turan instead of being a stand-in for the Ottoman Turks, are maybe the Parthians? Aquilonia and Nemedian could be recast as somewhat Carolingian Frank:

Though I have seen portrayals (and there is some support for it) that Aquilonia could be Roman!

The Age of Sail stuff in Zingara and the Barachan Isles would require the most change, but there have been pirates as long as there have been boats, so it's possible.

Wednesday Comics: DC, June 1982 (week 1)

I'm reading DC Comics' output from January 1980 (cover date) to Crisis! Today, I'm looking at the comics at newsstands on the week of March 4, 1982. 

Arak Son of Thunder #10: Thomas and Colon/Acala have Arak and Valda head striking out over land now, still trying to get to Constantinople. They run into some scuzzy Byzantine soldiers and then a couple of mythic beings: Valda is bewitched by a satyr's pipes and Arak fights a centaur. The centaur then shows our hero the strangest thing of all: his face carved into a mountain! In the Viking Prince backup by Kanigher and Duursema, the Prince has his arm back, but it won't work, so he runs out into the snow to commit suicide by engaging wolf pack, weaponless. Seeing his dwarf court jester fighting the wolves, though, shames him out of self-pity, and the Prince returns to heroic form. He and the jester travel to the Castle of Krogg the Red, where his sister is being held.

DC Comics Presents #46: Bridwell and Saviuk bring back the Global Guardians from the Super-Friends series. Interestingly, because Super-Friends isn't considered continuity, the fandom wiki lists this issue as the characters' first appearances, but Superman has clearly met then before. Anyway, Dr. Mist summons Superman to help the international heroes of the Global Guardians stop a band of evil magic types from raising an evil sorcerer from the dead. There's globe-trotting artifact collecting to resurrect the sorcerer, necessitating several team-ups. In the end, Dr. Mist and Supes have outsmarted the villains and their apparent victory isn't.

Fury of Firestorm #1: Because Gerry Conway (at least) demanded it, Firestorm has got his own series again with Broderick and Rodriguez on art. Firestorm will make his debut in the Super-Friends cartoon in 1984, so maybe there was already talk of that? Anyway, this issue introduces the Native American shaman villain, Black Bison, when an ancient talisman causes teacher John Ravenhair is controlled by his great-grandfather who wants to get religious artifacts back from the Museum of Natural History. 

The possessed Ravenhair steals the Bison headdress and coup-stick. Calling himself Black Bison, he uses the magic of the coup-stick to animate the taxidermied animal displays causing them to run riot throughout the museum. While Firestorm is saving visitors from the stampeding animals, Bison animates a white steed and declares revenge upon all those who have desecrated the sacred tradition of the Bison Cult. He makes good his escape while Firestorm is distracted, and we last see him in front of the house of a senator.

Justice League #203: If this issue were a TV show, Conway and Heck would have served up a backdoor pilot for a Royal Flush Gang series. Instead, it's just an issue where we get more on the origins of the members of the new Royal Flush Gang then we perhaps wanted or needed. At sea, Aquaman is enjoying a day of hazing the new kid, Firestorm, when the two encounter a hydrofoil piloted by the Jack and Ten of Spades who nearly kill them. Wonder Woman is headed to the hospital to mee those two when she is ambushed and defeated by the King of Spades. Meanwhile, at the Royal Flush Gang's headquarters, the Jack discovers that the Ace, who recruited the other members, is secretly a robot reporting to a mysterious superior he calls "Wild Card."

Weird War Tales #112: Kanigher and Spiegle give us the silliest Creature Commandos story yet. The Commandos are in North Africa and are forced to hide from the Germans inside(!) a pyramid, where they find the tomb of a Medusa. In a D&Dish twist, the Commandos (minus Dr. Medusa) partake of some old wine in the tomb and have a trippy experience--where the actually shrink down to like a 3 inch size! Dr. Medusa is forced to carry her tiny comrades in her snake hair (where they are bitten) and complete the mission on her own, though the Tiny Commandos do group together to provide supporting fire. Somehow, the bite of Medusa's hair's causes them to grow back to normal size.

