The Age of the Wizard Kings

 

Millennia after the technological civilization of humankind was cast in ruins, a strange, new world had risen from the old. This time was known as the Age of the Wizard Kings as it was dominated by practitioners of magic. While the most of humanity had reverted to primitivism, the smaller, near human folk that are the ancestors of elves, dwarfs, and halflings, dominated the eastern part of the continent through their mastery of magic.

The Wizard Kings at earlier times had been ranked according to power, but by the time of the Orc Incursions that ravaged the land and threatened the stability of their rule, they were more or less equal in power. They held a magical contest to see who would possess a mystic tome of great power. Details have been lost to time, but someone that contest resulted in the ascendance of the Dark Lord, whose ultimate defeat came at a terrible cost. The city-states never recovered and were easy conquests for the human tribes entering the region.

Despite the millennia since it's fall, the influence of the Age of Wizard Kings can be felt in the present day. Many of the spell formulae known by human mages in the present day and many half-buried ruins and subterranean treasure vaults current adventurers seek to plunder date from this period.

Wednesday Comics: DC, May 1982 (week 1)

I'm reading DC Comics' output from January 1980 (cover date) to Crisis! Today, I'm looking at the comics at newsstands on the week of February 4, 1982. 

Arak Son of Thunder #9: Thomas and Colon/Rodriquez are following the Conan playbook and have Arak and Valda head out to sea, trying to get to Constantinople. The sailing is of course not smooth as they must fight back against piractical types. In the Viking Prince backup by Kanigher and Duursema, the Prince loses an arm saving a woman from druidic sacrifice, but she knows a place he may be able to get it magically reattached!

DC Comics Presents #45: A freak accident while stealing tech secrets for the Soviets turns a Kristopher Kross (not that one) into Kriss-Kross (not the other ones) into a lame, one-off villain for Superman and Firestorm. But Conway does get to plug his upcoming Firestorm series.

Ghosts #112: This title gives up the ghost with this issue, but they saved some not bad stories for it. Also of interest is the editorial that thanks the writers and artists and plugs some new/upcoming DC titles. It particularly spends time on the titles in what it calls the "mystery genre" which include Saga of the Swamp Thing (premiering later this month) and the upcoming The Dark Force--which will see print as Night Force.  

In the stories, Harris and Texeira have a kid named Joey who is allowed to join the bigger kids pirate club rise to lead it after being possessed by the spirit in an old pirate's skull. Kanigher and Bender send John Wilkes Booth to hell where he has to live out the assassination he committed over and over--in Lincoln's place. Finally, in a proto-Death Note, a cop gets ahold of a page from Death's book and uses it to extort money from people looking to prevent their death or the death of a loved one. When Death comes to get it back, he extorts immortality from Death, too! The Grim Reaper tricks him though, and he gets eternal life--buried alive!

Justice League #202: I don't know what Conway and Heck were thinking on this one. It's like a Space: 1999 plot or something. Batman's injured while doing repairs on the outside of the JLA satellite. Before his teammates can get to him, he's picked up by an alien medical ship, whose automated systems heal him--but in the image of its presumably long-dead creator, Ursak. The process leaves Batman deranged. His teammates have to defeat him, before they can get the ship to heal him again, then Hawkman reprograms it and sends it on its way.

Weird War Tales #111: I had this issue as a kid. Kanigher and Spiegle do the sensible thing and team-up G.I. Robot and the Creature Commandos on an island with dinosaurs and survivors from Lemuria. Well, technically they are Atlanteans from an Atlantide colony in the Pacific--and they are survivors, but instead their robot descendants. Due to the Doctor's snaky tresses the Atlanteans decide to attack, but the Creature Commandos dispatch them. The Atlantean leader appeals to a fellow robot for help, but as with all G.I. Robot stories, the robot's humanity shows through, and J.A.K.E sacrifices himself to save the Commandos.

Wonder Woman #291: This is probably Thomas' Marvel roots showing. A gigantic and ultra-powerful alien, The Adjudicator, arrives to judge the Earth, as he has countless planets before. He discovers all the parallel Earths and plans to judge a number of them, too. Wonder Woman calls in the assistance of the JLA. Black Canary heads to Earth-2 to warn the JSA, Green Lantern heads to Oa to see what the Guardians know about the alien, and Superman goes to the Fortress of Solitude to search its archives. Wonder Woman and Zatanna are left to challenge Adjudicators physical manifestations: The Four Horsemen of the Apocalypse. The two battle the Horseman Famine in India and manage to defeat it.

The Rise of the Orc

 Orcs first appear in the annals of history in the Age of the Wizard-Kings. Though they had already been mutated from pre-cataclysm humanity, they were at that point less divergent than today. As highly organized military bands, they raided across the mountains and into the lands of the Wizard-Kings. They were greatly feared due to their mastery of some of the lost technology of humankind. 

Latter day scholars have been skeptical on this point, but surviving writings from the era make it clear the Orc bands struck rapidly through the use of motorized conveyances. Their depredations further destabilized the fractious, petty kingdoms and hastened the end of the Age. The chaos that followed, however, was damaging to Orc culture as well, and those in the East did not retain much of their technology in the aftermath.

