Wednesday Comics: Marvel Treasury Edition #28

Since my goal is to read DC Comics' output from January 1980 (cover date) to Crisis, why am I talking about Marvel Treasury Edition #28? Well, that's because the title of this issue is Superman and Spider-Man. Released around April 28, 1981, this is a follow-up to Superman vs. The Amazing Spider-Man #1 from 1976. It is the last issue of Marvel Treasury Edition.

Jim Shooter is the writer here and John Buscema is on pencils, embellished by a whole slew of inkers, on backgrounds mostly, with Joe Sinnott handling the figures. 

Spider-Man inadvertently interferes with the plans of Dr. Doom, but Doom's got even bigger plans. It involves inducing the Hulk to rampage in Metropolis where we get to see some Superman vs. Hulk action. Spider-Man (Peter Parker having been sent to Metropolis to take photos) gets to stand around and watch the titans tussle. Superman locates and destroys the Doom device enraging Hulk.

All this rampaging releases the Parasite, though, which was apparently what Doom planned. While he's breaking out, Peter and Jimmy Olsen are paling around (which makes sense), and Superman is confronting Doom, who tells him "we're a lot alike you and me." Sure, this shows Doom's ego, but he also has a not crazy point that Superman's inaction on any number of things decides the fate of any number of people as much as him taking action would. Then he blasts Superman with Kryptonite.

Superman beats that trap, but Doom pulls the ol' diplomatic immunity thing, and Supes leaves. Parasite comes out of hiding. The two villains are already in cahoots.

Superman gets to meet the Daily Bugle staff and take care of some street crime in New York. Spidey can't catch a break in Metropolis, getting turned down by Lana Lang, and being thought of as a criminal by the police. Even Wonder Woman calls him "creepy." 

Superman and Spider-Man meet up and compare notes from their investigations on Doom's world conquering plan (which is so bold and so ridiculous I'm not going to go into it, but suffice to say it involves destroying all the world's energy resources and all the worlds weapons). Superman says it's all too dangerous for Spider-Man and heads in to tackle Doom and Parasite alone, but he gets into trouble, so it's a good thing Spidey didn't listen to him. He doesn't help much though, and Superman and Spider-Man are both captured.

Now it's time for the villain betrayal. It turns out Doom doesn't want Parasite as a lackey, but instead needs him to get crystalized by absorbing too much power (Hulk, Wonder Woman, and Superman). This crystal is integral to his plan because without it, well, his device will blow up and destroy the planet.

But Parasite now has spider-sense, and gets forewarned of the danger. A fight breaks out and the device gets damaged, so now it's going to destroy the planet. Doom tries to escape in a spacecraft. Superman and Spider-Man try to stop the reactor build up, and Spider-Man saves the day with a bit of spider-sense gifted intuition.

The villains defeated, the heroes return to their respective towns.

A goofy Bronze Age story, admittedly, but it's sort of fun. Buscema's Superman is not the best, but that's the only character that seems slightly "off model."

Shrouded Vurania

Distant Vurania is cloaked in impenetrable clouds, but is known from two recorded Terran expeditions to have a surface capable of supporting human life, at least for a time. It is warmed by volcanism and radioactive elements, and is aided in retaining the heat these produce by it's thick clouds. The light from these sources plays luridly in the gray-green fog, but only partially relieves the darkness. No light from the sun or stars penetrates the gloom, and indeed the atmosphere is opaque to sound and electromagnetic waves in a fairly sort distance. Vurania holds on to its secrets.

There is little life beyond the level of arthropods apparent on the surface of Vurania, though there is evidence that intelligent life once resided there in the form of crumbling monumental structures believed to be temple complexes. Some are decorated with images known from subterranean Precursor ruins on New Terra associated with the worship of the "Spider Goddess." The prevailing theory is that these were built by Precursor dissidents who fled to Vurania following a war, but why Vurania ought of all the worlds in the System is unknown. Scholars who disagree with this theory point to the lack of any apparent buildings beyond the temples in the (admittedly limited) explored areas of the planet, and suggest this was a religious site, and possibly the source of the Spider Goddess cult.

Vurania might be a tempting haven for interplanetary outlaws, but its environmental conditions and distance are factors against it. The everpresent fog has probably contributed to the frequent old spacers' yarns that paint it as a haunted world, a sort of purgatory where crews unlucky enough to stop there may be held forever by the ghosts of their own misdeeds.

Weird Revisited: Gods from the Comics Page

This post first appeared in 2011...

Fantasy rpg settings usually make-do with Bullfinch’s Mythology derived/inspired pantheons, monstrous deities of the Lovecraftian or Howardian variety, or the occasional monotheism. Nothing wrong with those, but looking to the pages of comic books suggests some interesting variations:

Space Gods
Kirby’s Eternals posits that those classical pantheons were just misidentifications of a subspecies of humanity uplifted enigmatic aliens. In the fantasy context, maybe the aliens are some sort of elder gods (recall that Lovecraft’s Elder Gods felt unaccountably protective to the gods of the Dreamlands) and the Eternal stand-ins could be something like the Menzter’s Immortals. The other option would be to play up the science fantasy aspects for the full von Daniken. “A sufficiently advanced technology, etc., etc,”--maybe the world only appears to be a fantasy world and alien super-science is the order of the day?