That's followed by a story of the French Reign of Terror by Newman and Matucenio where an army officer sends his superiors to the guillotine for personal gain, only to be beheaded by their headless ghosts. Finally, Kasdan and Zamora reveal the fate of G.I. who saves an old witch's cat from the Germans and is gifted with nine lives. He uses eight of them being a reckless gloryhound, but the last he sacrifices to save a green kid, earning himself instant reincarnation as a cat.

Wonder Woman #292: Levitz/Thomas and the artistic team of Colan, McLaughlin, and Tanghal continue the Amazon Princess' conflict with the Adjudicator. Wonder Woman doesn't actually appear much this issue. Instead, we get Black Canary, Huntress, and Power Girl defeating Plague at the CDC (or Disease Control Center as it's called) in Atlanta. Supergirl and Madame Xanadu head to war-ravaged Earth-X to team-up with Phantom Lady and confront the personification of War.

The Essential Elf

What's an elf? For a lot of people, it seems to come down to pointy ears. (See any discussion about the accuracy of Talislanta's "No Elves" tagline line--which really seems to upset a lot of people--or discussion of Vulcans as "Space Elves.") Tvtropes, of course, has some ideas, but I feel like their definition only skirts the narrative use of elves in fantasy, mixing both surface characteristics and other qualities. My list overlaps in some places but has some differences. Not all elves or elf-like beings have all of these traits or possess the ones they do have to the same degree, but they tend to have the majority of them to a greater than humans (or whatever the baseline group of the setting is) in a work.

The qualities are:

• Otherworldliness. Magical, mythic, or nonmaterialness. This is probably the essential elven trait.
• Scale. Supra- or metahumanness.
• Alien. Nonhumanness in outlook/mentality.
• Morality. Association with greater moral clarity/absolutism.

Other qualities seem very common, but maybe not essential: "Clandestine/Hidden" and "Dwindling," are two the come to mind.

Tolkien's elves are perhaps only modest scorers except in Scale. Elquest elves are worse performs, but still outdo humans in several eras. The elves of Anderson's The Broken Sword, hit 3 out of 4 significantly. The Minbari of Babylon 5, ostensibly non-elves, manage to tic all the boxes.

Hither Came Conan...

This map of the Hyborian Age world by Katrin Dirim is pretty cool, and gives a different sort of vibe than typical illustration of Conan's world. There are a couple of illustrations from Conan stories, too. You should check them out!

Wednesday Comics: DC, May 1982 (week 4)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, we review the comics hitting the newsstand on February 25, 1982.

Action Comics #531: Wolfman is joined by Staton on this one. The Daily Planet is in danger of being taken over by a publisher who wants to turn it into a tabloid, but when apparitions out of 18th and early 19th century literature (including Frankenstein's Monster) start appearing, he changes his mind. It turns out the ghost of a printer's devil who really loves the Planet is responsible. 

In the Atom backup by Rozakis and Saviuk, Ray and Jean are in Curaçao, Venezuela, for a physicists' convention, the Atom thwarts the theft of a nuclear bomb that must be deactivated, but his power has been doing weird things since last issue, creating tiny nuclear reactions nearby when he uses it--what will it do to the bomb?

All-Star Squadron #9: It's New Years Eve 1941 and the All-Stars are at a party with Roosevelt and Churchill where Steel is the hero of the hour. Unfortunately, when he was captured at near a concentration camp while on a mission, Steel got the Manchurian Candidate treatment and has been brainwashed to kill Churchill by Baron Blitzkrieg. When the signal is given, the other All-Stars have to fight him to a standstill. Ultimately, though, Blitzkrieg's own PTSD around the scarring of his face with acid is his undoing as a blast of fire breaks Steel from his mental control.

