Wednesday Comics: Holiday Gift Guide

Need a gift for a comics fan--or something to fill out your own list. Here are my recommendations:

The 6 Voyages of Lone Sloane Vol. 1: Originally presented in Heavy Metal (or Metal Hurlant), this volume begins the weird and baroque science fantasy saga of Lone Sloane, a man given strange powers after encountering a Lovecraftian cosmic entity and thrown into another dimension. He becomes a freebooter and Han Solo-esque rogue involved in various space opera struggles. Philippe Druillet has his own distinct style. If there was something called Cosmic Acid Space Opera, this would be it.

He-Man and the Masters of the Universe Minicomics Collection: Dark Horse has release a collection of all the Masters of the Universe mini-comics that came packaged with the toys. This compact, but weighty tome (nearly 2.5 inches thick) not only contains the comics from the original toyline (1982-1987), but also comics for the follow-up He-Man toyline, the She-Ra line, and the recent comics from the Masters of the Universe Classic toys--plus a bunch of extras.

Miracleman Book 1: A Dream of Flying: The first volume of one of the most influential comics sagas of all time, and the comic that pretty much launched Alan Moore to prominence. Back in print again.

Prophet: Volume 1: Remission: In the far future, John Prophet awakens on an Earth occupied by multiple alien species with a mission climb a distant tower and restart the ancient Earth Empire. Exotic and inventive, it's great inspiration for both fantasy and sci-fi rpgs. This was on my list last year, but I can't recommend it enough.

Mad Mirabilis Lum

In the Land of Azurth, there has never been a greater artificer than Mirabilis Lum. His most famed creation is officially  Viola, the Clockwork Princess of the Country of Yanth, but she is far from the only wonder he created or even the first.

Lum enters history already in command of his fabulous Walking Castle. What country bred him, and where he learned the arts he practiced are unknown. Striding across Yanth, and perhaps into Sang and Virid, he sought out learned folk with whom to collaborate and hungry markets on which to test his newest inventions. That in Yanth the hostilities between Purpure and Or often meant his creations were put to military use is not entirely his fault, but admittedly, he does not seem to have been overly concerned. He would as soon build clockwork knights as self-propelling plows; He could be as enthusiastic about creating nightmare bombs as learning pills.

Some called him mad even then, but in those days he was really only singleminded and a bit thoughtless. It was when he turned his genius to the problem of death--specifically his own death--that things went awry. Some claim he developed a "Spirit-Phone" for communicating with the dead (if so, he destroyed it soon after) ,and from that point he became obsessed.

He laid cunning electrical traps for Death around the dying. He consulted every showy medium, dour necromancer, and reclusive witch he could find so they could issue challenges to Death on his behalf. If it heard, Death never deigned to participate in games of chess or backgammon or any other contest Lum suggested.

Lum brought his castle to a rest then partially dismantled it. He and his automata helpers constructed underground laboratories beneath it. Once that task was done, Lum was never seen in person again, but for years a tower stood in the crumbling remains of the castle emblazoned with a giant, clockwork replica of his face that would occasionally come to life and utter portentous sounding remarks in a booming voice, as arcs of electricity dance and climbed in the space between two antennae above. The people of Riverton worshiped it as a god, at times, and cursed it for a devil at others, but that all ended when the Wizard of Azurth came and installed the Princess as ruler, toppling the confusing relics of the past.

Princess Viola by Richard Svenssen

It's a common tavern tale to hear that Mad Lum did conquer death in the end, and works even now in a hidden laboratory in the deserts of Sang or deep in Subazurth, or some other secluded spot, but no serious-minded person believes such nonsense. For whatever reason, the Princess does not comment on the fate of her creator.

Dead Wizard's Estate Sale

Unusual items found among the possessions of one Lucius T. Malregard, Necromancer, following his death:

1. Jelly Monkeys candies in a wax-paper bag: These 5 colorful, gelatinous, monkey-shaped candies have been made into homunculi powered by blood. A pinprick drop of blood in the “mouth” of a Jelly Monkey will animate it for a day and place it under the command of the person whose blood fed it. The monkeys are able to report what they see and hear, though their intellects and vocabularies are limited. If the candy is eaten, a person will experience everything the monkey did that day. The more blood fed to the monkeys (or that they illicitly consume), the larger they will grow--and the more willful they will become (though the changes take time and will not immediately be apparent).

2. Human Skull: An adult human skull with a separated calvarium. If a candle is placed inside, and the skull is in darkness, flickering black and white images (like a kinetoscope) are projected from its eye sockets. These images are essentially clairvoyance (as the spell)--if a specific location is requested (aloud) of the skull. Otherwise, they are random and may be from anywhere in the world. Every night at the stroke of midnight, the skull laughs loudly and says: “Oh, for Heavens sake, Ormsley!”

