Atomic Age Space Horror Inspirations

 In a recent post, I discussed what I saw as the possibilities of retro sci-fi horror of the gleaming rockets and stalwart spacemen variety, not the grubby, paycheck-seeking space jockey's popular in the Alien-inspired rpgs. I mentioned a few inspirations there, but I felt like a more extensive list was in order.

Comics:

Weird Fantasy (1950)

Weird Science (1950)

Incredible Science Fiction (1955)

Some stories in later anthology series like Alien Worlds (1982), Mystery in Space (1980 revival), Time Warp (1979)

Fiction:

"In the Walls of Eryx" H.P. Lovecraft.

Leigh Brackett stories including "Shannach - The Last," "Purple Priestess Mad Moon," etc.

Ray Bradbury. Early short fiction, including "Death-by-Rain" and "The City."

CL Moore. Northwest Smith Stories

Clark Ashton Smith science fiction, including "The Immeasurable Horror," "Vulthoom," and "Vaults of Yoh-Vombis."

A.E. van Vogt. Voyage of the Space Beagle (1950). It's a fix-up of previously published short stories "Black Destroyer," "Discord in Scarlet" (both of which bear some resemblance to Alien; the first also likely inspired the Star Trek episode "Man Trap"), "War of Nerves", and "M33 in Andromeda."

Stanley Weinbaum solar system stories particularly "Parasite Planet," "The Lotus Eaters," "The Mad Moon," and "Planet of Doubt."

Film & TV:

The Angry Red Planet (1959)

It! The Terror from Beyond Space (1958)

Forbidden Planet (1956)

Planet of Vampires (Terrore nello spazio) (1965)

Outer Limits, select episodes

Star Trek, select episodes including "The Cage," "The Man Trap," "What Are Little Girls Made Of?" "Operation: Annihilate!" 

Twilight Zone, select episodes

Queen of Blood (1966)

Armageddon Alternatves

Anne from DIY & Dragons reminded me earlier this week of some of the cool stuff from the Buck Rogers comic strip: namely things like the Org gangs and the anti-gravity belts they aware they allow them to make leaps like characters in wuxia films (or the Matrix movies). For the most part, these things are present in the novella that inspired the comic strip: Armageddon 2419 AD by Philip Francis Nowlan. It tells the story of Buck Anthony Rogers who is put in suspended animation by some weird mine gas and awakens in a 25th Century where a Mongol Empire ("the Han") emerged from the Gobi to conquer Europe and North America. Driven from the ruined cities, the Americans formed "gangs" (Orgs in the later comic) to fight a protracted insurgency. 

Yellow Peril racism is an unfortunate relic of the past, but I think it's pretty easy to get rid of that and keep the fun stuff. We can sub out the conquerors. Here are a few options.

Martians: Wells' War of Worlds takes place in the early 20th Century (probably 1907) so it's a bit early to fit the Armageddon 2419 AD timeline, but there have been other invasions like Killraven. Maybe John Christopher's Masters aren't Martians, but they have tripods just like them.

Apes: Maybe Moreau-tech touches off a Planet of the Apes scenario early? Or perhaps the 1918 Spanish Flu epidemic is followed by a plague that kills off dogs and cats, leading to apes between adopted as pets, then bred as servants, etc. That's always assuming the apes don't come from Mars.

Robots/Artificial Beings/Cyborgs: Capek's R.U.R. takes place around the year 2000, but discovers the android creating process occurs earlier, so it could work. Of course, cyborgs from a Tenth Planet are always an option, too.

Star Trek Endeavour: The Clarity of Crystal (Part 2)

Episode 2 (part 2): "THE CLARITY OF CRYSTAL"

Player Characters: 

The Crew of the USS Endeavour, NCC-1895, Constitution Class Starship (refit):
Andrea as Lt. Ona Greer, Chief Engineer Officer and Lt. Taryn Loy, Geologist
Bob as Capt. Robert Locke
Gina as Cmdr. Isabella Hale, Helm Chief

Eric As Lt.Cmdr. Tavek, Science Officer
Tug as Dr. Azala Vex, Trill Chief Medical Officer

Synposis: The mystery of the Erebus III research station and its alien crystals becomes clear after Tavek attempts a dangerous mind meld with a mentally unbalanced Vulcan.

Commentary: This is the continuation of the STA adaptation of an adventure I wrote for a Star Trek Starships & Spacemen game back in 2013. 

It ended with a firefight at in the Crystal Colonnade, one the PCs were at a disadvantage at due to a lack of weapons and the absence of their security chief.

