Et in Arcadia Formicae Sunt

Arcadia was born from the schism between Absolute Order and the Archons which believed in transcendence, those who raised up the Heavenly Mountain. The Archons of what would become Arcadia, were in awe of the Mountain, but worried its rigors would not create the optimal balance of Order and Good for the most souls. The Mountain, they felt, risked unacceptable numbers of souls potentially falling to Chaos and error in the name of a goal that might never be attainable. Only through Mechanus could the Cosmos be salvaged, but the algorithms must be modified to reflect the needs of the willful souls of the Primes. Arcadia would be that benevolent Order. 

Long ago, the greatest of Arcadia's builders distributed their being among a crafted species. The ant-like formians carry out and carry forward the great working through that divine spark within.  For the souls which come to reside in the ordered collectives of Arcadia, the formians are both humble servants and strict correctors of infractions. They model for the other inhabitants self-less service of the community.

Visitors to Arcadia find it a place of great serenity and happiness. Its souls live in ziggurat arcologies with terraced gardens and precise, geometric parks. They are amiable, though highly conformist and given to speaking in aphorisms regarding the virtues of their lifestyle.

It could be said that Arcadia is a benevolent dictatorship. While the souls have a great deal of freedom, there is little tolerance of behaviors which are detrimental to the community. Friendly warnings and lectures are the first response, then tasks meant to create awareness. If those interventions are ineffective or resisted, the community practices ostracism and a truly rebel soul will find the plane itself rejecting them.

Swords Against Sorcery: Showdown in The Tower of Eyes!

Last weekend, we continued the playtest of Swords Against Sorcery, the Bronze Age comic book Swords & Sorcery system I have been working on. Here are the characters in the session:

• Zanjar, Gallant Thief (Tug)
• Thunda, Barbarian Acolyte (Andrea)
• Korag, Primitive Warrior (Jason)
• Kharron, Cursed Warrior (Paul

When last we left our heroes they were facing the mind-boggling inner dimension of the Tower of Eyes. They had to travel through this space presumably to reach the sanctum of the wizard Narznn Gath who had tried to kill them. Everyone had to succeed at a Tough (2 successes) Instinct+Sorcery roll to be able to navigate the space without error. Several didn't succeed and so received a "Confused" penalty condition when trying to navigate. Luckily, they have Thunda's instincts, honed to the Shaman's Realm, which allowed her to be their guide.

They had barely began their descent when a strangely doubled bellow assailed them from all directions. They hastened on, only to have a hulking monster appear some distance below them--they materialize on the catwalk in front of them! 

The creature named himself in both his voices at once: Y'gnathra! And he announced his intention to kill them! Y'gnathra's stats in the system were:

This made him a formidable opponent! The player's were going to have to be smart and luck. They had get Momentum (often by taking risky rerolls by "Tempting the Gods") and by spending that Momentum.

Kharron, unafraid of any demon, strode forward, slashing his blade. Against the odds, he scored a blow. Thunda followed that up by calling upon ancestral spirits to bedevil the creature, hampering its attacks, but it still sent Kharron sprawling with a backhand blow, and a combined attack by Zanjar and Korag to blind it and push it from the walkway failed.

Y'gnathra proved able to transport quickly from one place to another too. Frantically seeking a means of escape as they fought to hold the creature at bay, Korag's keen hunter's vision noted an ornate doorway out of this central space a couple of levels beneath them. They all made daring escapes to the crosswalk below and ran for the door, but again Y'gnathra teleported in a way to bar their path. Thunda and Kharron made it past, but Y'gnathra caught Zanjar and Korag and tossed them like missiles, causing our heroes to fall into the room beyond the doors in a jumbled heap. By now, Zanjar had exhausted his Luck. Further "damage" would place him in The Hand of Doom!

Y'gnathra withdraws. In a round ceremonial chamber, the wizard Narznn Gath stood before a floating mirror in the shape of a stylized eye. He turns and removes the dome he wore over his head, revealing...