The Orcs see themselves as the defenders and preservers of High Human Culture. They wish to restore a perhaps-mythic paradise called Murka. The fierce war eagle is their symbol for this land and for their own people. The ancestors of the Orcs apparently survived much of the devastation of the collapse of previous human civilization by moving underground, and modern Orcs continue to be at least semi-subterranean. They believe in the necessity of keeping their race "pure," and tend to remain apart from other peoples. They have a reverence for items of technology and often worship ancient machines with grisly sacrifices. 

Orc knowledge of ancient technology is generally more advanced peoples. Some Orcish groups in known regions have abandoned the marauding ways of their ancestors, but not their love of technology. They often make a living as tinkers or mountebanks.

There is said to be a still-thriving Orc Empire to the West in possession of powerful and frightening ancient weapons of war.

The Gygaxian D&D Implied Setting Recipe

 

I present this only semi-seriously, and I'll admit to a less than unassailably rigorous methodology--but I think I have identified the key ingredients and steps involved in creating a D&D setting that would have the true old school D&D (as opposed to Old School Rennaissance) vibe. These steps were developed from pondering the various inspirational reading lists supplied by Gygax, including some forum responses regarding the most important works there in, and comparing it to the implied setting of the manuals and the explicit setting of Greyhawk.

Here's what I came up with:

1. Take Middle-Earth and excise the human nations/cultures, gods and history.

2. Replace with the relevant material from Howard's Hyborian Age (making sure to keep the ethnography and mass migration) and add additional nations/cultures and deities as needed from the Elric Saga and the fantasies of de Camp.

3. Work in a cosmic struggle between Law and Chaos, derived from Anderson with seasoning from Moorcock

4. Place at least one Lankhmar stand-in urban center.

5. Sprinkle in lost worlds from Burroughs and some extra dimensions from Theosophy and de Camp.

5. Strain out any pulp magic in favor of a "logical" and pedantic magical system flavored with Vance, but with a foundation in de Camp/Pratt.

6. Downplay any doomed or destined, great heroes in favor of a cast of scoundrels rounded up in Vance's Dying Earth and Leiber's Lankhmar. 

7. Pull monsters from anywhere and everywhere, including science fiction (particularly post-apocalyptic). 

8. Emphasize underground environments with a hint of St. Claire and Leiber's Quarmall.

Wednesday Comics: DC, April 1982 (week 4)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, we review the comics hitting the newsstand on January 28, 1982.

Action Comics #530: Wolfman and Swan are dragging this storyline out, but Superman and the Brainiac he reprogrammed for evil finally get to confronting the Planet-Eater. And predictably, evil Brainiac (now more evil than ever, we are told) betrays Superman and plans to use the device to clear out the clutter of the current universe so he can start anew. Superman manages to defeat Brainiac, though, stopping the Planet-Eater and trapping Brainiac inside.

Speaking of draggin things out, Aquaman is still hanging on that alien planet, but he manages to get a creature to blast him, and he's vibrated back to Earth's ocean. In a pointless crossover, the Atom and Jean just happen to be sailing by so they can rescue him.

All-Star Squadron #8: It's now December 30, 1941, and Liberty Belle, the Shining Knight, plus the new hero, Steel, defeat an assassin sent by Baron Blitzkrieg. The main story is by Thomas and Gonzales/Ordway, but the recap of Steel's origin is handled by Conway and Heck. This makes since because that team created Steel in 1978's Steel series, but it only lasted 5 issues thanks to the Implosion. This issue also has some file entries in the back.

Captain Carrot and His Amazing Zoo Crew #2: Thomas and Alcala/Shaw pick up where issue #1 left off. Thomas, showing his Marvel roots, has the team almost immediately beset by internal conflict. Pig Iron, not use to his new body, inadvertently wreaks havoc as he's just trying to leave town. Shortly after, he's approached by A.C.R.O.S.T.I.C. (A Corporation Recently Organized to Instigate Crimes) who want to pay him to join their side. Pig Iron declines, so they set their operative, the Armadillo on him. The team shows up, and ultimately Pig Iron decides to join the Zoo Crew after all. 

Detective Comics #513: Conway and Newton continue the Two-Face story from this month's Batman. Batman has been missing for a week, and Two-Face's gang has been on a crime spree. Robin thwarts one of the crimes and forces the goons to tell him Batman's whereabouts. Meanwhile, Batman devises his on escape by molding a plastic tray into a mask of Two-Face's scarred visage and using it to freak the criminal out. By the time Robin and the police arrive, Batman has captured the criminals. In the aftermath, Bruce tells Alfred and Dick of his decision to move out of the penthouse and back to Wayne Manor.

In the Burkett/Delbo Batgirl backup, Barbara tangles with a biker gang known as the Demon Riders but receives help from a mysterious stranger.

New Adventures of Superboy #28: The Kryptonian criminals from last issue finally seem to have convinced Superboy that they are his parents, much to the distress of the Kents. Superboy's own memories seem to confirm it. Superboy releases Sar-Ul and Ralsa from where he imprisoned them and goes with them to another world. It turns out to be be under a red sun, so they are powerless. Superboy reveals he's onto their memory-falsifying telepath tricks. He leaves them on that world where they can't cause trouble.