Captain Carrot and His Amazing Zoo Crew #3: Thomas and Shaw/Smith borrow a sort of classic JLA plot style, where the Zoo Crew split up into duos to battle agents of A.C.R.O.S.T.I.C which are spread out across the country. The issue culminates with a battle with an animated statute from the Linkidd Memorial in the capital. This comic makes me wonder who the intended audience was? Younger readers, maybe? Or did they think there was an untapped market for furry animal humor books, so long as they were supers?

Detective Comics #514: Wein and Newton open this one in media res as Batman pursues Maxie Zeus who has just escaped from Arkham through the snowy mountains "north of Gotham." Road conditions lead to Batman wrecking the Batmobile, and his unconscious body is found by mysterious guy named Haven who lives in an isolated cabin and is a friend to animals. Haven is a pacifist and tries to convince Batman so stay with him until the storm is over, but Batman stubbornly insists on going out to look for Zeus. He almost immediately has to fight a bear (a lot of wilderness north of Gotham!), and Haven finds him and brings him back to cabin.

When they arrived, they are greeted by Maxie and his goons who were also stranded by the storm. When Maxie kills a bird, Haven gets enraged and attacks, but the goons shoot and kill him. Batman takes them down, except for Maxie who runs away, but the bear from earlier attacks him, and Batman has to save him. On his deathbed, Haven reveals that he came to live in isolation in the mountains after he killed another man in anger. Haven dies of his wounds and Batman buries him out back.

In the Batgirl backup by Burkett and Delbo, a carnival is in Gotham, and Batgirl investigates it after reports that a guy was attacked by a vampire. It's no vampire, but a fanged snake woman, Lady Viper!

New Adventures of Superboy #28: When "salesman-supreme" Huey B. McKay again tries to open a Superboy park, criminal mastermind Alex Traynor tries to make it a trap for McKay and Superboy with a bomb in a giant Superboy statue.

In the Dial H for Hero backup by Bridwell/Rozakis and Bender/Giella Chris and Vicki as Tar-Man and Miss Hourglass take on the Disc Jockey, who flies around on a giant record with an arm and needle attached. The story ends as a cliffhanger with Chris, reverted to his nonsuper form, thrown from the flying record by the Disc Jockey.

Unexpected #222: This is the last issue, and it's hardly uh--unexpected since the horror titles have been going deceased this year. Like last issue sci-fi predominates, but there isn't much here to recommend. Drake and Infante having a bitter widower discovering that his strange child is actually an alien. It supposedly has a happy ending as the aliens take the kid and present the guy with a clone of his wife as a "sorry your original wife died in childbirth." Pasko and Silvestri bring us a vampire story with not one but two twists: The vampire turns out to be the brother of the cop hunting him, and also a former priest. The longest story is by Kanigher and Giffen/Mahlstedt and has a guy stealing the coin to pay Charon from the mouth of Alexander the Great's corpse so that the conqueror is denied ferrying across the Styx. His ghost gets revenge on the thief, but he still doesn't get his coin and so his soul sinks into the river.

Unknown Soldier #263: Ayers and Talaoc give us perhaps the most ridiculous visual in history of this book: the Unknown Soldier as a scuba diver with the same old bandages on his face. Haney delivers the usual high concept with an abandoned U.S. sub that's really part of a Japanese attempt at biowar as the beer inside has been contaminated with the bubonic plague. The Unknown Solider blows it and its infected crew to hell before it can reach a U.S. port.

In the Tomahawk backup by Haney/Delbo, our hero is tried and convicted for the assassination attempt against George Washington. While he's awaiting execution, he and his rangers discover that the prosecutor is really his old enemy Lord Shilling in disguise. In the Balloon Buster story by Kanigher and Spiegle, the maverick Steve Savage is in trouble with his command, particularly after the Enemy Ace flies over and drops a personal message and trophy for him. That doesn't stop Savage from stealing a plane to fly a French boy to Germany to get surgery to cure his blindness. He calls in a favor from von Hammer to get the boy to the surgeon and back.