3. One Past Midnight Man: Selected Recordings: A box of 3 10-inch phonograph records emblazoned with an image of an old-fashioned minstrelsy performer: the One Past Midnight Man. If any of the records are played, strange and backwards sounding voices can be heard overlayed on the primary recording. Upon completion of an record, a 10-inch tall man dressed like the figure on the cover will appear, only he is not in embarrassing blackface, but rather his skin is an unnatural inky black--as if made out of night, itself. He can teach any spell of the necromantic school (and likely others)--for a price.

4. Obscura gossamer: Wound around a bone spindle, is a black and silken, rough outline of a human. In fact, it is a human shadow that if attached to a new host (this process is unknown) obscures the wearer in such a way that they are hidden from magical and nonmagical attempts to find them (short of a wish). People can interact with them normally (if they draw attention to themselves) but won’t remember doing so within minutes. Attaching the shadow is likely permanent.

5. A murder’s last breath in ether: A brown glass bottle containing the dying breath of notorious mass murderer Eldred Toombs. Inhaling the mixture infuses the user with a murderous impulse and the abilities of the maniac template for 1d4x15 minutes. The bottle contains approximately 10 inhalations.

6. Demonologia Sexualis: A leather-bound copy of the infamous tome detailing the perversions and sex magic rituals of the beings of the lower planes. Possession of a single illustration is probably enough to get one arrest in most jurisdictions. Many demons and devils are willing to barter a service for a copy. There are no doubt dubious advantages to actually reading the tome, as well.

7. Tape recording of an unknown language: A reel to reel tape labelled: “Sample 13.” The language is unintelligible (even with magic), but the malevolent memetic entity inhabiting the strange, sing-song tongue can infect the brains of listeners. It will attempt to possess the most intelligent individual within hearing range. On a failed saving throw, it takes command of the person's body for a period 1d20 hours. Then, a series of seizures will signal the brain’s rejection of the alien presence. Any time period greater than 5 hours is likely long enough for the entity to launch itself into the astral plane. The entity can be trapped in the host by magical means and induced to reveal what secrets it possesses before the host dies (1d4 days).

John Till's Strange Stars

There's a proof copy of Strange Stars Fate. There are a few things we want to fix, so it's not ready for release yet, but it's getting close.

Friday on the Hydra Collective blog we'll feature an interview I did with John "Fate SF" Till, author of the Fate implementation of Strange Stars (available now in pdf). John had a lot of interesting things to say. Here's an excerpt:

You write a blog with SF in the title! What are some works/authors that you like?
I read a lot of SF on my own, and I am also part of the Second Foundation, a SF reading group in the Twin Cities that has been meeting for decades! This is an SF-rich community, with two world-class SF book stores just a few miles from my house. We read a lot in Minnesota, because of the long winters.

As a kid, my first SF books were:

• Robert A. Heinlein’s Orphans of the Sky (my lifelong love of generation ships started here!)
• James Blish’s Spock Must Die. You can’t get any more Strange Stars than the sea of coffee produced by insane Organians!
• Samuel R. Delaney’s great space operas, Babel-17 and Nova. 
• John Christopher’s Tripods trilogy.
• The Ace Books translations of the Perry Rhodan space opera series. In fact, the first space empires that my friends and I created in the years right before roleplaying games were inspired by Rhodan. I am the very proud owner of TWO German books full of Perry Rhodan ship blueprints!

My big SF influences these days include Alastair Reynolds, the Culture novels of Iain M. Banks, and the classic space opera of Cordwainer Smith. And of course, Eleanor Arnason, Minnesota’s best SF writer. Space opera fans should make a point of reading her Ring of Swords; fans of Niven’s Known Space stories should read her Tomb of the Fathers. I read ALL of Cordwainer Smith’s Instrumentality short stories and Norstrilia last year. I (re)read six Delaney novels over the summer!

Like I said, we read a lot in Minnesota.

Wednesday Comics: Within These Walls...Armageddon

"Within These Walls--Armageddon"

Masters of the Universe #3 (February 1983), Written by Paul Kupperberg; Pencils by George Tuska, Inks by Rodin Rodriguez

Synopsis:  Zodac flies through the space between planes. He's been watching the heroes of Eternia pursue the goals of Skeletor, but now its time for him to get involved to prevent Skeletor's victory and save the world from destruction.

He arrives in time dispatch the last of the demons the heroes are fighting. He warns them that there is another enemy besides Skeletor, but he cannot say who it is. As they converse, they are sorcerously observed by another:


Damon spies on Skeletor, too, also unaware that he is being observed. Damon's machinations are toward a single goal: the acquisition of the power sword, whose halves are held in a stasis field he sees but can't penetrate.

Meanwhile, Zodac explains how the talismans are to be used: They can open a portal to the power sword and summon the mystic falcon Zoar. The heroes pass through it.

Skeletor throughs a little tantrum because he can't figure out who is trying to thwart his plans. Suddenly, he's attacked by a tentacled creature. Skeletor dispatches the creature and Damon reveals himself--and his plan:

Skeletor's mystic blast can't harm him. They're arcane powers are too well matched. Skeletor pulls a sword to do things the old fashion way.