Dial H for Hero arrives in this issue as a backup. The villain (presumably created by a fan, so we can't blame Rozakis and Bridwell for the name), the Senses-Taker, goes on a crime spree and only the kids can stop him.

Unexpected #221: This is a sci-fi focused issue. In the opener by Snyder and Catan, a group of astronauts return to a devastated Earth with a desire to repopulate it. The grow their children in an accelerated way in some sort of artificial wombs, though there's dissention among the group about this. In the end, the evolutionarily advanced children emerge and reject their flawed parents to set out on their own. The next story by Ditko is an old fashioned if creative Atlas style story about an electromagnetic alien that can inhabit and animate any material. 

The next story by Kelley and Ayers is the only non-sci-fi piece, and also the worst. I guy runs to a woman's aid and inadvertently kills her assailant only to discover she was the assailant and the other guy her victim. The final story by Conway and Zeck has an explorer on Pluto getting frozen to the spot with no way to call for her thanks to frozen oxygen from a ruptured tank, but she saved by alien creatures she previously didn't recognize as being alive.

Unknown Soldier #262: This issue has two new backup features: Balloon Buster and Tomahawk. Both of these characters I feel like are under-appreciated. Kanigher and Spiegle reintroduce Balloon Buster, telling his origin, and recounting part of an encounter with Enemy Ace. I feel like this basically recaps stuff from previous appearances, but I'm not sure. There's no Balloon Buster Archives to consult! The Tomahawk story by Haney and Delbo starts out on an odd note: Tomahawk at odds with Washington and his foreign military supporters over the execution of a deserter who needed to return home and tend his farm. Tomahawk is whipped for insubordination to a von Steuben. Tomahawk is then sent on a scouting mission as punishment and is captured by the British force's allies, the Delaware. He escapes and makes it back to the fort, only to find he is under arrest for the attempted assassination of Washington!

The Unknown Soldier story by Haney and Ayers/Tlaloc involves a French painter sent to pretend to paint Hitler's portrait while secretly encoding the German preparations to counter D-Day. When he gets so angry at Hitler's callousness that he paints him in an inflattering light, he's marked for death, but Soldier as a master of disguise manages to get the painter out alive and the painting out intact.

World's Finest Comics #278: Rozakis and Buckler/Marcos team-up Hawkman with Batman and Superman to finish off the Hawkman arc. The three go to Thanagar and execute a plan to take down Hyathis' rule (if it was this easy, why wait until now?). Hawkgirl briefly appears again, but before Hawkman can attempt to reconcile, she's gone again. Barr and von Eeden continue their Green Arrow story, with Ollie's quick thinking and quicker reflexes saving him from a fall to his death. He discovers who framed Green Arrow for murder, and it is ironically, the informant whose identity Ollie went to jail to protect.

The Kupperberg/Spiegle Zatanna story shows the shortcomings of the anthology format as executed as Zatanna takes on dog-nappers and goes to a dog show. The Bridwell/Newton Marvel family story has the group taking on a new villain, Darkling, who appears this issue. Mary has to defeat her, because the male Marvels can't hit a woman.

Back to Broken Compass

 

One of my two gaming groups picked back up last night after the holiday hiatus. We got back into the "Serpent Throne" adventure for the pulp version of Broken Compass.

I've noticed that CMON has made the pirate supplement, Jolly Roger, and Voyages Extraordinaires, the supplement for Jules Vernes type adventures, available on drivethru. They both seem pretty cool, but there are other things from that last Kickstarter I hope they get out soon.

Weird Revisited: The Conquered Setting

One of the dangers of writing a long-lasting blog, is that you sometimes can't remember what you wrote about versus what you just thought about writing. I wrote two posts on a "Conquered Setting"--one in 2020 and one over a year later in 2021--because I forgot I did it. Here's the first one again.

 

It's widely understood that the D&D is generically post-apocalyptic, but seldom is this fact exploited other than the existence of dungeons and treasures, or possibly some science fantasy stuff in old school games. I think more could be done with that idea.

Maybe the apocalypse involved conquest? This could have been a long time ago, explaining a decline in technology (if you wanted to have a decline in technology) or maybe some degree of pseudo-Medievalism is enforced by the conquerors. (This is the case in Divide And Rule by L. Spraque de Camp, and The Tripods series by John Christopher.) The technology level could be more mixed due to temporal proximity to the apocalyptic event like in Killraven (Thundarr appears to be close, though canonically it's been 2000 years!) Another possibility is a society that was not really that advanced when it got conquered, like Lord of the Rings if Sauron won or there was some sort of faerie apocalypse.

There are at least couple interesting elements to this sort of setup. One, is it would set up a world where humans weren't the dominant culture, which would be fairly novel for D&D. Too, it would provide background for PC adventures beyond just treasure hunting. Vance's Planet of Adventure would be instructive with this last part.

Wednesday Comics: DC, April 1982 (week 3)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics at newsstands around January 21, 1982.