Narznn Gath welcomes the group. He had always intended they should be present for his ultimate triumph. He is drawing forth Occuloth the All Seeing from the Outer Dark, so he can merge with that being and attain his power. While he gloats, Korag tries an attack, but the many eyes of Narznn Gath give him an advantage, and he avoids it. 

The wizard waves a hand and casts a spell to bind them all. Kharron and Korag resist binding, but they pretend to be caught by the energy bands. They ask while Gath tried to kill them, he reveals he didn't--it was an a strategem to bring them here, as his auguries had said they would be present when he merged with Occuloth.

When he turns back to his mirror through which a swirling cloud of eyes and tentacles can be seen approaching through space, the free heroes make their attacks. They are unable to seriously harm Narznn but they keep him off balance and distracted until the others free themselves. Korag makes a rushing attack against him, slamming the wizard against the mirror, then he's grabbed by tentacles from beyond.

An inhuman voice booms: NARZNN GATH....YOU HAVE SUMMONED ME AND I HAVE COME...YOUR INITIATIVE AND RESOURCEFULNESS HAS EARNED YOU MY FAVOR...I SHALL MAKE YOU PART OF MYSELF...AND SET YOU TO EXPLORING DISTANT CORNERS OF THE COSMOS I HAVE NOT BEHELD IN EONS FOR THE NEXT FEW MILLENNIA AS REWARD!

The wizard screams as he is drawn into the mirror.

The heroes now find the interior of the tower much more mundane than before. The magic has fled. They quickly find the exit and depart for more civilized realms.

All Your Hydra Favorites

 

A new Bundle of Holding launched yesterday featuring all the Hydra hits including a few cuts from yours truly. Here's the list:

• Chris Kutalik's sourcebooks and modules set in his Weird-infested Marlinko Canton, a Slavic myth-inspired, acid fantasy world of Moorcockian extradimensional incursions, Vancian swindlers, and petty bureaucrats: Slumbering Ursine Dunes; Fever-Dreaming Marlinko, plus its free Map Pack; Misty Isles of the Eld; the hexcrawl What Ho, Frog Demons; and the collection that started it all, the Hill Cantons Compendium II.
• From another Hydra stalwart, Trey Causey, the Strange Stars; the pulp-era rulebook Weird Adventures and Strange Trails; and a deceptively whimsical foray into a wild wizard's mad magic mansion, Mortzengersturm, the Mad Manticore of the Prismatic Peak.
• Zedeck Siew's Malay-themed sandbox module about river exploration, horrific eternal bargains, and a very hungry crocodile, Lorn Song of the Bachelor.

You might expect to pay as much as $74.50, but for a short time you can get all these books for the low, low price $14.95!

Don't wait! Order today!

Wednesday Comics: DC, October 1982 (week 3)

My goal: read DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics at newsstands around July 15, 1982.

Batman Annual #8: If I didn't know the publication date, this annual would make me think it was from a few years later. Maybe 1984 or even '86. Von Eeden's art seems much more of that time period when he inks himself than the other stuff I've seen by him up to this point. Barr's portrayal of Batman is what I remember from a lot of comics from my earliest days of being a concerted reader of them. He's pretty taciturn and no nonsense, but to the point where it seems less a flaw or pathology rather than just a trait; and he still calls Robin "chum" on occasion. This is not the Batman of Barr's earlier stories so much, but the one found in Barr's later work like Batman and the Outsiders and his run in Detective starting in 1986 with Alan Davis. It's a bit of a "middle path" Batman between the late 70s-early 80s good guy and the grim crusader of the night that was going to come back into vogue. 

Anyway, a masked, terrorist cult leader destroys a town by reducing its populace to charred skeletons and there are only 2 survivors, but that's enough for Batman and Robin to unravel the mystery and determine the causitive agent is in the drinking water. Ultimately, the masked mastermind is revealed to be Ra's al-Ghul and the dynamic duo foil his plans. As that thumbnail might suggest, this is a pulp story harkening back to the lurid menaces and mysteries of pulp heroes like Doc Savage and the Shadow.