The Endless
Neil Gaiman’s Sandman strips down the pantheon idea with the Endless. Destiny, Death, Destruction, Despair, Desire, and Delirium are (as their names would imply) personifications of concepts. Marvel Comics has a similar (though less developed) class of beings like this: Eternity, Oblivion, Lord Chaos and Master Order, and again Death. The Endless fit into the mythologies of various cultures in various ways, but they don’t have mythology of their own really, just personal history. A group of beings like the Endless could be the sole deities of a world, just worshipped under different names by different cultures, or (like in Sandman) these sorts of personifications could be an order of cosmic beings separate and “above” the usual pantheons with whom PCs could interact.

New Gods
“There came a time when the old gods died!” as Kirby told us in New Gods #1. As the title suggests, Kirby started in with the exploits of the New Gods--and Grant Morrison gave us even newer new gods in Final Crisis. A world could be post-god shift, adding some interesting background, or the setting could be in the midst of the “godless” period, post-Götterdämmerung but pre-reemergence of the new gods. Players might actually have a roll in finding/shaping the new gods that would appear.

Wanaxar

 Further developing this idea.

Art by Matt Hilker

Wanaxar is the fifth planet (currently), and the largest in the System. The crushing gravity and terrible atmospheric pressure make whatever surface might exist inaccessible to most denizens of the System, but Wanaxar is not uninhabited. Floating cities drift through its colorful, poison clouds and ride its frequent storms.

The Wanaxarans (Giff or Giv, in their language) are a broad, powerfully built people, adapted to their homeworld's high gravity. It has been suggested that they resemble anthropomorphic hippopotamuses, but in truth, no living human has actually seen these fabled beasts as they did not survive Old Earth, if they ever existed at all. The source for this reference is a popular animated character inspired by archaic children's books.

The Giff are not native to Wanaxar. Their own legends say their ancestors came here from one of Wanaxar's numerous moons fleeing a rapacious invader that they never saw in the flesh but whose warships laid waste to several worlds. It is the memory of this event that likely led to militaristic bent of Wanaxaran cultural today. Indeed, the entirety of their society is organized along military lines, though obviously not all serve in a combat-related capacity. Still, Wanaxarans find it usual to contractors of other species to perform tasks they consider beneath them, and aliens on Wanaxar can be found in positions form menial laborers to city administrators.

Wanaxarans can be rather stiff from the human perspective, governed as they are by complicated system of military courtesy, but they can be quite affable once initial formalities have been honored.

Merkuro

 This is a follow-up to this post.

Merkuro is the closest planet to the sun and tidally locked, so that it has a searing Dayside where temperatures climb high enough to melt lead, and a frigid Nightside that's cold enough to chill oxygen to a liquid. Only the narrow band of the Twilight Belt is close to habitable, and it is a badland riven by canyons and caves, wracked by storms. 

Human explorers would have been surprised to find life here, had the Vrusk of Marva not tipped them off. Liquid gases flow underground from the Nightside and melt to provide breathable, if rarified, air for cave complexes and even deep canyons in the Twilight Belt. Here peculiar invertebrate life developed, amorphous like amebae, but multicellular. One species (if such a term has any meaning with these lifeforms) developed sentience. These unlikely, elastic creatures, the plasmoids, would become one of humanity's best allies in the System.

Plasmoids are somewhat mysterious in that while they did not have particularly advanced technology at the time of human first contact, they possessed the theoretical framework to understand advanced concepts, and took to modern technology easily.  Some have proposed that plasmoid knowledge, perhaps even plasmoid sentience, may have come from consuming earlier interplanetary explorers (perhaps members of the Precursor race that inhabited New Terra before humanity's arrival) and absorbing their knowledge. It is a credit to plasmoid broadmindedness (and perhaps their renowned sense of humor) that they do not find such speculation offensive.

There is a human-operated spaceport in the Twilight Belt, called Solar City. This is a mining and broadcast power planet for New Terra. Most of it's inhabitants are roughnecks, miners, and technicians who do their hitch and then return to New Terra with a big paycheck. There are naturally ramshackle saloons, gambling houses, and other places of entertainment that tend to grow up around such camps to separate the workers from their money.

Wednesday Comics: DC, July 1981 (wk 1 pt 2)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics at newsstands around April 9, 1981.

Justice League of America #192: This is a pretty good issue from Conway and Perez. Red Tornado shows up and tries to kill the JLA, injuring Batman (imagine a Justice League issue that treats Batman as more fragile than the rest of the team!) and the Flash. They destroy that one, but then another attacks and this one has Kryptonite, and is only defeated when the Flash gets out of the bacta-tank (well, that's what it looks like) to save Superman. All of these Reddy duplicates come from T.O. Morrow who retcons eh, explains, why it is he's still alive when we saw him die a few months ago in World's Finest. It's Marvel retcon convoluted. Anyway, it turns out none of these Red Tornado's weren't the original, but now Morrow has gone after him, too.