Brave & the Bold #185: Kraar and Gonzales/DeCarlo throw Green Arrow into the mix. It's a fun pairing because, despite the characters' not dissimilar schticks, their personalities are very different. It almost has a bit of "buddy comedy" feel. Batman asks Green Arrow to play the role of Robin Hood during the party of a millionaire, and Ollie reluctantly agrees. The Penguin crashes the party--and who knew he had robots at his disposal? The portrayal here of Penguin's menace and competence isn't what I expected. 

Legion of Super-Heroes #286: Levitz and Broderick/Tanghal have the Legion enjoying some time off when Dr. Regulus shows up on R. J. Brande's private planetoid for a death match against Sun Boy. It takes more than Sun Boy to defeat Regulus and stop the destruction his sabotage will cause. Also, Brande tries to connect with his son, Chameleon Boy, but Cham takes the espionage squad off on a mission, apparently to avoid his dad. 

In the backup by Levitz and Giffen, Princess Projectra is crowned Queen of Orando after her father's death, but her cousin challenges and defeats both her and Karate Kid in a trial by combat for the crown.

Green Lantern #151: Wolfman and Staton detail Jordan's last 24 hours on Earth before his space exile. He's got a lot to do. He tells the Flash to tell the League he's going. He goes to Carol's house and winds up in another fight with Gold Face and his goons and defeats them. Gold Face reveals he's been working with Bloch. Jordan flies off, arriving just in time to save Carol and Bruce Gordon from Benjamin Bloch and his men. 

Green Lantern also arrives in the desert just in time to save Carl Ferris from Ted Bishop. Bishop manages to burn some of the papers than prove Bloch's guilt, though. Still, there's enough to exonerate Ferris even if it doesn't convict Bloch. Lastly, Jordan professes his love for Carol again and leaves.

House of Mystery #303: Here is the carnival story promised last issue. Jones and Sutton have Bennett infiltrating the show which is controlled by agents of the Blood Red Moon to stop their plans and rescue a woman. In the end, the woman is killed, and he appears to get a stake through the heart from Mary. Next up is a two-pager nonhorror thing by Wein and Spiegle about a primitive couple in a post-apocalyptic, swamp Los Angeles area.

"Hellride" by Mishkin/Cohn and Infante has a jack-o-lantern headed fiend riding after an outlaw biker, but the biker's skill wins out in the end. Jones and Tlaloc round out the issue with some EC-esque ridiculousness about a man with such a fear of bugs, he goes into pesticide synthesis to eradicate it. He marries a woman who is an insect enthusiast, but eventually he can't take it anymore and hatches a murder scheme. The insects he hates so much make sure he's the one that dies instead.

Phantom Zone #4: Gerber and Colan/DeZuniga's epic concludes. Superman challenges and escapes from Aethyr, but only after the death of Charlie Kweskill/Quex-Ul. Meanwhile, Earth's heroes have rallied. Superman and Supergirl smash the giant, Phantom Zone projector the criminals are menacing Earth with, knocking out the villains, and restoring Green Lantern's power battery to him.

The Zoners turn on each other. Az-Rel burns Faora to settle a score. The fanatic Jer-Em kills himself and Nadira with kryptonite. In her dying moments, she uses her power on Az-Rel, who loses control of his power and burns himself to ash. The surviving villains are sent back to the Phantom Zone created by Green Lantern.

Sgt. Rock #363: Easy Company is lured into a trap in the town of Boileau. While they are holed up, the men are convinced they are going to die and carve their names on a wooden post by way of memorial. Rock isn't ready to give up yet and gets them out in the end. Mandrake joins Kanigher on a story about a pilot so haunted by dreams of dying in fire, he chooses drowning instead. The last story has G.I.'s overthrowing the commander of a sadistic Japanese P.O.W. camp after the war has technically ended. It's marred by the carcicaturish coloring of the Japanese skintones, somehow made worse paired with Truman's somewhat crude art here.

Superman Family #217: No Private Life of Clark Kent story this month which is really just as well. In the Bridwell/Schaffenberger Mr. and Mrs. Superman story, Metalo (one "l" on Earth-2) weakens Supes with a ray, so he's got to do an exercise program to regain his strength for the fight. In the Kupperberg/Mortimer Supergirl story we're treated to an amazing display of her powers (following radio waves visually back to their source, memorizing a fingerprint then perusing police files from miles away to find a match) as she brings to justice a bomber bent on revenge in the 2 minute break of TV interview.

Kupperberg is back again with Delbo for Jimmy Olsen. Jimmy has to solve a mystery when his lunch with Inspector Henderson is interrupted by a writer who confessing to a murder he didn't commit. Finally, the O'Flynn/Delbo Lois Lane story has a famous country singer performing a song stolen from Lois's old college roommate, now a struggling songwriter (who's so Western-dudded out, it makes me wonder where Lois went to college), and Lois sets out to find the guilty party.

Warlord #56: I detailed the main story in this issue here. The backup continues Kupperberg's and Duursema's Arion. Arion heads out into the frozen wastes with his companions/protectors Wynde and Chian to find his former master. They get in a fight with a primitive tribe dwelling in a cave. Ultimately, Arion is captured and about to be sacrificed. 

Science Fantasy Knights

I feel like knights in a post-apocalyptic setting is an under utilized setting in rpgs. The sort of thing where in the mid- to far future, human civilization has gone back to something more like the Middle Ages. Often magic will have returned or old science will seem like magic. There is some pretty good source material out there, but the only game I think can think of is Mutants in Avalon. 

