Wednesday Comics: DC, March 1980 (part 1)

I'm continuing my read through of DC Comics output from January 1980 (cover date) to Crisis. This week, I'm looking at the comics at newsstands around December 6,1979.

All-Out War #4: I'm still not impressed with the Viking Commando, but otherwise this is better than last issue, with a decent Black Eagle story, and a good Force 3 tale by Kanigher and Grandenetti. The non-series tales are better, to with the Korean War story "Road to Sunchon" by Archie Goodwin and evocative art by Ernesto Patricio tackling the common war comic theme of racism. Goodwin reaches for a little too much in the last panel, but it's otherwise solid.

Batman #321: This one starts off promising with a cover by José Luis García-López, and delivers a solid tale of the Joker's birthday by Wein and Walt Simonson. The best issue of Batman yet in the 1980s cover dates.

DC Comics Presents #19: O'Neil and Staton offers up a goofy yarn of a hawk-headed mutant psychically causing a violent reaction at a dinner party. Good thing Superman and Batgirl are there! O'Neil's script keeps referring to Batgirl as the "dominoed daredoll." I wonder if it bothered him that nickname never caught on?

Flash #283: Cary Bates is making each issue better than the last, I think, and Don Heck is supporting that. Not a lot has happened these 3 issues, admittedly, but they aren't decompressed, more like movie serial cliffhanger installments. Anyway, Reverse Flash tries to kill the Flash just as Flash is returning from the future with knowledge of Iris' killer. The Flash doesn't die of course, and lays into Reverse Flash who, in fact, is the murder. Of course, he gets away in the end, so everything is continued/

Ghosts #86: More ghostly tales with the conceit of being true. The most "high concept" (heh) tale has to be the one by Kashdan and Henson about a murderous stunt pilot who gets his comeuppeance when his dead partner's body drops into his airplane's cockpit decades later.

Jonah Hex #34: Our first Christmas story of the month! Fleischer and Dan Spiegle serve up and unusually humorous tale for the normally fairly grim world of Jonah Hex, where Hex is on the trail of some murderous robbers, and finds his father acting as sheriff in a haven for outlaws. He forces his no-account, abusive father to play Santa Claus for the kids at the orphanage.

Justice League of America #176: The whole JLA takes on Doctor Destiny in a classic "split in pairs and collect something" plot. Not terrible, but nothing special.

Men of War #26: Harris and Ayers give us a crossover. Gravedigger leads the combat-happy joes of Easy (minus Sgt. Rock) on a mission. Harris does a pretty good Kanigher imitation, but it's lightweight, late era, DC war stuff. This is the last issue of Men of War and the last appearance of Gravedigger until Who's Who.

Secrets of Haunted House #22: Destiny narrates two tales. The most unusual of the two is by Kashdan and Ruben "Rubeny" Yandoc and is like Fantastic Voyage if the blood clot was a witch doctor.

Superboy Spectacular #1: This is mostly reprints, but it does include a map of Krypton, and a cutaway view of Superboy's house. The only new story is a "solve-it-yourself mystery" by Bridwell and Swan, which I won't spoil.

Superman #345: Time on Earth gets reversed due to the action of aliens. Conway and Swan serve up  a fairly Silver Age "puzzle" yarn.

Superman Family #200: This is a high-concept entry anthology, tales of the future at the "turn of the 21st Century" when Lois and Clark have a 16 year-old kid, and Linda "Superwoman" Danvers is governor of Florida. All the stories take place on the Kent's anniversary. Conway writes all of these stories but a number of artists appear.

Weird War Tales #85: J.M. DeMatteis and Tenny Henson deliver tale of alternate realities, where the enemy is various alternate United States. An interesting departure from the usual stuff from this comic.

Wonder Woman #265: An "untold tale" of Diana Prince's time with NASA, featuring a shuttle crash, aliens and dinosaurs by Conway and Delbo. The Wonder Girl backup has nice art by Ric Estrada.

Star Trek Ranger: Here Be Dragons (part 2 & 3)

Player Characters: The Crew of the USS Ranger, Federation scout ship:
Aaron as Lt.(jg.) Cayson Randolph

Andrea as Capt. Ada Greer

Dennis, as Lt. Osvaldo Marquez, Medical Officer
Paul as Cmdr. D.K. Mohan, Chief Helmsman

Synposis: While posing as travelers from a distant land, the Ranger away team manages enter the grounds of Count Angmox's castle and discover where the draconic Ksang ambassador is being held. They pass him a communicator hoping it will be of use later. The transporters are still having trouble with the strange energy fields, though. Ranger's sensors, however, are able to pinpoint a local source of the disturbance in the Count's keep.