World's Finest Comics #279: Burkett and Pollard/DeCarlo have Batman and Robin tangle with a group of C-list villains who General Scarr has brought together because their noms de guerre all contain military titles: Major Disaster, Colonel Sulphur, and Captain Cutlass. They're out to kidnap Bruce Wayne. Green Arrow investigates a new cult called Harmony to help a reporter at the Daily Star get his daughter out courtesy of Cavalieri and von Eeden. He finds out that the cult and the deprogrammers supposedly working against them are in cahoots.

Rozakis and Saviuk send Hawkman to hyperspace on a quest to find Shayera, but instead he finds a motley band of space pirates. In the Captain Marvel story, Bancroft Fisher may be the worst rich person ever as he incentivizes doctors to find a cure for his condition by setting missiles to launch and destroy life on earth if he dies. Kid Eternity summons Asklepios to heal him. Bancroft reveals he was just bluffing, and he called the Marvel's specifically so they would stop the missiles. Instead of Bancroft getting beat to a pulp by the Marvels, we get the reveal that Kid Eternity is Captain Marvel, Jr.'s brother.

Elements of 80s Fantasy Style

 I've written before about the implied setting of 80s TSR art, but it's really only a subcategory of more widespread trends in fantasy of the 80s. Obviously, with something as broad as a multimedia genre, it's difficult to encompass all the works that appear in that time period with any sort of list of features, but I think the following elements are ways that the body of fantasy of the 80s tended to be different from what came before and to an extent, what came after.

The Triumph of the Barbarian

The barbarian (thanks to Conan and paperbacks with Frazetta covers), loosely defined, was the predominant protagonist type of the Sword & Sorcery subgenre, but in the 80s it may squeezed out the knight to become the predominant fighter variant in general. The barbarian films, rushing to cash in after the success of Conan the Barbarian (1982), had a lot to do with it, probably. A lot of fantasy warriors in the 80s just had the classic barbarian look whatever their origins.

Ninja!

The 80s was the third "ninja boom" in Japanese pop culture, but it was the first time North America really took notice. Ninja were part of a revitalization of the martial arts genre in the U.S., but they also crept into fantasy in the form of various black suited and masked thieves and assassins.

More Women Warriors

The 80s didn't invent the woman warrior, but they certainly became much more common then. The trend was heralded Richard Kirk's Raven series that started in the late 70s (possibly inspired by Marvel's Red Sonja?), but there were many more to come.

Glam over Grotty

Gone were the muted or moody colors of Frazetta in favor of Vallejo body-builder sheen. Medieval grime gave way to gleaming Excalibur plate armor, Royo rocker leather, and there was a lot of gorgeous hair.

The Elf and Dwarf  Move toward Codification 

The cutesy elf or dwarf of the children's story-derived popular imagining was giving way to the more Tolkienish D&D version, but we hadn't arrived at peak Tolkien "better than humans in every way" status for elves. From Elfquest to Hawk the Slayer, elves were no longer comedic craftsmen, but instead wilderness warriors. They were often depicted in Robin Hood-ish attire.

Dwarves continued to become differentiated from elves and perhaps moved closer to their Nordic roots. The most emphasized trait seems to be their warrior nature. They seem just as likely as barbarians to wield double-headed battleaxes, and they began wearing horned helmets appropriated from Vikings of earlier eras.

The Delver Underworld

In wuxia fiction, the characters are members of the Wulin, the World of the Martial Arts or community of martial arts practitioners. This term has overlap with, but is not identical to Jianghu, which is the sort of demimonde/underworld that includes the Wulin practitioners and associated people and locations.