Fiction-wise, we've got: Moorcock's History of the Runestaff, Christopher's Sword of Spirits trilogy, and Harrison's The Pastel City (less so the sequels), at least. Comics-wise there isn't an exact fit (beyond the adaptations of Moorcock's work), but Camelot 3000 is close. There is even an 80s cartoon and toyline in the form of Visionaries.

Stephen King's Dark Tower series does a bit of this, but also leans on Western aesthetic and tropes and does that a bit more. Into the Badlands likewise has an Western element, but also wuxia.

Wednesday Comics: DC, April 1982 (week 2)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics at newsstands around January 14, 1982.

Batman #346: Two-Face escapes from Arkham by hypnotizing the guards with a special coin. While Batman searches for him, Gordon worries about Mayor Hills promise to get rid of him, Dick frets over his mysterious new girlfriend, Dala, and Vicki Vale becomes ever-more suspicious that Bruce Wayne is Batman. Conway is juggling a lot here! In the end, Batman tracks Two-Face down and overcomes numerous traps but is captured anyway.

In the Catwoman backup by Jones and von Eeden/Marcos, Catwoman discovers that the detective who hired her is really an ex-Nazi searching for an h-bomb formula hidden on the train. H wants revenge on her because her father killed his father. He ties Catwoman to the railroad tracks and he explains how he made the trains disappear with an underground tunnel and made everyone believe in ghosts with holographic images. Catwoman gets free and uses his own holograms against him.

Flash #308: Bates and Infantino/Smith have actress Daphne Dean seeking out the help of her childhood friend Barry Allen. It seems she's been getting increasingly more creepy letters of love from Lance Basilla, their childhood bully. Lance has been participating in some sort of sleep study and while he has dreamed his fancies are given physical form. A mummy monster from his mind challenges the Flash in an attempt to get Daphne. In the end, lightning thwarts the monster, and Lance seems to give up his obsession.

In the Dr. Fate backup, The Lord of Chaos Malferrazae (who has masqueraded as the god Totec) has sent a creature to destroy Fate. Only after the combat has gone on for sometime, does Fate discover the creature is borne of Inza's jealousy. If Fate manages to destroy the monster, Inza will die, devastating Kent Nelson's and destroying his will to serve as Doctor Fate, allowing Malferrazae to cause the fifth massive extinction on Earth! But if he doesn't destroy the monster, Malferrazae still wins.

G.I. Combat #240: There's a note in the letter column of this issue that they've had to cut back on pages. In Kanigher's and Glanzman's first Haunted Tank tale is more fantastic than most, with our heroes going up against a robot tank crew. When they are defeated by quicksand, Hitler executes the inventor in a fit of pique in true super-villain fashion. Kashdan and Matucenio deliver an ode to a hardworking truck. In the O.S.S. story, the metal plate on an agent's head gives a signal for the bombers to follow to destroy a German radar installation. Kashdan and Redondo present a story about a really by the book sargeant--who ultimately uses that manual to leave a paper trail for rescues to follow when he and his men are captured. 

The issue is rounded out as always by the Haunted Tank. With his tank busted and his men injured, Jeb has to go for help, but runs into a German death squad. His crew comes to the rescue at the last minute in a captured German armored car.

Jonah Hex #59: DeZuniga's cover for this issue is completely misleading because it just depicts the events of a nightmare Jonah has. Meanwhile, Wu Gong Phat, who claims to be a merchant from Nanking, sets a trap for Hex. Mei Ling receives a mysterious letter and rides off. The issue ends with Hex apparently being loaded on a boat in the San Francisco harbor.

The El Diablo backup by Cohn and Ayers has a traveling hypnotist arrive in town. After a seemingly innocuous show of his abilities, he gets the subjects he demonstrated on to rob a bank. All except Lazarus Long who becomes El Diablo and brings the wrongdoers to justice. Something El Diablo does leaves the hypnotist a jibbering madman.

New Teen Titans #18: Wolfman and Perez bring back the original Starfire. When his son is killed by Americans in El Salvador, a Soviet official seeks revenge by sending his secretary, Maladi Malanova, to America ostensibly as a courier--but she's also carrying a deadly disease. Learning of the plot, the Soviet government dispatches Starfire (the Russian one) to the U.S. to stop her. This being a superhero comic, the Titans mistake Starfire for the plague-carrier, and they fight. Then, they fight some more when they find out he intends to kill Maladi who is incurable. The Titans fight Starfire to a stalemate and Maladi is finally taken to a hospital to die in peace. Kid Flash condemns Starfire for his callousness, but the hero ultimately reveals that Maladi was his fiancée, and he had only volunteered for the mission to spare her the pain of a tortuous death.

Superman #370: Wein and Swan present "Better Living Through Chemo-stry!" Chemo returns to Earth and somehow merges with a laid-off factory-worker whose animus for his old employers drives Chemo to attack their factories. Superman succeeds in separating the two.

In the retro-topical "Superman: The In-Between Years" backup by Rozakis and Schaffenberger, Clark Kent learns that his roommate Tommy Lee's parents in South Viet Nam are endangered by the Communists and goes to help them as Superboy.