Brave & the Bold #191: Mishkin/Cohn and Aparo present the unlikely team-up of Batman and the Joker. After the Penguin is apparently murdered on live TV by the Joker, Batman goes on a manhunt, but the Joker calls him in, declaring his innocence and wanting to enlist Batman's help. Apparently, the Joker is also a bit fond of Penguin and doesn't want his murderer to get away. There's a lot of silliness here as the Joker keeps falling back into old habits and trying to kill Batman with surprise attacks or traps before remembering their allies, and Batman just puts up with it. In the end, it's revealed that Penguin faked his death and pinned it on the Joker as part of some elaborate plan to kidnap a cardinal and get a ransom from the Vatican, but the Joker and Batman foil his plans. It's definitely Bronze Age silliness that wouldn't fly in the Modern Age, but it's not bad.

Nemesis still limps along in the backup. I honestly have a hard time keeping track of where he's at in his battle against this organized crime conspiracy. There's something to be said for colorful costumes and over-the-top villains in making comics stories memorable. Anyway, Nemesis tries to turn this guy Carl Sheffield against the Council.

Legion of Super-Heroes #292: Levitz and Giffen/Mahlstedt present Chapter 3 of the Great Darkness Saga. Chameleon Boy arrives on Takron-Galtos with his trial looming. On Earth, a group of horrified Legionnaires discover that the Master of Darkness cloned Superman and a Guardian of the Universe to make a couple of his servants.

Two Legion cruisers arrive at the Sorcerer's World of Zerox to find it embattled by the forces of Darkness. The Master sets his sites on Daxam, while the Teacher's of Sorcerer's World summon help in the form of...an infant. The Legionnaires make what may be their last stand on Teacher's Island. The Master shatters their defenses--but leaves them all alive so that they can witness his ultimate triumph.

Green Lantern #157: Barr gets new artistic team: Keith Pollard on pencils and Mike DeCarlo on inks.  Green Lantern finds himself attacked by his asteroid home and he's forced to blow up the whole rock. After that weirdness, Hal notices a glowing rock that looks familiar, but it hits him with a blast, leaving him unconscious in space. The rock is drawn to Earth by Hector Hammond who's behind all this. It's the sort of substance that hyper-evolved Hammond and can cure his immobility, and he's been using his mind to search space for it, until he (conveniently) found it inside Hal's asteroid. restored, he breaks out of prison and rushes out for a confrontation. Fighting Jordan seems to drain Hammond's power, though, threatening to shrink his head until his a normal, 20th Century man. He'd rather give up mobility, so he returns to Earth.  Jordan sends an energy form to check on Hammond, but also visit Carol Ferris to remind her that he loves her. 

In The Green Lantern Corps backup by Kupperberg and Novick, we check in on Charles Vicker (a former TV star turned Green Lantern of Sector 3319 (who first appeared in Green Lantern #55 in 1967). Vicker finds it hard to cope with the alien lifeforms of his sector, with not a single planet similar to home he could settle in. He's built his own house on a little planetoid, which only served to make him miss Earth more. When he saves the inhabitants of Axelbob III from disaster, the xenophobic folk run away from him when he tries to be friendly. Still, he keeps on, saving various worlds, each one with weirder and weirder inhabitants. Then, the Guardians of the Universe order him to assist the planet Ftl'yl XI...

House of Mystery #309: Kaluta's cover looks nice, but its Prince Valiant looking Bennett suggests our hero is back in Medieval times when the story actually seems to take place in the late 18th-early 19th Century. Well, the witch hunters seem a throwback, so maybe it's unclear. Anyway, while in the past seeking Mary, Bennett is impersonating his younger, pre-vampire self. Bennett uses his powers to rescue a girl from being murdered by witch-hunters. He goes to the costume party as planned, but the girl he dances with is the vampiric Mary who has also replaced her past self. Suddenly the witch-hunters burst in led by the girl, searching for the monster that saved her. Young Andrew Bennett also shows up to denounce the vampire one. Before vampire Bennett can killed by the mob. Mary accidentally reveals herself, as she's forced to rescue her past self to secure her own existence. The mob turns on vampire Mary who is unable to use her ring, but Bennett slips away to the future.

