Weird Revisited: On Venus

This post appeared in 2016 and was itself an expansion of a post from a couple of years prior but with art...

Art by Luka Rejec

Wet where Mercury is desert and as fecund as that world is barren, Venus is covered by warm, shallow seas and dense, tropical forests. Its natives are women--or creatures in the semblance of women. They are seldom surpassed in all the Cosmos in beauty, if one can abide their inhumanly colorful skins and their hair the texture of flower petals. They go almost entirely naked, and chastity is not counted a virtue among them.

There is a ruler on Venus, recognized by Earthly and Mercurian powers, called the Doge, who is always from another world. This title may be held by a man or woman, but in either case, the floral and lovely native Venerians are the Doge's solicitous wives or concubines. The Doge's identity is always hidden behind an ornate mask of that durable Venerian fungal matter that resembles teak. The ruler scarcely wears any more clothing than the Venerian women, save for the notable exception of an impressive phallocrypt, decorated and enlaided with gold, for public ceremonies.

A Doge’s rule lasts only a Venerian day, as measured by the fixed stars, which is hundreds of Earth days. When the sun sets, the Doge is taken by the Venerians into the forest and is seen no more.

We Have Always Lived in the Megadungeon

 I have on occasion riffed settings which were small or at least smaller than the typical D&Dish setting. This goes against the grain of published settings which tend to want to give you big, as in a world big, and perhaps classic play which starts circumscribed, but is about expanding the frontier.

There is one archetypal D&Dish experience that doesn't quite work this way and that's the megadungeon. Certainly exploring the megadungeon means opening up more area, but the scale is so much smaller generally than the hexcrawl. Distance is not a primary factor.

It strikes me that the dungeoncrawl could easily combined with the player's living space. Megadungeons under towns are pretty common, but then the town becomes a place of relative safety and refuge that may or may not enter into actual play as anything more than "base camp." What if the megadungeon space and the living space bled into each other? Like say the PCs lived in a place like Gormenghast or Xuchotl from "Red Nails," or the starship Warden, and the exploration was progressively moving into rooms, levels, sections or whatever that were unknown? (You could perhaps include small settings with actually dungeons/underground spaces in this. See MacDonald's The Princess and the Goblins.)

This could be combined quite easily with the mystery sandbox. Indeed, the incremental accumulation of vast wealth is probably a bad goal for a smaller setting of this sort. Not that money might not be a motivator, but the real big payoffs should only come at the end.

Obviously, this sort of setting would differ from the standard D&D approach even without the downplaying of vast wealth. Parties would likely be less eclectic. The length of the campaign is probably somewhat limited without a change in approach unless the structure they reside in is really weird, but I think it would make for interesting low level play.

Revisiting the Wild Wild West Season Two

Jim Shelley and I are continuing our selective re-watch of the Wild Wild West weekly on the Flashback Universe Blog. We're now starting the second florid, full-color season.

You can catch up on installments here.

Star Trek Ranger: Patterns of Vengeance (part 2)

Player Characters: The Crew of the USS Ranger, Federation scout ship:
Andrea as Capt. Ada Greer
Billy as Lt. Cmdr. Sobek, Ship's Counselor

Dennis, as Lt. Osvaldo Marquez, Medical Officer
Paul as Cmdr. D.K. Mohan, Chief Helmsman

Supporting Cast:

Ensign Elana Duffy, Security Officer

Lt. Thera ch'Reith, Security Chief

Synposis: With Capt. Greer trapped on the USS Brackett with a being that calls itself "Unity" possessing some of her crew, Mohan takes Ranger to the icy planetoid of Mycena to try and determine what this has to do with the transporter experiments of Janet Hester. They discover the experiments in long range matter transmission may have lead to one or more of Hester's team being somehow trapped in dematerialized form.

Commentary: The Deneva Research Team which Hester and her ill-fated team were a part of are first mentioned in the Spaceflight Chronology. 

Within the Star Trek Universe, long distance transporter experimentation was attempted by Emory Erickson has depicted in the Enterprise episode "Daedelus," and has been depicted in use by other civilizations such as the Kalandans in "That Which Survives."