D&D Icons

Thinking about the 13th Age Icons this weekend, I think it would be fun to replace them with these guys. Really, it wouldn't take much modification of the official 13th Age crew. 

Caruso the Bard probably wouldn't make the cut, though.

Games I Liked in 2022

The pandemic led to more gaming, and that continued in 2022. In addition to running my long-standing 5e Land of Azurth game, I ran a few other systems:

Broken Compass: I really like this rules lite pulp game, and so do both the groups I've run it for. It makes for a great palate cleanser when you might get tired of a longrunning campaign in something else. I hope to run it more in 2023.

Marvel Heroic: I ignored this game at the time it was released, but I really shouldn't have. After running it for a short-time, I think it will become my go-to supers game in the future. There are somethings I don't like about it, but it runs quick and has a comic book feel. I might "update" a game to Cortex Prime (the latest iteration of the basic engine) if I was to run it again.

Rocket Age 5e: I only ran one session of this. I don't think it's a bad system, but 5e just doesn't seem the best to me for pulpy, retro-sci-fi. I think if I tried to run this setting again, I'd likely do it in Broken Compass. I would still recommend Rocket Age (both 5e and otherwise) for the setting material, though.

Wednesday Comics: DC, April 1982 (week 1)

I'm reading DC Comics' output from January 1980 (cover date) to Crisis! Today, I'm looking at the comics at newsstands on the week of January 7, 1982. 

Arak Son of Thunder #8: Continuing the story from last issue, Valda and the Pope are captives of the subterranean Black Pope and his people and Arak is forced to fight in the arena to try to save their lives. He succeeds, of course, but a kidnapped woman from Rome above saves the day by knifing the Black Pope from behind. There's a Viking Prince backup by Kanigher and Duursema, but I feel like this is a bit of recap from what's gone on before with that character.

DC Comics Presents #44: Rozakis and Irving/McLaughlin resurrect Dial H from Adventure Comics. Superman goes to Fairfax to investigate why the town has become a hotbed of new heroes, just as Chris King pulls a boneheaded move. He turns himself into a monster called Beast-Maniac by dialing H-O-R-R-O-R instead of H-E-R-O. In the course of solving this problem, our heroes discover the mysterious Master is behind all the super-villains.

Ghosts #111: In the first story, Mishkin and Texiera present a doctor who has figured out a way to both analogize and present psychological pathology and sort of a virtual reality game--except when he's confronted by his colleagues over his methods it doesn't stay virtual, and his own deathwish does him in. In "The Last Kung-Fu Movie" by Kelley and Giffen, Bruce Lee appears to have been the inspiration for an Asian film who gets his revenge from beyond the grave on unscrupulous Hollywood types. 

Mayer and Ditko present "Shrieeeeek!" a mildly (perhaps intentionally) humorous tale of a man brought to ruin by th ghost of a mouse he had killed. It's really kind of an Atlas Horror sort of story, actually.

Justice League #201: Conway is joined by Heck for one of his lesser outings in this run. A down-and-out, one shot super-villain, Joe Parry (not Perry!), encounters Ultraa living as a normal guy in Atlantic City. He befriends the superhuman lug and manipulates him into turning to crime. When the Atom alerts the Justice League to a bank robbery perpetrated by the duo, Flash deliberately brings Hawkman in on the case, hoping to get his friend back in the game post-separation from his wife. Ultraa battles Superman, Flash, Green Arrow, Black Canary, Atom, and Hawkman to a standstill in a board-walk casino, until Hawkman convinces him give up the fight. Parry is taken into custody, and Ultraa goes to live with a tribe of aborigines like those who raised him back on Earth-Prime.

Weird War Tales #110: When surgeon Myrra Rhodes is able to restore Shrieve's damaged face after an accident, the Commandos are hopeful she can make them human again. When she tries to explain to them why that won't work, they throw a tantrum and break stuff. Rhodes gets exposed to a random combination of experimental gasses and is rather improbably transformed into a snake-haired freak. She joins the team, because being a creature is apparently the main requirement for being a Creature Commando.

Allikas and Zamora follow that up with a story of Germans being psychically lead to a new British supr-weapon, only to discover they had come to ground zero of the test of that weapon. Kanigher and Trinidad have a sailor adrift aided by mermaids against Japanese frogmen. Finally, there's a story of flag-bearer during the Crusades which I guess is "war" but nothing in it is particularly "weird."

Wonder Woman #290: The fight with Silver Swan continues. Just as the tide seems to be turning in Wonder Woman's favor, Dr. Psycho, smitten with Silver Swan, enters the battle as Captain Wonder using ectoplasm from Steve Trevor. With Wonder Woman defeated, they plan to take her and kill her in front of President Reagan. Trevor awakens, though having realized he isn't a native of this Earth. With him conscious, Captain Wonder is no more, and Psycho crashes the plane. Mars has had about enough, and takes Swan's powers away in disappointment, turning her back into regular old Helena. When Psycho and Helen see each other as they truly are, they are mutually repelled and run away from each other. Trevor and Wonder are reunited, though.