The other two stories are an EC style riff told from the perspective of a guy who had some horrible accident (turns out it was a failed suicide attempt) who is now a brain in a jar being tormented by his cruel wife, and then in the last one, aging, wealthy business men are stealing the bodies of their young subordinates, but the mustachioed protagonist escapes because a cat gets in the way and becomes the recipient instead.

Night Force #3: Baron Winter is forced by events to accelerate his efforts and coerces Jack Gold into joining forces with Donovan Caine by causing him to lose his job. We learn that Vanessa is the granddaughter of Abraham Van Helsing who was a real person, though the events of Dracula aren't what happened in reality. Does Wolfman just really like Dracula or is he trying to sneakily tie in Night Force to his work at Marvel? Anyway, it's Russian agents that kidnapped Vanessa, and Caine and Gold follow them to London there they meet and elderly antiquarian bookstore owner who had a thing with Winter, and she says he was an older man. Then they are shot at by goons in a car so they jump into the Thames where they are shot at by goons in a hydrofoil!

Sgt. Rock #369: I read this issue as a kid or at least I saw it in my cousin's collection. Easy gets a new recruit who thinks things are too tough. Rock (in typical Kanigher storytelling mode) reminds him as they face challenges and trials that "dying is too easy." Contrary to a lot of those stories, the new guy doesn't die at the end. This is a followed by a downer story with art by Arata about a soldier who dives to rescue a drowning German pilot at Dunkirk only to have them both die a little later as the Luftwaffe sinks the boat they are on fleeing the battle. In the last story by Kelley and Mandrake, a big game hunter is forced to use all his skills to survive and overcome a rival who has joined the Nazis. 

Warlord #62: I reviewed the main story in this issue here. In the Kupperberg/Duursema Arion backup, Caculha shoots across the Astral Plane in an effort to reach Arion, who has become ensnared by a being of energy. Caculha's way is blocked by the very annoying at this point chaos avatar Chaon. The two battle and Calculha is victorious. This story promises to be continued in Arion #1. I hope they do something to make it more interesting than these backups have been.

The Structure of the Inner Planes Revealed

Back in Dragon Magazine #8 when Gygax presents the first diagram of the standard planes of D&D (which wasn't yet a "Great Wheel") he assures us the image is "a 2-dimensional diagram of a 4-dimensional concept." Gygax doesn't explain what he means (is the entire conception 4D or only some part>), and so far as I know, no one else seems to have picked up this thread. 

In Dragon #42, for example, Lafoka makes the both suggestive and hard to parse statement about travel to the Elemental Planes from the Prime: 

A figure with ethereal access can freely travel on the Prime Material, go “up” into the Elemental Plane of Air, “down” into the volcanic Elemental Plane of Fire, can go into the Elemental Plane of Water (if a large body of water is nearby), or can go “down” into the Elemental Plane of Earth. 

I think this is mainly saying that areas of the element on the Prime Material are effectively portals in the Ethereal, but it could be more clearly worded if so, and why are up and down in quotes as if they are only so-called? Anyway, unless that scare-quoted up and down are referencing directions other than the usual, this doesn't offer anything.

Next, in Dragon #73, Gygax (inspired likely by Swycaffe's article in Dragon #27, though he doesn't credit it here) proposes a cubic model of the Inner Planes to accommodate the Positive and Negative Material Planes and the various para- and quasi-elemental stuff. Still no indication of dimensions beyond three, though.