New Teen Titans #9: HIVE is out to steal promethium from Changeling's adopted father's company, and they send the Puppeteer/Puppetmaster (not the one you're thinking of) to take out the Titans. Over half the team is controlled by the Puppeteer, but the other manage to defeat. Nothing noteworthy about this issue, but it's not bad.

Secrets of Haunted House #38: This is a pretty good issue art-wise. Story-wise, it's lackluster. In the first story, a Native American legend about a cave full of gold where a demon was unleashed draws in two criminals. In the end, it turns out the legend had a kernel of truth as the men are killed by a torrent of oil unleashed by their searching. The second story, written by Ms. Charlie Seegar, doesn't make a lot of sense, but has grotty art by Jodloman. It involves a sweatshop owner making a deal with the Devil for slave labor, only to have men wearing the Satan-imbued jackets his factory made come to kill him so the Devil could claim his due.

The Mister E story by Rozakis and Spiegle has E on the trail of Judge Kobold from his first appearance, but Kobold has apparently disguised himself as one of a group of business men. This installment is probably the weakest Mister E story was far.

Superman #361: Captain Strong (DC's Popeye stand-in) guest stars, which distracts a bit from the fact that this is yet another "never to be seen again alien coming to Earth with a problem" story from Bates and Swan. The alien is transforming into all sorts of creatures, including a Kryptonian beast Supes needs Strong's help to defeat, but ultimately she's just trying to feed her starving people. It turns out Strong's sauncha seaweed that gives him his strength is just the thing.

The backup is more forgettable than the main tale, as most of these "Superman of 2021" stories seem to be. Superman has a second secret identity as some sort of future sports star. Step up your game, Rozakis!

Tales of the Green Lantern Corps #3: After their defeat last issue, the Corps is ready to pack it in and go home to spend the last days of the Universe with their families, but Jordan rallies them to do their duty to the last. The Corps arrives at the riff to Nekron's realm and the battle is again joined. One of Krona's minions is inspired to by the Lanterns and is given a ring by Jordan to become one himself. Jordan flies through the riff and recruits dead Lanterns to fight, and they over-power Nekron, but Jordan is trapped in his dimension. The other Lanterns get him out, and the day is saved. The Guardians offer to make Jordan head of the Corps, but he declines. A satisfying finale from Barr/Wein and Staton.

Weird War Tales #101: G.I. Robot makes his debut in a story by Kanigher and Casares. In the standard "robot partner" sort of story, a loner sergeant is initially skeptical of having a robot partner, but learns the power of buddy-dom from his more-human-than-expected companion. It's the best story of the issue for all its formula.

Kashdan and Taberna present a story of child soldiers, who it turns out are only taking part in a game to scare (more like traumatize) them away from war forever. A ex-Nazi gets what he deserves as a member of the French Foreign Legion when he is betrayed by the ghost of a man he spared in return for betraying his neighbors in a Jewish ghetto. Kashdan returns for the last story with Vicatan Jr. It's a story of a calculator device found by some G.I.'s that seems to predict successful battle tactics, but in the end only brings misery.

Wonder Woman #281: Conway and Delbo/Hunt send Wonder Woman and the Demon through a weird, mystical dimension to rescue Etta Candy from Baal-Satyr. Delbo does okay mystical realms, but his Demon his pretty rough, which brings down the issue for me. In the end, they rescue Candy, but they appear to be trapped in the netherworld. 

In the Huntress backup by Levitz and Staton/Mitchell, it turns out Helena Wayne's DA beau wasn't killed by the joker venom, but he's in the hospital. Next, the Joker gets Commissioner O'Hara. The story ends with one of those nonsensical hero moves you sometimes see in comics: Huntress breaks her own dart-firing crossbow in half--because the Joker is firing darts at people? Doesn't make much sense to me. Anyway, she vows "the gloves are off!" There's also a panel in this issue where he appears that Staton has drawn Helena Wayne in a parted robe that appears to show public hair. Surprised he got that one by the Code Authority!

Rockets , Rayguns, and Other Worlds

I've been thinking about a campaign setting that would utilize a bit of material from Spelljammer, a bit of material from Star Frontiers, and then some reconfigured stuff from D&D in general. The ruleset would be 5e (it's what the group I would likely play it with knows the best), but that would allow me to draw from Rocket Age 5e and other sources saving me some work. 

I sketched some of the bones last week, and it would conform to some of the particulars I outlined in this alternate Spelljammer idea, here. The basic idea is that humanity, fleeing some cataclysm on Earth, wind up either in a distant star system or either an alternate universe (I don't know if the players will know which or if it will matter) where the solar system is uncannily like a pulp version of our own. The laws of physics will obviously be somewhat different here, but I don't expect that to be a focus of play.

Technology will conform to pulp sci-fi standards, with rockets with some sort of atomic powered aether drive playing their way through the system. Swords of some sort will be present side-by-side with rayguns, but I haven't decided whether they will be or everyone or particular characters, or whether they will be normal swords or something special. Psychic powers will take the place of magic.