In the Huntress backup by Levitz and Staton she finally defeats the Crime Lord, though after this thing being dragged out for three months, I've sort of forgotten what the point was.

Transportation Acquired

 Our Land of Azurth 5e game continued last night with the party intending to go to the Country of Sang and meet up with the Clockwork Princess now that they had secured the Elders of Yai as an ally against the Wizard. Waylon asked the Elders if they could provide transportation. They could, not directly, as the folk of Yai don't leave the city, but they did at one time have a suitable craft. It had been stolen by an impetuous member of their community, Gill-24, but it was currently located not far from the city in the mountains.

The Elders agree to sleep-train the party's biggest fanboy, Irwin-37, to fly it and send hm to accompany the group. With that accomplished, they set out down a precarious set of hidden stairs on the outside of the city's dome. They trek through the mountains, avoiding conflict with a creature like a cross between a porcupine and a grizzly, before reaching the ship's crash site. Of course it was guarded by robots.

The party has bcome pretty good at destroying robots by now. Shade even made constructs her favored enemy!

Inside the ship, they discovered a group of imprisoned creations. Two telepathic, floating things clued them into the fact that the ship was now under the control of a pirate named Garbulex. Garbulex threatened the party over the intercom and tried to turn a giant monster loose on them, but Irwin-37 saved the day by putting the creature back in stasis. 

The party decided Garbulex was going down. They made their way to the control room where Garbulex did a share swivel with tented fingers and gloating thing.

Then the fight started.

Garbulex has some sort of energy sword and a cloak that seems to have a life of its own like Dr. Strange's in the movies. He looks to be a formidable opponent.

Then Kairon polymorphs him into a chicken.

His unpolymorphed cloak manages to fly the chicken out of the ship, despite the best efforts of the party to kill them both. Despite their foes' escape, the party are the easy victors and now have a ship.

[Book Club] A Dungeon Hiding in Blindsight (part 2)

This continues my discussion with Anne of DIY & Dragons on the dungeoncrawling implications of Peter Watts' Blindsight. You can read part one here.

Trey: Going back to the alien a minute, it strikes Rorschach's innards are perhaps less a dungeon and more a haunted house. A number of the dangers are really psychological (or neurological) but not less real for that. In that respect it resembles other sci-fi haunted houses like in Planet of Vampires or Event Horizon.

Anne: That's a good way of describing it and gets at one of the things I found most fascinating (and frustrating) about Blindsight as a book. Because on the one hand, it's really interesting to see someone take the various real-world quirks of the way human consciousness works and try to turn them into dungeon hazards. On the other hand, there were points where one character is explaining something to another where I felt like, "ah yes, Peter, I too read The Man Who Mistook His Wife for a Hat. I may be off on a tangent, though!

I think both the Rorschach and the Borg illustrate the difficulty of trying to represent an intelligent but non-conscious entity trying to communicate with humans. Presumably that's something that dungeon masters would find challenging to represent too. I wonder if the rise of chat-bots will make us more accustomed to the way that computers talk and make it easier to fake, though?

Trey: That's a good point. We're becoming more aware all the time of what non-self-aware AI is capable of! For dungeon purposes I think the easiest way to handle this is to have the creatures not communicate really. 

Anne: Or maybe be really obviously like old video game NPCs? They have a line or two of dialogue, and if you try to keep talking to them, all they can do is repeat it.

Trey: I like that. I've toyed with something like that with some monsters in my games, but I don't know if I pulled the effect off.

Anne: It might also be worth noting that killer dungeons of this or any sort seem to work best with either the tournament or zero-level funnel format. To experience them as intended, you need a good supply of characters to get killed, without slowing down the overall momentum of the game too much.

Trey: That's a good point. They are dying dungeons, for sure. 

A Blindsight like or inspired dungeon potentially allows for a different sort of exploration, though. Rather than only the physical exploration of a space, it allows the unraveling of a mystery, though not of the whodunit sort.

Anne: Yes! The payoff for flinging all these imaginary lives into an imaginary meatgrinder can't just be imaginary money. It needs to be knowledge. Ideally, some kind of understanding of the rules for how the killer dungeon operates, so you can learn to avoid its dangers.

[Book Club] A Dungeon Hiding in Blindsight (part 1)

This is the second in a series of chats between Anne of DIY & Dragons and me about dungeoncrawling (or dungeoncrawling inspiring) science fiction. This installment's topic: Blindsight by Peter Watts.

Trey: So, obviously (like Roadside Picnic) Blindsight isn't strictly a "dungeoncrawl" novel--but I think it has some interesting things that might inform dungeoncrawls.

Anne: It certainly has a section of dungeon-like exploration. And one that's kind of consistent with a scifi mini-tradition of people using clones or backups to explore an alien space so deadly that it requires multiple "lives" to traverse.

Trey: Yes. It's a "killer dungeon" as many sci-fi ones are.

Anne: I'm thinking of Aldis Budrys's Rogue Moon and Robert Silverburg's The Man in the Maze as the earliest examples I'm aware of. But Alistair Reynolds's "Diamond Dogs" novella would be another more recent example. I think I've jumped the gun a bit here though. We should probably say a little more about Blindsight generally before getting into the details.