While D&D and D&Dish settings sometimes feature guilds adventures are members of, I don't think I've ever seen this developed into a full-fledged community analogous to the Jianghu or Wulin. As I've briefly suggested before, there are a number of interesting developments taking this sort of approach would allow, though. Just off the top of my head:

• Schools of magic using types would be given an in-setting function.
• It would provide an in-setting rationale for the separation between adventuring clerics and stay in the temple priests
• The "keeping the Martial (or in this case Adventuring) World" separate from "civilians" aspect of wuxia would explain why adventurers are running every kingdom in the land.
• It would seem to naturally lead to more rivalry between adventuring groups, potentially meaning more faction play within dungeons.
• Guilds/sects/collegia are an easy source of adventure hooks.

Wednesday Comics: DC, May 1982 (week 3)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics at newsstands around February 18, 1982, the week of my 9th birthday.

Brave & the Bold #186: Mishkin/Cohn and Aparo have Batman and Hawkman looking to recover a stolen Egyptian sarcophagus and starting a manhunt in Gotham City to find the culprit. They find out that the art thief is the Fadeaway Man, who sets up an auction for Gotham underworld--where he offers a fake sarcophagus for sale. The heroes infiltrate the auction, but the villain uses the Cloak of Cagliostro to escape. Back in his hideout, the Fadeway Man is surprised by Horus (really Hawkman) emerging from the sarcophagus. The heroes capture the the villain, but his magical cloak gets away.

Legion of Super-Heroes #287: Giffen arrives on art duties as Chameleon Boy, Timber Wolf and Shrinking Violet infiltrate the Khund's homeworld, only to be challenged to a death-fight because Timber Wolf jostled an irritable Khund. The important stuff this issue is the Mon-El and Shadow Lass backup with art by Broderick, "Prologue to Darkness," where our heroes investigate a planet filled with hidden defenses, an awaken an ancient evil.

Green Lantern #152: Wolfman is joined by two other writers this issue: Mishkin and Cohn. It seems the Guardians are out to teach Jordan, so they've had him cooling his hills for the 5 weeks of his exile. Finally, though, they send him to the planet M'Brai with no explanation as a test. He finds two humanoid species warring with each other. He takes sides against the technologically advanced species, assuming they are invaders. After he's knocked unconscious, he's rescued by yet another group. He learns that all three sides--the primitive folk, the advanced Queln, and the Cormm, are all natives of M'Brai. The presence of these three species is mystery for Jordan, but then he sees a similar scar on a Queln and a Cormm and realizes what is happening.

In the backup by Kupperberg and Infantino, the planet Glirell is a world totally against violence. So when Jeryll, the Green Lantern of that world, hard-pressed by a violent madman, strikes him with a fist constructed of her ring's power, she is ostracized by her people. The cigh council give her one last chance, else she will be banished. Unfortunately, slavers from the planet Drel choose that moment to attack. When she flies off to stop the fighting, but the council reminds her of their decree to do it without violence.

House of Mystery #304: After immobilizing Bennett with a stake through the heart, Mary has her goons put him inside a coffin in the carnival's dark ride. Bennett, clinging to life, uses telepathy to induce a teenage girl into releasing him. He manages to rescue the millionaire's kid Mary's group had kidnapped, but the carnival is set on fire in the process and the shadow of a cross shape inadvertently cast. The remaining vamps are pinned down by the cross and go to their fiery deaths. Bennett sees a single bat escape and knows that it must be Mary.

Newman and Zamora follow that with the story of an old woman with a dog who can predict people's deaths, including in the end, her owner's. The last story, written by the letterer Todd Klein and drawn by Estrada, is the creepiest this title has had in a while. A new family moves into an old house, where their son makes a new friend, the ghost of a boy abandoned there by his parents who died of starvation. The new kid begins wasting away too and dies so that ghost can have a companion. They decide to get another friend: the son of a new family moving in.

Sgt. Rock #364: Easy gets a new addition in Pete Anthony, a brave and experienced soldier, who unfortunately is blinded in a fighter strafing run. Rock has promised to get him to his grandparent's house, where he grew up as a boy before immigrating to America. Luckily, Anthony other senses remember the way, and he's able to lead Easy Company--who only have to take care of the Germans occupying the village. Duursema does the art on a fantasy story about a war between pterodactyl-men and centaurs, that ends with both sides losing. Harris and Randall round out the issue with a major league pitcher ironically unable to make his last throw--a grenade--but getting it to its target anyway.