Elsewhere, Man-E-Faces is strangely drawn to Castle Grayskull, then mystically pulled inside. Damon and Skeletor have fallen through a portal to Grayskull, too--just as Damon planned. It was the only way villains like he and Skeletor could get inside. Skeletor claims to have been aware of Damon's game all along. He blasts Damon from behind.

The heroes also arrive in Grayskull, in a room with multiple doors. Stratos and Man-At-Arms are trapped by what they find behind their respective doors. Teela enters a maze, but takes the novel approach of blasting a hole through the floor to get out of it.

She drops him on Skeletor and He-Man and Battle Cat burst through a wall soon after. Too late:

Skeletor uses his power to summon Beast-Man and transform Man-E-Faces to a bestial form. He-Man defeats both of them easily, but only the quick thinking of Teela keeps him from falling into Skeletor's trapdoor.

Meanwhile, Zoar frees the Goddess from her other dimensional prison. The two transport to Castle Grayskull just in time to to snatch the power sword from Skeletor's grasp allowing He-Man to defeat him. The Goddess wraps it all up:

Commentary: Damon is introduced to very little purpose, and Man-E-Faces to even less. The story feels rushed at the end, like it was suppose to be a longer limited or lead into something longer, but it never materialized.

Islands in the Boundless Sea

In the Boundless Sea, east of the Land of Azurth and likely south of the pirate haven of the Motley Isles, maritime legend holds that their is an archipelago sometimes called the Chain of Fools. These isles continue to tempt sailors, despite all evidence they are best avoided.

The Candy Isle may be the largest of the chain. The basic elements of its formation are not the usual stuff of the material world, but instead various sweets: Licorice vines hang from stick candy trees, a chocolate stream flows into the sea from some spring, and cyclopean rock candy ruins loom in silence. No one has ever investigated those ruins and returned to tell the tale.

The Gilded Isle is a small atoll piled (or perhaps made entirely) of gold, mostly various coins. Its lagoon glints and sparkles; its floor supposedly littered with precious gems. Even more than the Candy Isle, the Gilded Isle attracts interest, but the island seems to draw away as it is approached; it always takes longer to reach than it should. Indeed, the isle may be unreachable. In the attempt, whole crews have turned on each other, all eager to have for themselves alone riches that none of them will ever possess.

The perfumed Island of Revelry can be smelled before it is seen. It is never approached by daylight, only night or dusk.  Sounds of laughter and sensuous music can be heard coming from the tents that dot its jungles. Colorful paper lanterns sway luridly in the trees. Youths of both sexes can be seen passing between the tents or disappearing into the jungle in the deeping, velvet darkness, but their beauty is only suggested in the glimpses offered. Perhaps ships do sometimes reach this island, as occasionally derelicts are found in its general vicinity, apparently abandoned by their crews.

Refurbished Apocalypses

I've spelled a lot of digital ink around here talking about various sorts of apocalypses. Here are a few of the best classic posts on the topic:

"Monster Apocalypse A Go-Go": Why limit your apocalypse to zombie related?
"Apocalypse Trio": I used a random Apocalypse Generator and this is what I came up with.
"Fairyland": Instead of going to it, it's coming to you.

Wednesday Comics: The Key to Castle Grayskull

"The Key to Castle Grayskull"

Masters of the Universe #2 (January 1983), Written by Paul Kupperberg; Pencils by George Tuska, Inks by Alfredo Alcala

Synopsis:  He-Man and Battle Cat enter the jungles of Eternia is search of a talisman. They meet Ceril, a long time friend of He-Man's, and other members of his primitive tribe. He-Man recounts his origin: how as Prince Adam he came upon Ceril's village on a hunting trip and found it in the thrall of the sorcerer, Damon. Adam would have been defeated by Damon as well, had not the Goddess intervened, transforming him into He-Man. Since that day, Ceril's tribe have been allies of Adam's father.

As luck would have it, Ceril has seen the talisman He-Man seeks. They are on their way when demons appear and attack them. He-Man manages to get to the cave where the talisman is, entering where others cannot due to the protection of his power-vest. He-Man grabs the glowing talisman, and he and Battle Cat disappear.

Meanwhile, Stratos, Teela, and Man-at-Arms fly toward the churning waters of Sea of Blackness. Using a potion that Tarrak gave them, they are able to breath underwater for an hour. With the clock ticking, they locate the talisman in a temple in a city of the mer-people. Before they can get to it, they're attacked by Mer-Man and his people.

Mer-Man plans to betray Skeletor and take the power sword for himself. The odds don't look good for the heroes, but then Skeletor appears and confronts Mer-Man's betrayal. He also warns the mer-people not to harm his allies, unless they too want to face his wrath. Teela takes issue with that, so Skeletor is like "have it your way." and removes his protection.

Their time running out, and the mer-people pressing the attack, Stratos manages to grab the talisman. The heroes disappear. They find themselves in a strange place:

Skeletor shows up and taunts them again. He sends them deeper into the weird realm to retrieve the power sword. Neither the heroes nor Skeletor know that they are being watched.