Trey: Good point! Blindsight concerns what happens after Earth receives an alien visitation (not unlike Roadside Picnic in that regard!), but technology is advanced enough that humans can pinpoint where the visit came from in the edge of our solar system and sends first probes and then a (trans)human team to intercept. What they find isn't some more and fuzzy first contact, but a vast and alien intellect with which no communication is really possible. An intellect that wants humanity dead. It takes a while for the team to piece this together though, but all the while the alien is trying to kill them.

Anne: It's been a few years since I read it, so forgive me if I'm remembering wrong, but the near-lethal dungeon is a kind of trap, isn't it? The alien made something that was almost too dangerous, but just safe enough that the team would give in to the temptation to explore it. And while they're focused on the threat of the environment, the alien intellect is up stuff in the background.

Trey: The alien lives in a high radiation environment so some things are hostile because they just are, but it is effectively experimenting on the explorers. This is killer dungeon where the dungeon and the monsters are inseparable.

Anne: "Inseparable" is a good way of putting it! The amount of connection between the intelligence (which calls itself "Rorschach"), the space the human team is exploring, and the monsters that live inside that space is one of the few things the team successfully learns.

Trey: Yes, it's an interesting concept we haven't quite gotten in dungeon ecology (I don't think). The living dungeon where the monsters aren't just local fauna/flora but essentially cells in a great body. I'm sure someone has suggested that, but I've never seen it actually carried through.

Anne: The dungeon as body of giant monster is more of a scifi concept than a fantasy one, and it does lend itself to drawing on real-world biology as a starting point. The film Fantastic Voyage (with the shrink ray and submarine going inside a human body) is one approach, but it focuses on the sense of wonder, and maybe the didactic opportunity, more than the unsettling or horrific feeling you could get from realizing that the dungeon itself is alive.

Trey: I think it's perhaps rpgs have tended to be rather conservative in their approach to fantasy. From a practical standpoint that presents a low bar to entry, perhaps. There are rpgs with living dungeons though, 13th Age, for instance. Mostly nonbiological but I think there have been a couple of those.

Anne: The Borg Cubes in Star Trek are kind of like living dungeons. I mean, the ships themselves are entirely mechanical, although they function more like bodies than like starships. The Borg themselves are cyborgs, but their bodies seem to be mostly robotic, with only a vestige of biology remaining. In that case, the individual Borg are kind of like cells within the body. 

Trey: Very true! It strikes me that the Rorschach and its cells introduce a way to deal with the problem of the typical, distasteful narrative of dungeoneer in D&D. If dungeons arrive unbidden and spew forth creatures that you can't communicate with and want to kill you, well clearing them out is a bit easier to justify.

It's kind of the premise of my "Apocalypse Underground" series of posts from years back.

Anne: I wonder if that's something that living dungeons often have in common? They represent a threat that almost has to be explored because of the danger it poses. Roadside Picnic's like that too - the Zone appears one night, and everything inside it is contaminated and ruined by its appearance. At least some of the people going in are the ones who were displaced by it showing up.

Trey: That's a good thought. People who are displaced and lose their homes and livelihoods may need what valuables can be wrested from the dungeons.

to be continued

Wordbuilding Through Social Connections

I've written before about the ways D&D is like (and could be more like) wuxia media. Reading a couple of works by Gu Long before delving back into Legend of the Condor Heroes by Jin Yong again, I've been struck by something else D&D-ish fantasy gaming code steal. 

Unlike most Western fantasy fiction and perhaps even Western adventure fiction (which is, admittedly, the more analogous genre to wuxia) wuxia fiction world building doesn't rely as much on description of locales above the single building level. Jin Yong's fiction does give us some local color at times--a description of the region of Lake Tai or the steppes of Mongolia--but it's a relatively small amount compared to say Robert E. Howard's Conan for the page count. Gu Long's stories sometimes come across as almost taking place in a vague "Wuxia-Land" comparably to a "fairy tale" Europe of knights and dragons--or the environs around a D&D dungeon containing the necessary locales at not much else.

What really does the worldbuilding heavy lifting in these stories is the description of the world of the Wulin or Jianghu: the styles, techniques, and personalities--but particularly the relationships between practitioners. This is seen most robustly in Legend of the Condor Heroes with its generations of shifu and students. 

Sometime before the main action of the story the five greatest martial artists of the land came together in a contest to decide the possession of a legendary manual of kung fu secrets. These masters each had a distinct style and resided in a particular cardinal direction. By their nicknames they are the Northern Beggar, the Southern Emperor, the Central Divinity, the Eastern Heretic, and the Western Venom.

These characters' influence is felt throughout the story, and their various students and scions interact, jockeying for power, playing out old enmities, and uncovering secrets.

I think this factional approach could be put to could use in worldbuilding in fantasy games. Instead of inventing various cultures and regions (though there's no reason you can't do that too) establish a relatively culturally homogenous region and instead link characters in some way to various factions. The Icons of 13th Age sort of do this, I think. (I think, because I've really only ever read about 13th Age.)

This sort of approach makes the worldbuilding potentially of more interest to players because it more directly impacts them in play. Maybe they don't start out knowing much about other factions, but if the game is run in the right way, they soon will--or at least will be motivated to learn more.