Mohan pretends to be a wizard from a foreign land--a ploy that appears unusually succssful as they are admitted to the keep and given an audience with the court wizard, Nilras. Unfortunately, it's a ruse. Nilras strikes them down with a strange energy from his wand.

Nilras realizes the Ranger crew is from somewhere else and just wants them to leave his world. He's willing for them to take the ambassador with them, but doesn't wish to embarass the Count. The Ranger crew makes a pretense of trying to solve this dilemma, but under the guise of a test of Nilras's ability to lower the transporter-blocking field, they just beam themselves and the ambassador out.

Mohan accompanied by Ensign O'Carroll heads back to the planet in a shuttlecraft to retrieve the shuttle they left behind and destroy the Ksang shuttle. The energy fluctuations are even fiercer now and their shuttle is damaged. They are forced to take the initial shuttle back to the ship and destroy the other two, creating a larger than they would have hoped for explosion. 

Commentary: General Order One (The Prime Directive) was bent pretty far this adventure, but probably not broken. The Ranger crew recognized that the wizard was actually employing advanced technology, and noted that he was of a group genetically distinct from the general populous, but not alien, but they never discovered the wizards' secret.

Wednesday Comics: DC, Frebruary 1980 (part 2)

I'm continuing my read through of DC Comics output from January 1980 (cover date) to Crisis. This week, I'm looking at the comics at newsstands around November 20,1979.

Action Comics #504: Another overly complicated Cary Bates story, but at least this one uses it (maybe!) to better purpose than last month's. Superman encounters a mysterious armored foe, then Clark Kent is saved by a man with "prana-power" gifted to him by his father who has an origin not unlike Iron Fist, but with powers of the mind as the ancient Eastern secret rather than martial arts. It turns out the armored criminal is really the guy's girlfriend who's been hypnotizing him to make him imbue her with prana-power for criminal misdeeds. 

Adventure Comics #468: I've never thought about it before, but the Levitz/Ditko Starman almost reads like a comic book tie-in to an 80s toyline, and the Wein/Staton Plastic Man could sort of be an "all ages" approach. The combination gives this book a more kid-aimed feel.

Brave & the Bold #159: O'Neil and Aparo have Batman team-up with his greatest 70s nemesis, Ra's al-Ghul to find a scientist who has developed the formula capable of turning any substance into crystal--I feel like this was inspired by ice-nine in Cat's Cradle. Anyway, an average story.

Green Lantern #125: I think this is my first story with pre-Crisis Qward. I had seen pictures of their warriors with the lighting bolt weapons, but never the Weaponers or their world. Anyway, the O'Neil and Staton story is another confrontation with Sinestro and the prelude to a Qwardian invasion of Earth. This feels most like a Marvel Comic of the era than any other this month.

House of Mystery #277: The lead story here by Kanigher/Pasko and Chaykin/Milgrom about an actor who gets too into his roles after a deal with dark powers isn't very good. There's a short one about a vampire in a crypt getting the upper hand on a would-be vampire slayer that's a decent one-off joke. It has nice art by Mar Amongo, who I've never heard of before. The last story is a Cinderella riff by Kashdan, made better by interesting art by Nards Cruz and Joe Matucenio.

Legion of Super-Heroes #260: Conway and Staton have the Legion going undercover to solve a murder in a 30th Century circus. This one feels like a bit of a throwback, but it's fun.

Sgt. Rock #337: "A Bridge Called Charlie." Standard Kanigher Sgt. Rock tale about a doomed,  heroic stand, in this case, even recognized by the enemy who pins an iron cross on his corpse. 

Super Friends #29: Bridwell and Fradon present a story that feels very Silver Age in its goofy/trippiness. With aliens set on using radiation to destroy all life on Earth, Wonder Woman using her spinning lasso, vibrating at a certain frequency, to move the Super Friends partially into another dimension, so they look like costumes walking around with no person inside. The Wonder Twins backup continues the Silver Age silliness.

Time Warp #3: These stories really nail the vibe of EC titles like Weird Science and Weird Fantasy, albeit with updated artistic sensibilities. It's nice to see Steve Ditko bring a bit of his Dr. Strange/Shade the Changing-Man trippiness to the tales he draws.

Unknown Soldier #236: This story by Haney and Ayers has the Unknown Soldier freeing a Japanese American from an interment camp to go undercover with him. The Nisei is ambivalent in his role and betrays the Unknown Soldier, but then changes his mind again and helps him. Haney makes an effort, but his story doesn't deal with these topics with the depth or subtlety they deserve.

Warlord #30: See an in-depth commentary here.