I've written posts about the much-maligned inner planes before, I've never addressed this aspect either, so now, in full recognition of what has been written about them by above, I'm going to suggest that the inner planes exist in a 4-dimensional space. So, a better model for them and their relationships would be a hypercube or tesseract (to use the word coined by Charles Hinton to refer to such). Here's a 2D representation of the spatial relationship of the 3D "faces" of the 4D structure:

So this means the elemental planes (with the Prime Material unpictured in the center) are all 3D cells accessible by travel along the 4th axis. Hinton calls these directions kata and ana, and they stand with left and right, forward and backward, and up and down, to define location in a 4D space. This video shows how the above projection is arrived at by "unfolding" the 4D shape in 3 dimensions.

Of course, the Inner Planes don't really form a 4D hypercube any more than they were a cube. It's a model to show their spatial relationships. 

From

I've recently started watching the Epix (now MGM+) TV series From on a free preview. It's the story of a family that find themselves stranded in a small town where no one can leave and they are beset each night by apparently supernatural creatures that appear human, but are not. As a setting and situation, it's the sort of thing I've called a mystery sandbox before--though there's always the chance it will be revealed to be more of a sort of mystery terrarium where the true mysteries are other than what they initially appear. I'm only 4 episodes in, so it's hard to say!

Reviews tend to compared it to Lost, which is not completely off-base, but  think it's a bit lazy and possibly inspired by the presence of Harold Perrineau as the town sheriff. More apt comparisons I think are in the works of Stephen King. You've got a family where the parents have some relationship stress, a kid who has supernatural insights, and an eclectic group of characters, some of whom are dangerous to the others. It's perhaps a bit less volatile than how King would mix those elements, because it's meant to potentially last longer. So maybe it's a mix of a Lost-type show and a King work--the second one of it's type, since King's book The Dome was stretched into that sort of show.

Anyway,  think this sort of thing would make an interesting sort of short to medium rpg campaign. I'm sort of surprised their isn't a Powered by the Apocalypse hack to do this sort of thing, though maybe their is and I just don't know it.

Wednesday Comics: DC, October 1982 (week 2)

I'm reading DC Comics' output from January 1980 (cover date) to Crisis! Today, I'm looking at the comics at newsstands on the week of July 8, 1982. 

Batman #352: Kupperberg joins Conway on this one with Newton/Calnan on art. Gordon is in the hospital after being beat up by cops where he's visited by the new commissioner who tells him to stop investigating the electoral fraud. Batman shows up and warns them to stay away from James Gordon or else they would have him to deal with. When they're gone, Gordon asks Batman to continue the investigation on his behalf. Meanwhile, Vicki sees Thorne at her editors office, but then Morton commits suicide.

 Later, Vicki and Bruce are on a romantic cruise, and they see giant zeppelin appear and steal a nearby battleship with antigravity technology. Bruce pulls his disappearing act on Vicki to change into Batman. He uses his equipment to climb to the dirigible, but he doesn't do it unseen. Colonel Blimp commands his men to take care of Batman and a tussle with them leads to Bats being thrown off the zeppelin, though he leaves a bat-tracer behind.

Batman barely makes it back to the Batcave after the fall the zeppelin. The next day, he and Robin follow the tracking signal. Out in the woods, the Batmobile is wrecked by land mines. Only a few miles away, Colonel Blimp and his small army prepare their next attack.

Flash #314: Bates is back with Infantino. Barry has apparently lost Fiona to a relationship with her State Senator boss, Phillip Creed. There's also a new, deadly vigilante in town, the Eradicator, who with a touch dissolves criminals into a puddle of goo. I'm sure these things are totally unrelated, though!

G.I. Combat #246: 30th Anniversary issue where Kanigher and various artist pull one of those DC War Comic crossovers here. I always like these; they seldom produce the best stories in these comics, but they also aren't as boring as the mediocre ones. The concept here is that the Haunted Tank boys are on a suicide mission that involves taking the tank into the Lascaux Caves where there are Germans hiding. Glanzman handles the art on the Tank parts of the story. After a prologue, the narrative flashes back to Capt. Storm and the O.S.S. (art by E.R. Cruz) who discover a sub pen deep beneath the caves with experimental missiles that can destroy Allied cities. Control tasks the Haunted Tank with taking that base out. 