Again demons attack the heroes. Their numbers seem endless. The heroes can't figure out who would have sent them if Skeletor wants them to succeed. Suddenly, the demons are blown away by a strange wind. Then:

Commentary:
Prince Adam's origin related here has never appeared in other media. 

Heap of Trouble

Last night, our 5e Land of Azurth campaign continued. The party met with the Goodes of Swells Head and agreed to try to get their daughter Gwendolin back. The Goodes believe she was kidnapped by the infamous pirate, Black Iris. Waylon (the frogling thief), Erekose (human fighter), Kairon (tiefling fighter), and Dagmer (dwarf thief) board the keelboat Venture under Captain Tubbs to make the journey down the Yellow River.

In the area of the Beggar City, the boat is attacked by river pirate dwarfs using a sort of Hunley-style primitive submarine disguised as an alligator. Kairon breaks open the vessel with magic, but the blast does some damage to the Venture. After the pirates (the Gar Brothers) are sent packing, the captain decides to tie up the boat so they can do repairs.

The Lardafans come out to the bank to great them. In the crowd are Waylon's old bandmates who look a bit like these guys:

Waylon brags about being an adventurer. His old friends, and his very relaxed old mentor King Kuel, ask for the help of the party in helping the Lardafans with a rogue Heap that has been periodical attacking the town. The Lardafans believe the Heap's violence has something to do with a warlock that lives alone in a shack on an island at the center of Lost Lake.

The party reluctantly agrees--for a pick of the Lardafan treasure pile. The head out on a skiff to lost lake despite the sign:

The Heap attacks from the water as they close in on the shack. Four against one is good odds, but the Heap is plenty tough, so the fight is a tough one. Waylon goes for the shack to see if it holds a clue to what's going on. He finds a man (presumably the warlock) who is long dead with an empty wooden box in his wands with some vegetation hanging on the side.

Meanwhile, Erekose has been knocked unconscious by the Heap and Dagmar has been engulfed! The cleric manages to fight her way out and finds a skull inside as she does. Once the skull is removed, the Heap seems to collapse on itself, and slinks away.

The skull is magical, old and inscribed with runes. It also seems to fit in the box Waylon found. Taking the skull, the box, the Book of Shadows, and the various spell components in the warlock's cabin, the party returns to Lardafa.

They're greeted with much fanfare by the Lardafans and given the promised pick of the treasure trove--which turns out to be Gilligan's Island-esque version of an oversized claw machine. Each member of the party gets an odd trinket.

Their (side) quest completed, the party boards the boat for a night's rest.

Along the River

In the Land of Azurth, in the Country of Yanth, the Yellow River stretches some two hundred languid miles when it chooses to do so from its meeting with the Flint at Rivertown to its settling into the Boundless Sea near Ianthine.

Art by Cyril Corallo

It intermingles with smaller, less ambitious waterways in bottom land swamp in the vicinity of the Shanty City, Lardafa, home to thieves, beggars, and gentlefolk of the road. Sometimes travelers down the river glimpse one of the elusive Heaps in this area.

It accepts the azure tears from the blue hole spring called Deep Blue, near the village of Yonder. The hole is said to be so deep that Yonder fishermen sometime find things bobbing up from other worlds. In the woods near Yonder there's rumored to be the cabin of a witch, perhaps the infamous Urzaba, who loves card games and has a very short temper.

art from Privateer Press

Is it nears the coast, it almost loses itself meandering through the Great Yellow Marshes. Here dwell tribes of mostly friendly frox and mostly unfriendly gator-folk.

Real Dungeon, American Style

Back in rpg blogging's Golden Age (well, the part of it I was there for). I wrote a series of posts about "real" (meaning some people believe them to be real) dungeons of America. It seemed like a good time to collate those in one place.

Burrows Cave: A burial crypt...in southeastern Illinois.
The Grand Canyon: It's not just big. It's weird.
Coral Castle: Not an actual castle, but still kind of cool.
Murder Castle: A real Tomb of Horrors in Chicago.
Lizard City Under L.A.: "Busy Los Angeles...stands above a lost city of catacombs..."

Antediluvian Apocalyptic

"And God saw that the wickedness of man was great in the earth, and that every imagination of the thoughts of his heart was only evil continually."
                                                      - Genesis 6:5

Think Carcosa is the only horrifying milieu for gonzo adventure fantasy? Ditch the mutli-colored men (maybe) and get Biblical, Old Testament style.

Before the Flood, (the book of Genesis tells us) humankind was exceedingly wicked, which is a good way for them to be for adventuring, really. And there were giants (gibborim) in the earth, and the Nephilim (either giants or fallen angels, or the children of fallen angelss), who were "mighty men or men of renown." Talking serpents from Eden were still probably around somewhere. And though the Bible doesn't mention they specifically, any good creationist will tell you there were dinosaurs. Check out this I'm sure meticulously researched timeline:

(source)

It's not hard to imagine a sword and sandals (plus sorcery) or barbaric sort of world were weird Antediluvian beasts and human-angel hybrids run rampant--and apocalypse hangs over it all. It's like Afronosky's Noah meets The Road. Or Hok the Mighty meets Blood Meridian. The new Aaron/Guera comic The Goddamned approaches this same era, the it's early to same how gonzo it's going to get.