The away team encountered a monster that burrowed under the ice on Mycena that was inspired by the Delta Vega creature in Star Trek (2009).

Adventuring in the Harveylands

I wrote a post about a year and a half ago about the Harveylands, the setting of the Harvey Comics universe as codified on the map above in the 80s.

While there are obviously elements of the comics that wouldn't fit a game of a D&Dish of even a somewhat unusual sort, I feel like you could jettison those and have something that wouldn't be that off-model. The only Tieflings of the "standard races" would appear, of course, providing for Hot Stuff and the Devils. There are several ghost races (for Casper types) floating around the internet, though. Witches like Wendy and rich kids like Richie would just be classes.

As presented, something like the Harveylands would be a fairly small setting, but big enough for a campaign, I think. Particularly, if the edges bled into more fantastic realms: the Hells, the Land of the Dead, etc.

Weird Revisted: Monster Apocalypses

The original version of this post appeared in October of 2013...

Zombie apocalypses have been done to death with films, books, and tv shows. Other classic monsters deserve their (proverbial) day in the sun, too:

Vampires: The most obvious non-zombie contender for virtually extinction of the human species. Richard Matheson's I Am Legend and it's various movie adaptations have already ventured into this territory (as has the film Stake Land and the TV show The Strain) --and the comics Planet of Vampires and Vampire Hunter D have already shown on vampire overrun post-apocalypses. Trading bloodsucking for flesh-eating is almost too obvious.

Piscoids: Cast them as Creatures from Black Lagoons, Manphibians, or walking catfish men, fishy humanoids are ready to climb from the depths and overwhelm the surface world. Perhaps a full-fledged takeover is the ultimate goal of the Deep Ones in Shadow Over Innsmouth? Global warming and rising sea levels would no doubt be part of their plan. A piscoid apocalypse might wind up looking more like Waterworld than Walking Dead.

Werewolves: Like vampires and zombies, werewolfism is passed by a bite, making them a reasonable stand-in. I don't know of any media werewolf apocalypses, but Dog Soldiers sort of does the "trapped in an isolated farm house" riff of Night of the Living Dead. Depending on exactly how the werewolves worked, things might be pretty tough for humanity: zombies are slow and dumb, while vampires have to sleep in the day time. Werewolves have neither of those limitations. Of course, their just humans in the day, trying to scourge for survival just like everybody else. Only at night would they join packs of killers to howl at the moon as they hunt through the ruins.

Frankenstein's Monsters: This seems like the biggest stretch given than Frankenstein had only one monster (or maybe two, depending on who you believe). Still, two monsters can overrun the world (unless they're giant, which still movies us out of zombie apocalypse analogous territory). Technology has advanced a lot since Frankenstein's day, though. Wein's and Wrightson's Un-Men in Swamp Thing (and Burroughs' Synthetic Men of Mars, for that matter) point the way: Mass production of monsters. In some ways, this would resemble an alien invasion apocalypse or robot apocalypse more than a zombie one--though perhaps the monsters "consume" humans by dragging them back to their secret factories to use as raw materials for more monsters?

Wednesday Comics: Waiting for the Omnibus

 A couple of DC Omnibuses I've been waiting for sometime are finally available.

One was solicited over a year ago, then cancelled only to be resolicited again. As of last week, it was finally released. The Legion of Super-Heroes: Five Years Later Omnibus vol. 1 collects the series by Keith Giffen and Tom and Mary Bierbaum that imagined a darker future for the United Planets and the now adult members of the Legion.

This was the run that got my interested in the Legion of Super-Heroes.

The publication of the Batman by Grant Morrison Omnibus vol. 3 was probably never in doubt, but it's been one I've been eagerly anticipated since they embarked on this series. Batman RIP has good, but marred by changing ideas of what the series was going to be and the need to fit in with the Final Crisis event. Batman and Robin was better still, but to my mind Batman Incorporated is the best of Morrison's work it takes the Silver Age-y flourishes with a modern sensibility that had surfaced from time to time in the early portions of his run and makes it the centerpiece of the seris.