Weird Western Tales #64: Conway and Ayers continued the Scalphunter/Bat Lash team-up from last issue, with Bat Lash explaining to Scalphunter why he betrayed him. I like to see the DC Western characters team-up, but otherwise this story is forgettable.

World's Finest Comics #261: All of these stories are pretty goofy, though some are goofy and enjoyable, others less so. Conway's Green Arrow/Black Canary story about an elderly lady given superpowers by toxic exposure to become "Auntie Gravity" is in the "less so" category, and made worse by Saviuk's inability to draw an old woman. O'Neil and Buckler's Superman/Batman team-up involving the Penguin and Terra-Man hypnotizing some actor into thinking he's the real Butch Cassidy is just too much of a puzzler to accurately assess. The Bridwell/Newton Mary Marvel story is about what you expect from 70s Marvel Family stuff. The Black Lightning story by O'Neil and Tanghal is the most serious but still has clowns on a boat.

Bob Haney's Marvel Universe, A Comics Counterfactual

I've previously speculated in a couple of different ways about DC done in a Marvel manner, but it seemed like a good time to think about things in the other direction: what if somehow DC had managed to take over Marvel just as the Marvel Age was getting off the ground?

Talking about this with my friend and occasionally fellow blogger, Jim Shelley, we came up with several ideas, but since several came down to "Bob Haney," I figured that was worth a post in and of itself. This, of course, is just idle speculation, but I could see it informing a very interesting supers rpg campaign. Maybe it will look that way to you, too.

The Hulk

In this timeline, the "hero and villain in one man!" dynamic that Haney brought to Eclipso (first appearing in May of 1963) will instead get applied to Marvel's Jekyll and Hyde character, the Hulk. The Hulk would retain his more villainous "gray hulk" persona through the entirety of his short run, and Banner would be his antagonist. Just like in the real world, this series doesn't last long, so in Tales to Astonish in 1964, Haney and artist Ramona Fradon bring the camp and whimsy they would have brought to Metamorpho to the Hulk. Bruce Banner becomes stuck in Hulk form, but still tries to woo Betty Ross, while being under the thumb of her father who ostensibly has Banner on a short lease "for his own good," but doesn't hesitate to exploit his abilities.

The X-Men

"Dig this crazy teen scene!" The X-men had a rocky start, so Haney was given title, along with a new artist, Nick Cardy--the original Teen Titans team in our history. Haney made the X-Men "hip" teens and gave them new foes like the Mad Mod, and more than one motorcycle gang. The male X-Men often refer to Marvel Girl as "Marvel-chick" as a term of endearment.

The Haney/Cardy team kept the X-Men from going all reprints, though the title wouldn't really catch on until the arrival of the New X-Men, same as in the history we know.

Weird Revisited: Four Sinister Sorcerers

From the world of the City, here are five wielders of magic to challenge any party of adventurers:

The Algophilist: He’s older than current civilization, and he wants to make you hurt. His mistress is a goddess of pain, dead since the sinking of Meropis. Every tear evoked by her devoted servant, every scream and anguished cry he draws forth from his victims, brings his goddess incrementally closer to raising. Having learned (and suffered) at his goddess’ several hands for seven times seven years, the Algophilist knows numerous and varied ways to get his sacrifices. He can be met anywhere where the shadows make it easier for him to find victims, but he’s discovered a “backdoor” in and out of the alien city that overlaps with Hoborxen and often strikes from there, taking whoever mets his fancy to his sadist’s dungeon demiplane.

Hieronymus Gaunt: Lich and bon vivant (bon mourant?) currently on a world tour of debauchery and mayhem with a gang of followers in a stolen elephant-shaped hotel. In addition to his own sorcery, he's got a store of stolen magic items from all over the world.

Cheroot: Croaker (medicine man) and mugwump of a large hobogoblin tribe in the Steel League. He holds court in a large dump outside of Sunderland where he nightly incites the ‘goblins to ever greater crimes against humans. He wears a worn tophat which has the power to animate anything it is set upon (as long as it stays on it)--and Cheroot can command the animate to his service. The trash heap where he makes his throne is actually a garbage golem which will rise and fight for the shaman if needed.

The Unpleasant Woman in the Basement: What she lacks in looks, she doubly lacks in personality.  She squats like a gigantic toad amid the packages, correspondence, and pneumatic tubes in the basement mailroom of a midtown office building in the City. She's been there for fifty years and three building owners.  Those who displease her die in bizarre accidents or by suicide.  Nightgaunts fly at her whim. Scorpions will grow from her shed blood.

Twilight: XXXX

With Twilight: 2000 on it's way back in a new edition, it seemed like a good time to think about retro-apocalyptic alternate histories other than the official one.