Actually Masters of the Universe, but this fits.

Wednesday Comics: Masters of the Universe

"To Tempt the Gods"

Masters of the Universe #1 (December 1982), Written by Paul Kupperberg; Pencils by George Tuska, Inks by Alfredo Alcala

Synopsis:  On Eternia, a world with a "medieval exterior" but whose technology nevertheless outstrips that of Earth, there's a party (dancing girls) for the Queen. Man-At-Arms asks the King where his heir Prince Adam is. The two commiserate over how irresponsible Adam is.

That's Adam's cure to jump the hedge and make an appearance. Apparently, he's been dallying with a young lady...

They are commemorating the arrival of the Queen on Eternia 25 years ago. Adam heads off the his chambers to get his gift for his mother. He regrets he has to play this false personality and disappoint his father.

At his door, Adam is assailed by magical power. The room is filled with demonic presences. Adam dives over his bed to escape--and finds Cringer waiting there. Cringer tells him Skeletor had his presence known here.

The mention of Skeletor's name galvanizes Adam into action. He and Cringer run to the Cavern of Power. There, they are transformed into He-Man and Battle Cat. Even then, they here the sound of mocking laughter.

Skeletor gloats that he has the Goddess captive. He did battle with her, and though she kept the two halves of the power sword from his grasp, he managed to defeat her. He knows that only a heroic soul will be able to find the power sword, and he plans to force He-Man to do it for him by having him seek out three talismans representing the sea, the sky, and the cosmos that will lead to the swords.

He-Man knows the cosmic star cluster is in the hands of the royal wizard, Tarrak. He meets Teela, captain of the guard, and enters the palace, He meets his parents, though they don't recognize their feckless son in the heroic He-Man. They enter Tarrak's chambers and find:

Man-At-Arms here's the clamor of battle and joins in. Once the demon's are defeated, Tarrak reveals that they stole the talisman in the shape of the nexus constellation.  Someone else is after the talismans, too.

Meanwhile, Avion is attacked by dragonriding beastmen. It's Stratos they're after. The birdman flies to the castle. His strength failing, only Tarrak's magic saves him. He-Man notices Stratos is wearing the talisman of air. Our heroes now have one in hand.

Commentary:
This issue is the introduction of Prince Adam. He's a bit more Don Deigo Vega in concept than the overmuscled Billy Batson he'll become in the cartoon. Still, the genius of the "fantasy superhero" are definitely here. Eternia is much more "standard fantasy comic" than it is later, down to Teela's outfit that doesn't look anything like the toys (until this). Still, this is much closer to the universe sketched in the original Don Glut mini-comics than what is to follow.

Zodac really has a Metron of the New Gods vibe here. This begins the transition from his original intended role as a villain to the heroic role he has in the mythology now.

Under interesting detail: Stratos's wife is completely human rather than anthropoid like him.

Strange Stars Fate A-Z

Just in case you missed it last week, the Strange Stars Fate rule book pdf is available. The softcover files are with OBS and hopefully will be approved for printing soon.

While you wait, check out the "Strange Stars A-Z" series John Till, the author of the Fate rule book, has been doing on his blog.

Random Ultra-Warriors

Interested in generating the sort of visually distinct science fantasy characters of the sort found in Masters of the Universe? I've got a set of random generators for you. Pair the Random Ultra-Warriors Creator with your favorite science fantasy/post-apocalyptic rpg and your ready to create characters so distinctive they ought to be sold separately in their own blister pack.

Strange Stars Fate Released

The wait is over--at least for you Fate fans. The Strange Stars Fate Rulebook written by John Till edited by myself and featuring art by David Lewis Johnson, Adam Moore and Reno Maniquis and layout and design by Lester B. Portly is here!

For those of you of more old school tastes, you are not forgotten. The OSR rulebook is in the works. Stay tuned.

It's Full of Stars

Strange Stars, Weird Adventures, and products by my Hydra Co-op partners Slumbering Ursine Dunes and Fever-Dreaming Marlinko are in a Bundle of Holding--along with Gnomes of Levnec, Owl Hoot Trail, Beyond the Wall, and Red & Pleasant Land! Check it out and get some good stuff.