Superman Family #218: Kupperberg and Mortimer provide the Supergirl story. An aging rich woman summons Hecate to bargain for extended life. Hecate will grant her request only if she can deliver Supergirl's soul but gives the woman the power to do it. Dealing with magic, Supergirl has to use her knowledge of mythology to win the day. Kupperberg is back again with Delbo with the Jimmy Olsen story where Jimmy has no memory of his past 24 hours and finds his signal-watch is in the window of a pawn shop. He can't call Superman for help with the goons that tried to kill him, but luckily Olsen is kind of a badass in these stories and prevails anyway.

O'Flynn and Oksner send Lois to cover the Winter Olympics trials, where she is caught in the crossfire of two hitmen on the slopes. Finally, Mr. and Mrs. Superman go undercover as The Flying Tiger and his moll to figure out who's supplying kryptonite to street-level criminals. This is the last appearance of the Tycoon of Crime who only has had one other appearance in 1944.

Warlord #57: I detailed the main story in this issue here. The backup continues Kupperberg's and Duursema's Arion. Lady Chian and Wyynde fight to save Arion from sacrifice, meanwhile, he has mentally slipped into a realm where he is confronted by three god-like beings. He tries to fight them, but it doesn't go well, as they appear to break free into the real world.

Weird Revisited: Froglings for 5e

This post originally appeared in 2014. it's interesting what remained true and what got tweaked regarding the Land of Azurth from this conceptual, pre-game phase...

 

Frox or Bufokin (a bit of a misnomer, as frox resemble frogs more than their warty, dry-skinned cousins) are amphibious humanoids native to the bottomlands and marshes of the country of Yanth. Following rivers, they've ranged beyond their ancestral home to be a common sight in river towns. Their call and response work songs can be heard dockside all over Azurth. Frox work as bargemen or stevedores in civilized areas, and as hunters, farmers, or guides in their villages.

Frox legends say they come from a land across the Boundless Sea, which they left to escape persecution by a terrible and poisonous race of toad-folk, but this claim is considered doubtful by the scholars of Azurth for many reasons--not the least of which being that the Boundless Sea has no other side!

Frox are generally shorter than humans and tend to be thinner of limb, though many develop a potbelly as they age. Their skin colors are generally a dull green or brown, though they range from muted reds to purplish-gray.

A wealthy Frox businessman and tribal chieftain visiting the palace

Frox Traits
Ability Score Increase. Dexterity increased by 2 and another ability score by 1.
Age. Frox live shorter lifespans than humans on average with only a few living beyond their mid-60s. They are mature by their early teens.
Alignment. Frox tend toward good but are have no special affinity for Law and Chaos.
Size. Frox are between 3 and 4 feet tall. Small.
Speed. Base walking speed in 25 feet.
Jumper. Frox can long jump their full Strength score in feet from standing start, and double their Strength in feet with at least 10 feet of movement in a running start. They can high jump a total of 6 feet (rather than the usual 3) + their Strength modifier in a moving high jump and  half that for a standing jump. They have an advantage on Dexterity (Acrobatics) checks to land in difficult terrain.
Swimmer. Frox can swim at their full movement rate and rough waters only cost them 1 extra foot for each foot of movement. They use double their Constitution modifier for the purposes of holding their breath.
Resistance to Poisons. Frox have an advantage on saving throws against poison and resistance against poison damage.
Moisture Dependent. Frox require twice as much water as most races. However, submerging most of their body in water for 20 minutes or more reduces their requirement to standard levels.
Languages. Frox can speak and read (limited) Common. They also speak their on croaking, chirping tongue, which has no written form.

[Thanks to Evan Elkins, the creator of the Froglings, the basis for the Frox.]

A frox traditional dwelling