Twilight: 1945
Germany gets the bomb, but it isn't enough to save the Third Reich, just enough to take basically everyone else down with them. The players are allied troops stranded in Europe, just trying to make it it back home.

Twilight: 1984

The worst fears of the early 80s are realized and there's a limited nuclear exchange, but enough to send everything crashing down. Here the action might be stateside, in the fractured United States (much like the state of the U.S. envisioned in the regular game).

Wednesday Comics: DC, February 1980 (part 1)

 I'm continuing my read through of DC Comics output from January 1980 (cover date) to Crisis. This week, I'm looking at the comics at newsstands around November 8,1979.

Batman #320: O'Neil suggests that when there isn't enough crime in Gotham, Batman scans the international papers for international crimes to solve. He's off to Italy to deal with murders of priests. This is sort of a giallo in the confines of the comics code.

DC Comics Presents #18: I've always liked this 70s Zatanna costume. It's a shame they've never done an updated version. This team-up with Superman, Zatanna, and her dad by Conway and Dillin, again emphasizes Superman's vulnerability to magic, and suggests its due to his nonearthly origin and therefore complete lack of Homo magi genes. However, Superman recalibrates his a spectrometer device he has to detect magic "at the far end of the spectrum" with smaller wavelengths even that cosmic rays.

Detective Comics #448: This is the inheritor of the Batman Family setup. The Batman story by Burkett and Newton features the Spook, a character I only knew from the Who's Who. Batgirl actually helps out a street gang while lamenting her recent failed bid at Congressional re-election in a story by Harris and Delbo. Harris aided by unexpected but welcome art by Schaffenberger has Robin taking down kidnappers targeting his college's campus. The other two features are more humorous tales of a Gotham City cop on the day of his retirement and a Elongated Man yarn. This may be the best issue this week.

Flash #282: Continues from last issue, Bates and Heck have the Flash escaping form the deathtrap Reverse Flash left him in. Meanwhile, Reverse Flash is toying with Green Lantern back in 20th Century Central City. Somehow, the yellow of Zoom's costume is such that Green Lantern can't catch him even when he is dressed as the Flash, which makes Green Lantern seem pretty weak.

G.I. Combat #218: These three Haunted Tank stories make me feel like I don't like the Haunted Tank very much. Not any worse than the other war comics this month, I suppose, but some variety might have helped.

Ghosts #85: This issue has a conceit of all of it's stories being based on true events which was absent from the last issue. The stories are a bit better this time around too, with more creative use of the ghost conceit: a murder is run down by a ghost car in a junkyard, a fiery ghost of a man pushed into a volcano comes for his murder and his faithless wife.

Jonah Hex #33: Hex is witness to a family tragedy while trying to take out some outlaws in this tale by Fleisher and Eufronio Reyes Cruz. Both the father and son make some boneheaded decisions, so it seems like tragedy was inevitable, honestly.

Justice League of America #175: Conway and Dillin are channeling Marvel and Roy Thomas' Vision stories with "But Can an Android Dream?" Red Tornado frets about his lack of humanity and reconnects with his sort of foster daughter and former girlfriend to form a family. Doctor Destiny provides some menace. A solid issue for the time.

Men of War #25: Continuing from last issue, Gravedigger gets to save FDR, then for his trouble gets given another deadly mission that would have otherwise gone to the Unknown Soldier. I guess that's a win? We got more of Rosa's origin, but also the indication he might not be truthful. This character piqued my interest, and I like Grandenetti's art. It's a shame there wasn't more of it.

Secrets of Haunted House #21: More EC-esque yarns. The first is a perplexing yarn about a ghost that isn't. I would say it was dumb, but the plot-twists indicate Carl Wessler put some thought into it, for better or worse. The second is a cautionary tale about the the highstakes world of rural scorpion fighting. The last is sort of the Island of Doctor Moreau, but not quite. 

Superman #344: Superman stories of this era like to throw magic at him a lot. Maybe it's the presumed vulnerability? In this Wein/Levitz story drawn by Swan, Superman combats Dracula and Frankenstein for the life of a young medium. Superman uses heat vision and super-pressure to turn a hydrogen balloon into a miniature sun to get read of Dracula, but not before Frankenstein robs a bakery delivery truck.

Weird War Tales #84: The goofiest tale this issue is by Mike Barr and Charles Nicholas wherein the ghost of Woodrow Wilson prevents the assassination of DeGaulle by Nazi saboteurs. In the other two stories a Russian general sells his soul for victory in WWI, only to get killed in the Revolution, and American troops from WWII getting transport to Camelot to loosen up the sword in the stone with explosives. 

Wonder Woman #264: Conway and Delbo have the Gaucho employing robotic rheas (roborhea) to bedevil Wonder Woman. I think that says it all, really.