Speaking of Strange Stars, here's a sequel to my post on random adventure idea generation for the setting:

The Hunt: The PCs search for [A] [B] but must contend with [C]
A: 1 A Eden Seeker terrorist cell  2 A bioengineered horror from the surface of Phobetor  3 Convicted megacorp executive 4 A thief with a stolen bioweapon 5 A Wanderer Avatar
B: 1 across the deserts of Deshret  2 in Smaragdoz City  3 through the forests of Woon  4 on the planet Rune  5 during a party in a domed city on Aygo  6 under the ice on Boreas
C: 1 the Pharesmid Syndicate  2 the hellhounds  3 Talosian Moravec supremacists  4 a squad of Thrax  4 a djagga bounty hunter  5 Instrumentality agents  6 a Circean witch

The Challenge: The PCs (or one of them) participates in [A] on [B].
A: 1 A martial arts competition  2 A high-stakes gambling tournament  3 A race  4 A hunt for an exotic animal  5 A deadly game  6 A battle of the bands
B: 1 A vessel circling a hyperspace anomaly  2 a domed area of an asteroid  3 Interzone  4 the wilderness of Smaragdoz  5 Gogmagog  6 the diamond planet Solitaire (Fortuna I)

Wednesday Comics: 8HOUSE

8HOUSE is a science fantasy anthology series from Image, where each arc can be read alone, but also apparently forms a part of a bigger universe. So far, we've had Arclight, Kiem, and Yorris. The first two chapters were written by Brandom Graham of the Prophet revamp, while the third is written by Helen Maier.

So far, I've read the Arclight issues, both drawn by Marian Churchland, They tell the story of queen on a alien, desert world who's trapped in a root-like body while an alien masquerades as her. She's served by one androgynous knight (the titular Arclight) while the other knights unknowingly serve the pretender. Blood forms the basis of the magic wielded by the knight's and others, and their are border creatures that are made of it--the living border's of the "Blood Lands."

In other words, it shows the sort of inventiveness that characterizes Graham's other work. If the other chapters are as good, 8HOUSE is going to be quite an epic.

Your Pain is Their Pleasure

Here's another excerpt from Strange Stars OSR: an Algosian as written up by Robert Parker.

ALGOSIAN
No. Appearing: 1-3
Hit Dice: 2
AC: 6
Saving Throw: 14+
Attack Bonus: +2
Damage: 1d8+1 monoblade or 1d8 stun baton, 1d6 + special (Via Dolorosa Agonizer)
Skill Bonus: +2
Move: 30'
Morale: 9
Algosians are humanoid torture cultists in the Zuran Expanse. They are thought to be the bioroid creations and former servitors of the Faceless Ones, an ancient sadist cabal. The Algosians learned a lot from their masters and now apply that knowledge to those that fall into their hands.

Algosians rely on kidnappings to get most of their victims. To this end, they operate clubs or brothels in some spaceports, though their involvement is usually secret.

In combat, Algosians relish the use of their Via Dolorosa, devices inherited from the Faceless Ones and passed through the generations. Each is unique in design particulars, but all are wand-like devices that deliver a concentrated burst of microwaves to exposed or lightly covered (normal clothing) skin, causing excruciating pain. A hit with the Via Dolorosa does 1d6 points of nonlethal damage and calls for a Physical Effects save to avoid being utterly incapacitated by pain for 1d4 rounds.

Algosians are resistant to pain (Savings Throw 9 vs pain-related effects) and their natural recovery of hit points is at twice the normal rate, though medical care or Biopsionics effect them the same as baseline humanoids..

MOTU Minis Maximized

Dark Horse has release a collection of the Masters of the Universe mini-comics that came packaged with the toys. This compact, but weighty tome (nearly 2.5 inches thick) not only contains the comics from the original toyline (1982-1987), but also comics for the follow-up He-Man toyline, the She-Ra line, and the recent comics from the Masters of the Universe Classic toys--plus a bunch of extras.

As I've mentioned before, my favorites are the original series written by Donald Glut and drawn by Alfredo Alcala that present a pulpier, less superheroic version than the ones DC would follow them up with, or particularly the ones after the cartoon became popular. Still, all of them have good bits--plenty of things stealable for a game. Like these time demons:

The Azurth Dictionary

The beyond the blog, my periodically updated Dictionary of the Land of Azurth is the definite guide to the setting. Here's the latest version, updated to cover things like the Whim-Wham Stone, the Aldwode and the peculiar people of Swells Head.

Wednesday Comics: Back to the Spire

The Spire #3-4 (September and October 2015); Written by Simon Spurrier, Art by Jeff Stokely

It's been a while since I reviewed The Spire, but you can read the about the previous issues here. Now the Tithebound, various tribes of nonhuman "skews", arrive at the Spire to pledge their allegiance once again. The Medusi (the people of our heroine, Shå) break protocol by escaping that they be allowed to take the fugitive Soulbreaker with them. That's complicated by the fact nobody knows what the Soulbreaker looks like.

Meanwhile, Shå is trying to catch a serial killer who's stalking the Spire--and seems to be able to get into locked rooms and disappear swiftly. A dagger with an unusual symbol is left at one of the crime scenes.

We also find out that Shå's past is a bit mysterious. She awakened in Spire with a note telling her what she was and that she needed to hide or be killed. She also has been an adult in the city for a long time. For over 30 years, in fact.

A cloaked and masked figure attacks the head of the medusi contingent. Shå arrives too late to stop it, but soon enough to be mistaken for the Soulbreaker by the other medusi.

