Justice League of America Annual #2: Well, here's the big change editorial has been teasing. In the wake of the Earth-Mars War and the destruction of the satellite, Aquaman officially disbands the JLA (his right as chair and the only founding member present, apparently) saying that the world deserves a more dedicated, full-time group of heroes. Having just had his wife leave him, he's willing to make that commitment, as are Elongated Man and Zatanna. Martian Manhunter also steps up and rejoins. Soon, new heroes Vixen and Steel volunteer. Steel even offers them a new base and training center--in Detroit. Shortly after the move they meet the empowered neighborhood youths, Vibe and Gypsy, and they are recruited for the team. The issue ends with the neighborhood throwing a street party in honor of their new neighbors.
This era of the League isn't well thought of, but I was there at the ground floor in 1984, having bought this issue off the stands. I wouldn't say I liked these characters better than the sort of Superfriends roster, but I did like getting to see a new team forming, and the fact that they would do this meant the title was actually going somewhere. Conway's obvious inspiration here seems to be the "Cap's Kooky Quartet" era of Avengers, but I don't think it works quite as well because some of the characters are a bit too "kooky" (Vibe and Gypsy). Beyond that though, I think was clearly an attempt to grab some of the energy of DC's successful Teen Titans and Legion of Super-Heroes franchises (and X-Men): a close-knit group of often younger characters whose adventures involved a lot of character drama. In fact, the new character's here kind of fill similar niches to the new Titans in NTT: Cyborg (Steel) as the cybernetic hero with parental figure conflict, Starfire (Vixen) as the vivacious warrior woman, Gypsy (Raven) the mystery woman, and Changeling (Vibe) for comedy relief.
Batman and the Outsiders #14: The 1984 Summer Olympics will get under way in Los Angeles on July 28, so Barr and Willingham/Anderson give us a topical story. Maxie Zeus breaks out of Arkham with the goal of trying to make Olympic athlete Lacinia Nitocris his queen. He calls up the Monitor (that guy again!) to outfit his New Olympians. When Maxie and his crew interrupt the Olympic games, Batman and the Outsiders are on hand undercover to challenge them.
In the first part of the issue, we get a peak at the Outsiders in their private lives, which includes a brief bit of romcom where Halo and Geo-Force first interview with each other's dating lives before acting on their feelings for each other.
Blue Devil #5: This is another (and the last to be published) of the stories in Best of DC #61 "Years Best Comics Stories" that I have mentioned several times. And this is a good one! Not an "Anatomy Lesson," perhaps, but Mishkin/Cohn and Cullins/Martin craft story that is both well-done and fun. After the events of last issue, Nebiros is rampaging in Mexico, and Blue Devil and Zatanna have to stop him. The Mexican army takes their shot, but Nebiros is too powerful. They are helpful with the army of lesser demons he calls up. The two magical heroes have to engage him. Blue Devil manages to regain control of his tridents and the two push Nebiros back through a portal to Hell.
For those keeping score, the Monitor and Lyla make a brief cameo this issue, uh--monitoring events in Mexico.
Green Lantern #181: This arc by Wein and Gibbons/DeCarlo might feel more noteworthy if it hadn't come closely on the heels of a long arc where Hal was at points at odds or on the outs with the Guardians. It's one of the inherent problems with serialized media, I suppose, but particularly comics: every new team wants to make sure classic stories are told their way, so you get repeated elements. Here, Jordan flies off to deliver his resignation to the Guardians on Oa so he can be with Carol. A group of his colleagues in the Corps try to get him to reconsider--and Katma Tui is angry because he convinced her to stay in the past, giving up her love to do so, but he won't be dissuaded. So, he goes through with it and returns to Earth a civilian, still wondering if he made the right decision.
While all this is going on, Jason Bloch is killed in his office by someone in shadow who looks suspiciously like the Predator and admonishes him for not listening to Smith from Con-Trol. Bloch manages to stumble out and try to out Jordan as Green Lantern before dying, but unfortunately for him the only person who hears his final words is Diana Prince, and she protects Green Lantern's secret.