Next, Johnny Cloud ends some air support to the crew, and Easy shows up to help out. Cruz is up again, as the Losers and Kana take out a German U-boat with advanced missiles in the Pacific. Easy and the Tank crew have to dissemble and re-assemble the tank to carry it down some stairs before they can final complete their mission, in the final parts again drawn by Glanzman.

There's a text piece this issue where Robin Snyder the diegetic history of the Haunted Tanks service from landing in North Africa to Europe. I dig this stuff that strongly roots war comics (or any kind of comics really) in real history.

 

Jonah Hex #64: Fleisher and Ayers/DeZuniga pour some more misery into Hex's backstory, as we find out in his days as a scout (prior to the Civil War) he was engaged to Cassie Wainwright, the daughter of the general he was working for. When a group of corrupt soldiers led by Walt Barstow contrive to steal money from the government, Cassie is an unfortunate casualty as they leave her at the mercy of Comanches. Hex hasn't though about Barstow and those guys in years, but trying to collect a bounty, he discovers Barstow is now a corrupt sheriff playing both sides in bandit predations on a town. So afraid Hex has come after then, Barstow forces a show down, which ends in his death. 

Saga of the Swamp Thing #6: Pasko and Yeates really serve up an odd title. It would have been at home at Vertigo if it just had a more 90s sensibility. This issue, we get more evidence that "Casey" (turns out, not her real name) the little girl Swampie is bent in trying to save ain't as innocent as she appears. Her dying mother asks someone to kill the girl to kill her, for one thing. And the formerly possessed child killer that supposedly kidnapped her, runs out to beg armed men to get him away from her. Then the girl blasts the guys with her power. Harry Kay (that guy just won't die) is flying around in a helicopter, trying to find the girl with a psychic. Meanwhile, Swamp Thing and his crew sneak onto a Sunderland luxury cruise, and Swamp Thing has to contend with some tentacled creature, then at a costume party, a bunch of guests unmasks to reveal their single, cyclops-like eyes. Sunderland is almost comically into weirdness every way you turn, it seems like.

New Teen Titans #24: Wolfman and Perez are still pushing the Omega Men and their Vega System deal. This issue follows their appearance in Action last month. Superman introduces them to the Titans, which is convenient because they can take the Titans with them on their return to their home system so the Titans can rescue Starfire. On the Citadel homeworld, Blackfire turns Starfire over to Lord Damyn, the none too bright Citadel chieftain, and learns of the Citadel's plan to kidnap the Vegans' living goddess, X'Hal. When the Citadel attacks Okaara, the Titans and the Omega Men aid in the planet's defense, while Changeling, disguised as a Gordanian, attempts to smuggle Robin and Cyborg into the enemy mother ship to rescue Starfire.

Superman #376: The Superman titles in this era often seem very retro with throwback Silver Age-y stories. It's not consistent, but it happens enough to make his two titles standout from DC's Bronze Age output (with 3 titles: Swamp Thing, New Teen Titans, and Legion of Super-Heroes perhaps harbingering something knew). Elliot S. Maggin takes over writing here, and his approach is definitely Silver Age (or perhaps Paleo-Neo-Silver Age). Here, Perry White is struck down by the super-villain Ozone-Master. As he's in the hospital in critical condition, he gets Superman to bring him one last cigar--one given to him by mutant children--gains super-powers, and team-ups with Superman in bringing their foe to justice.

Kupperberg/Infantio's Supergirl backup is mostly just advertising to Superman readers that she's go a new series coming up as most of this was implied by her last story in Superman Family. Linda gives notice on her soap opera job, then meets up with Superman in Kansas to inform him of her decision. He tries to talk her out of it, but Supergirl stands firm and tells him that she hasn't come to get his advice, only to tell him her decision. Superman accepts the fact that Kara is an adult now. She tells him (and the audience) that she is relocating to Chicago and flies off in that direction.