After a brief skirmish, the mistake is rectified. The medusi tell her they're about to be sent on a mission--a suicide mission--by the Baroness and they ask her to intercede.

Shå has her own problems with the royals. The Baroness publicly chastises her for not catching the murderer yet. She's also in the doghouse with the Baroness' sister-- Shå's girlfriend--because she found out Shå never told her age.

The whole Spire has got bigger problems. The Zaorim are massing for war.

It's Not Easy Being Green: 2 Strange Stars Clades for SWN

Here's another excerpt from the Strange Stars OSR rulebook, currently in the works: two clades without much in common other than their green skins:

SMARAGDINE
Physical Characteristics: Biologic humanoids with skins in various shades of green.
Psychological Characteristics: Smaragdines see themselves as heirs to the technology and sophistication of the Archaic Oikumene and view psi abilities as the way of the future. They are the visionaries of the Alliance, but often viewed as a bit arrogant by its other members.
Names: Smaragdines have a personal and gens name. The personal names are frequently chosen from Old Earth mythology or literature. Smaragdines often retain the gender association of the source name out of respect, but not always. The gens name is a copyrighted reference to a specific registered genetic lineage; it is typically that of one or more of an individual’s parents, but not necessarily. Gens are from similar sources as personal names, but tend to be derived from ancient mythological or literary wizards or monsters. Samples:
Personal Names: Accolon, Belphoebe, Dindraine, Finn, Gloriana, Phaon, Rinaldo, Sedna, Tsais, Thalna.
Gens Names: Euryale, Glatisant, Hydra, Mazirian, Prospero, Simurgh, Typhon.
Backgrounds: Any, though Adventurer, Hacker, Noble, Politician, Researcher, and Soldier are most fitting.
Classes: Any.
Attributes: Standard.
Special:
Psi-Society: Smaragdine society is based on psi-use. All citizens of Smaragdoz have the equivalent of the discipline Mental Link.
High Tech: Smaragdine is tech level 5 society, though much of their technology is not exportable.

VIRID

Physical Characteristics: Biologic sophonts blending plant and animal characteristics. Skins of various shades green (due to presence of symbiotic cyanobacteria) and foliage-like hair. Local groups vary a great deal in height and build. All virid are linked by nanotechnology to the world consciousness of their homeworld, but this obviously does not extend over interplanetary (or greater) distances.

Psychological Characteristics: Virid are gregarious and pleasure-loving. Coming from an idyllic garden world, they are closely attuned to nature, but naive regarding the hazardous of other, less pleasant worlds--and of civilization.

Names: Virids use “translated” plant or nature-themed names with other sophonts. 

Backgrounds: Tribesman, Adventurer.

Classes: Any but Psychic.

Attributes: Most virids have ability scores in the same range as humans, though larger or smaller tribes will vary. 

Special: 

Photosynthetic Symbiotes: Living nanotech supplements virid metabolism and causes faster healing when they are under visible light sources with spectra similar to their native yellow sun. Every day spent in direct sunlight allows them to heal 1 additional hit point, and every day resting in direct sunlight allows a virid to recovery 2 additional hit points. They also lose System Strain at a rate of 2 points a day in the sun. 

Phytoxin Resistance: Virids get a +1 to Physical Effect saving throws against plant-derived toxins.

For more Strange Stars stuff, check out John Till's ongoing A to Z here.

Bone Tomahawk

The Western horror film (or Horror Western) subgenre is a Boot Hill populated enough that you can probably think of a few, but neglected enough that very few of them are particularly good. Bone Tomahawk (now on streaming services) sits comfortably within that small group--and probably among the best of that company.

Briefly, its apparently sometime in the 1890s (though it looks more 1870s-80s) two bushwhacker thieves (Sid Haig at his most Denver Pyle and David Arquette pretty much David Arquette) accidentally enter a secluded canyon where a lot of human bone decoration should tell them they are in a place they shouldn't be.

Eleven days later, Arquette is mark as suspicious by the constabulary of the town of Bright Hope. Sheriff Hunt (Kurt Russell) puts a bullet in his leg to keep him from escaping. The Samantha O'Dwyer (Lili Simmons) either a doctor or a nurse, I'm not sure, is summoned to provide medical assistance, leaving her broken-legged cowboy husband Arthur (Patrick Wilson) convalescing at home.

That night after some strange sounds and the slaughter of the man tending the stables, a prisoner, a deputy, and Mrs. O'Dwyer are missing and presumed kidnapped by Indians. Or not Indians, as a locale Native American informs them; a degenerate, subhuman, cannibal tribe called "troglodytes."

Stalwart Sheriff, hobbled cowboy and worried husband, Walter Brennan-esque "back up" deputy (Richard Jenkins) and dandified former Indian fighter (Matthew Fox) set out to find their townsfolk and bring them home, wholly unprepared for the horrors they will encounter.