In the Tales of the Green Lantern Corps backup by Kupperberg and Newton a robbed figure walks into a Star Wars cantina-esque bar. It's the Green Lantern Ch'p, and he teaches a group of space pirates not to take any member of the Corps lightly.
Infinity, Inc. #7: The Thomas' and Ordway/Machlan have us still in midstream of this Koehaha River arc. Power Girl is unable to stop Superman in Metropolis and has to escape or be killed. Fury, Northwind, and Silver Scarab try to stop Hawkman and Wonder Woman from stealing an ancient statue of Horus. Wonder Woman snaps out of the magically induced ruthlessness, but only after accidentally injuring her husband, Steve Trevor, ironically in an effort to win the secret of immortality for him.
Legion of Super-Heroes #3: The Legion of Super-Villains have 3 Legionnaires captive on Orando. They draw the other Legionnaires into a trap, attacking them in space as they are rushing to the rescue. A few more Legionnaires arrive, though, and the villains are defeated. Their ultimate goal is revealed: to somehow escape to a universe without heroes. Under good issue from Levitz/Giffen and Lightle/Mahlstedt.
New Talent Showcase #10: There's little to like in this issue, unfortunately. Jenesis is still the leader of the pack, with a story that has her attempting to use empathy and communication, not superhero brawn to win the day when a distraught man takes hostages at a medical facility. The police sort of spoil it though. There there's Astro-Busters by Stradley and Saltares about a group of miners in the Belt who have to put their interpersonal differences aside to deal with pirates.
Besides Nick O'Tyme, the other two stories are amateurish almost supers rpg-level superhero stories. Part 2 of the Progency story does have art by Jeff Dee, though, but he's not done any favors it looks like by Joyce's inks.
Saga of Swamp Thing #29: Moore and Bissette/Totleben have Abigail make the horrific discovery that her husband Matt who appeared to have gotten himself together, bought a house for them and got a job, has been taken over by her evil uncle Anton Arcane. A horror filled issue, but we are definitely in decompression here. The Pasko years would have probably handled all this in a page. I'm not complaining at all, just noting the shift to a more cinematic storytelling style that eventually all comics will embrace.
Sgt. Rock #393: In the main story, Bulldozer's kid brother joins Easy. With flowers under his helmet netting, he seems to be coded with an anachronistic hippie vibe. Anyway, he proves his worth despite his unusual ways by getting Easy out of a tough spot with a disguise as an old Italian lady selling vegetables, so he can get close enough to lob grenades at a German installation.
The other two stories seem like leftovers from Weird War Tales and are by writers other than Kanigher. In the first, by Andy Kubert and Ron Wagner, a German grenadier discovers that he can't escape war even in death. The second, written by Alan Baker with somewhat amateurish but evocative art from Jim Balent's DC debut, takes the pessimistic that war crimes and attacks on civilians will still be a feature of warfare in the remote future.
Warlord #86: Cool Jurgens cover, though it oversells the "Forever Man" as a thing. I reviewed the main story here. In the Barren Earth backup by Cohn and Randall, Jinal and friend capture their Qlov after an extended struggle. A minor mystery is uncovered as the Qlov proves susceptible to a sedative that works on humans.
Thriller #11: DuBay/Niño limp Thriller toward its conclusion in a way that makes an already complicated title more so. It's an odd approach to use everything that your predecessors did on a title but completely alter the relationships between all the characters and their status quo. I suppose "everything you know is wrong" has a strong pedigree in comics, but usually that entails just dropping some stuff. Not here. Still dealing with the fallout of an aborted Golden Age last issue, we learn that Angie Thriller is apparently thrown in with Lusk as is apparently having an affair with him. And is sort of his daughter, in the sense that he (I guess, it's unclear) created her in a lab. Anyway, one issue to go, per the editorial here.
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