Wednesday Comics: My Favorites of 2019

In no particular order, here are my favorite comic book series of 2019. This only counts series that started with a 2019 cover date.

Spider-Man: Life Story: The life of Peter Parker as if he aged in real time. Sometimes the reconfiguring on famous storylines of each decade is tedious, but in the chapters where it works, it works well.

Coffin Bound: Izzy Tyburn, chased by an unstoppable killer unleashed by an ex-lover, vows that if the world won't have her in it, it will have nothing of her at all. Reminiscent of the classic days of Vertigo.

House of X/Powers of X: The X-Men as a science fiction. It's main flaw is that it leads into ongoing X titles that have thus far failed to live up to it.

Jimmy Olsen: a humorous homage to the Jimmy Olsen comics of the Silver Age from Matt Fraction and Steve Leiber. No collection as yet.

Peter Cannon: Thunderbolt: Forget Doomsday Clock, this is the comic book follow-up to Watchmen worth reading. By Kieron Gillen and Caspar Wijngaard.

The Outer Dark of Space

There are rpg publications out there combining the Cthulhu Mythos with science fiction, and maybe even some combining transhuman science fiction with it, but I don't know if any of them have combined the mythos with hard science fiction with a bleaker edge like Reynolds's Revelation Space or Blindsight by Peter Watts, or maybe a hard science fiction Prometheus.

The magic and occultism of Lovecraft's (and other's) stories are just the primitive misunderstandings of extremely advanced technology. The many of the so-called deities of the mythos are entities predating the current universe, somehow intertwined with its structure.

The Great Old Ones and other Elder Races have been fighting to control these entities or the knowledge they possess for billions of years. In their long war, they go quiescent or hibernate for extended periods to build their energies and plan their strategies for the next titanic battle. Many of these beings are no longer conscious or sophont by our standards, but rather post-intelligence. Other species are nearly powerless in the face of these titans, and so they hide when they are awake, and the try not to wake them when they are sleeping--though some are not above attempting to "hack" them or exploit their advance technology. This is the solution to the Fermi Paradox.

I figure human civilization would resemble something like Revelation Space. AI probably exists, but there are not yet hypersophont AI (at least not widely known) like in the work of Karl Schroeder or Hannu Rajaniemi, because their existence might make the mythos races less special.

Against the Weasels

The occupation of Toad Hall in Wind in the Willows by the weasels, ferrets, and stoats would make a good setup for an adventure of anthropomorphic animal characters in a low-level D&Dish fashion. In fact, if you make Toad Hall more of a castle and put a village around it, you'd have a nice setting for a Beyond the Wall sort of things focused on exploring the dangers of the Wild Wood.

5e Santa Claus

'Tis the season for 5e interpretations of that jolly old elf, Saint Nick. Several different versions are already wrapped and under the tree:

HO
HO
HO

Skywalker is Risen

Star Wars: The Rise of Skywalker has not exactly been embraced by critics, though this is unlikely to blunt its box office draw much. Stars Wars fandom is ever hopefully that the dark times are over and what they love above Star Wars will finally be restored (when the fall from grace occurred, depends on who you ask, and probably what point in their life you ask them).

Like Abrams' first Star Wars film, RoS feels like it's trying to jam several movies into one, though the finale draws mostly from Return of the Jedi. It all moves very fast, and largely that's to its benefit, though that means no location develops a sense of place beyond set-dressing and character development is pretty shallow. (This film and the short run-time of the Mandalorian episodes, which are like hour dramas with most of the non-action excised, make me wonder if perhaps SW works best as a modern serial. Certainly the Clone Wars animated series played to those tropes as well to good effect.) It's fine, but it has the upshot of only occasionally (for me) wringing any real feeling from the proceedings, even failing to evoke any appreciation of it on a toyetic level. I saw nothing in this one that makes me want to buy the art book to delve into the design.

None of this is to say I didn't like it. It was a pleasing experience, though the enjoyment was pretty shallow. Only in a couple of places did it evoke any nostalgic feelings for the series' passing (I won't say which scenes for the sake of spoilers), and then only on the level of say the recent finale of The Deuce. Nothing on the level of the death of Spock (to evoke it's closest cultural competitor).

I am curious about the future of Star Wars, which will  probably get me in a theater to see at least one more.

Wednesday Comics: Bronze Age Book Club Holiday Special

Check out the last episode of 2019:

Listen to "Episode 11: DC SPECIAL SERIES #21: Super Star Holiday Special" on Spreaker.

Weird Revisted: Fiend Folio...In Space!

If your looking for some alien monsters for any traditional science fiction game you could do a lot worse than starting with the original Fiend Folio, I think. I'm not even talking about things like reskinning undead as nanotech animates or victims of exotic plagues (though you can certainly do that); I think there are a lot of creatures in there that are just straight up science fiction.

The first creature listed are aarokocra, which are just straight up birdmen--like the Skorr of the Star Trek Animated Series and a bunch of other places. The algoid is a psionic algae colony; the CIFAL a colonial insectoid intelligence. (It even has an acronym name!) Osquips are pretty much ulsios from ERB's Barsoom stories. The grell already looks like a pulp sci-fi monster: I think there was one in Prometheus, wasn't there?

Yeah, there it is.

Anyway, demon, devils, and elemental princes are out without substantial overall, but some less interesting monsters for fantasy purposes might be made a bit more interesting in a science fiction context. Lava children might be a silicon-based lifeform that (like the horta) needs to be contacted rather than killed. Yellow musk creepers and zombies (undead also-rans) would work great in a horror scenario on a deadly jungle world. Even the much maligned flumph is less silly when it's a weird alien (maybe).