People have likened Bone Tomahawk to The Searchers meets The Hills Have Eyes, but it lacks the scope and drama of the former and the visceralness of the latter. All the actors are competent and their characters well-realized and the dialogue is a bit of Tarantino, a bit of Deadwood, and generally good. The only problem is for its running time, the characters aren't given a whole lot interesting to do or talk about. The journey to the Valley of the Hungry Men doesn't really build tension like it could have, and the horror of the troglodytes isn't developed in the same way it was done in a film like The Hills Have Eyes or The Descent. There is violence, certainly, and a bit of gory, but it didn't feel like there was as much of either as the setup called for.

Those criticisms aside, it's a competent film well worth seeing. The nature and proclivities of the troglodytes make me wonder if perhaps the Appalachian crawlers of The Descent are descendants of an eastern branch of the troglodytes?

The troglodyte's eerie communication suggested a number gameable thing to me. It's been proposed than though the Neanderthals lacked full verbal communication as we know it, they might have used singing to convey information and coordinate efforts, as musical ability appears to evolutionarily older. It's certainly a potentially strange and inhuman sort of trait Bone Tomahawk puts to good effect.

Cloud Castle of Azurth Excerpt: Cosmic Cat

Taking a little breather from my work on the Strange Stars OSR book, I worked on a few pointcrawl points in the Cloud Castle of Azurth mini-sandox All trick, no treat:

COSMIC CAT
A cosmic cat is seated or curled upon a small (2' diam.) meteorite half-buried in cloudstuff. Peaceful visitors will be favored with a look that suggests the cat’s opinions regarding the drollness of terrestrial existence. The cat will converse telepathically (it’s mind-voice has a reverse echo; its laugh has a touch of flange) and answer questions, though it’s responses will tend towardthe vauge if not the enigmatic.

Here are some random statement the Cosmic Cat may make, when appropriate (or even when not appropriate (d8):

1. Oh. it’s you. I thought perhaps I had dreamed you, but you seem material enough. Unless that’s part of the dream, or my dreams are more powerful than I imagined?
2. They once came here for amusement, you know. I suppose it’s all still very amusing, really, just in a different direction. By the time I arrived they had mostly abandoned this place, except the crazy ones. For a while at night, if I looked out over the cloud’s edge, I could see the blue glow of their ruins. That all faded away in a few centuries.
3. I had an upset stomach, so I needed a place to rest and this rock seemed comfortable enough. I had eaten one of the those inky spiders from the dark side of the moon I caught crawling down a moonbeam, and it did not agree with me. It was foul. It tastes like curdled nightmares and acrid regret.
4. How do you suppose all this stays up here on wisps of water vapor, anyway? Doesn’t seem safe. And it’s an affront dignity of other clouds. Don’t think they haven’t noticed.
5. Have you ever tasted phlox? The color, I mean. It reminds one of the evanesce of comets and ephemeralness of thought.
6. The Sun is just a dwarf, you know, made of countless little dwarfs. I met one, once. It made my eyes hurt to look at it. It was incandescent with tedious purpose, but it’s voice was warm on my skin and gave me the urge to nap.
7. There’s a giant under that castle. He’s vaster than this world, perhaps--just folded up and stuffed into something tiny. I wonder how long that mellow cage of light and colored wax will hold him? Lamps flicker, after all.
8. I wouldn’t go that way [island anterior]. You will likely either die by a fall from a great height or suffer a tiresome tea service with a chatty dragon.

The meteorite it lounges upon is of iron as cold as the void. Its cosmic inertness is such that it is profoundly anti-magical.. In a ten foot radius all spells and magical effects dissipate. Magic items kept within a five radius of it for an extended period will be drained to mundanity at the rate of a +1 or spell level every six hours.

Hydra Halloween Sale & Strange Stars Update

There's a Halloween Sale going on on drivethrurpg and rpgnow. Both Weird Adventures and Strange Stars are in it, as are the rest of Hydra's quality products.

Speaking of Strange Stars: the Fate rule book is literally all done but the contents page and last bit of prep for submission, so it should be dropping very soon. The OSR rulebook proceeds. Two complete chapters ("Factions" and "Adversaries & NPCs") are done, and a couple of others are close to completion.

Wednesday Comics: I Hate Fairyland

I Hate Fairyland #1 (October 2015), Story and art by Skottie Young

There once was a 6 year-old girl name Gertrude who fell into Fairyland. The kindly Queen Cloudia gave her a map and a guide named Larrigon Wentsworth III and set her on a quest to find her way  home. Twenty-seven years later,Gertrude is physically no older, but is psychologically an adult--with a bad attitude.

So begins Skottie Young's comedic, hyperviolent send-up of the likes Alice in Wonderland and the Wizard of Oz. When Gertrude gets into an argument with the Moon, whose narration of her exploits is annoying her:

She also trips out after eating a bunch of mushroom guards in the city of Las Fungus and angers Queen Cloudia so much she sends a barbarian hit-man after her.

Young (who also, ironically, illustrated Marvel's latest Oz book adaptations) has a style that's part modern animation and part classic comic strip. Everything here works great. The main question is whether he can maintain the tone and energy over an extended run.