We (both the players and myself) probably still are taking advantage of the STA combat options. There is probably a bit too much "stand and deliver" D&D style play, which leads to essentially a battle of attrition.

Weird Revisited: Tome of Draculas!

An orphaned Secret Santicore request in 2013 was for “better draculas.” This cryptic request I interpret in as referring to D&D’s propensity of turning unique creatures from mythology or fiction into a class of creatures. This blogpost was the result.

A dracula then is pretty much like the standard D&D vampire--except that they have a whole “urbane foreign noble fallen on hard times” thing going for them.  For a standard dracula, simply use your vampire stats of choice: give him (it’s going to be a him, most of the time) a foreign accent, a stylish cape, and a dilapidated castle.

With that in mind, here are some dracula variants:

DRACULA, AQUATIC
Aquatic draculas haunt sunken funeral ships or castles submerged by some natural or manmade upheaval. Draculas are restrained by running water, but relatively still lakes, inlets or lagoons provide a place where they may be active at least some of the time. Aquatic draculas are unable to summon rats, bats, or wolves, but crabs, sentient seaweed, piranhas, and unsavory otters are an option.

DRACULA, ANIMAL
Merely vampiric animals (besides bats) are impossible, but the power of a dracula’s curse is such that even beasts must succumb. Dracula dogs are the most common variety, but even cows have been known. Dracula animals have HD 7 and all the usual vampiric powers and weaknesses, plus whatever innate abilities they possessed in life. Magical animals may not be dracula-ized. (An alternate version of the hellcow appears here.)

DRACULA, LOVELORN
Some draculas ache for a love lost and often mistake some woman or another for this long dead inamorata. The charm ability of the lovelorn dracula often convinces the woman in question that she is indeed a reincarnation. Lovelorn draculas are mechanically identical to the standard version, but they are often hunkier and have flowing locks and a penchant for going shirtless. They seldom bother with summoning vermin, though they probably can.

DRACULA, NOSFERATU
These draculas are hideous and vaguely rodent-like in appearance. They lack the suave demeanor other draculas affect: they are either testy and animalistic, or creep- pathetic and lonely. They have a special affinity for vermin and can summon twice the usual number of rats. They also tend to bring plagues where they go and can cause disease. When exposed to sunlight they fade away rather than turn to dust.

DRACULA, OTHERWORLDLY
This dracula violates the "mostly male" rule. These draculas are mostly female and their foreignness comes from being from another world or plane where blood flows like water. They have none of the shapeshifting or animal summoning powers of usual draculas, but make up for it with HD 9.

DUST OF DRACULA
After a dracula dies, they turn to a reddish powder. This dust can be collected and made into a beverage when mixed with wine and human blood. When this potion is consumed, the imbiber must save vs. polymorph or painfully transform into a duplicate of the dracula whose dust was used.

Dark of Space

With Mothership, an official Alien rpg, and probably some others I'm forgetting, the 70s "grubby future" sci-fi horror genre is quite well represented in gaming.

But sci-fi horror wasn't invented in the 70s. Alien borrowed a lot from the films like It! The Terror from Beyond Space and Planet of the Vampires, where gleaming spaceship hulls, shiny floors, and smart uniforms were the rule, but horrors still lurked in the darkness. When you think about it, Forbidden Planet is kind of horrorific if we ignore Anne Francis--and Robby the Robot.

The antecedents of this sort of "rocket horror" are to be found in prose science fiction. A.E. van Vogt short stories "Black Destroyer" and "Discord in Scarlet" were similar enough to Alien that 20th Century Fox settled a lawsuit. Reaching even further back, CL Moore's Northwest Smith short-stories from the '30s had a strong horror element.

It's time to get blood splatter on all that chrome! No one can hear square-jawed spacemen scream in hard vacuum, either.

Revisiting the Wild Wild West Continues

Since last I mentioned it here, there have been two more posts in our Wild Wild West series rewatch over at the Flashback Universe Blog.

See James West battle a house cat!

Star Trek Ranger: Patterns of Vengeance (finale)

Player Characters: The Crew of the USS Ranger, Federation scout ship:
Aaron as Lt.(jg.) Cayson Randolph

Andrea as Capt. Ada Greer

Dennis, as Lt. Osvaldo Marquez, Medical Officer
Paul as Cmdr. D.K. Mohan, Chief Helmsman

Supporting Cast:

Ensign Elana Duffy, Security Officer

Lt. Theras ch'Reith, Security Chief

Chief Petty Officer Grex, Transporter Chief

Synposis: Captain Greer, still stranded on the Brackett, must defend herself against Lt. T'Sar who is possessed by the Unity, a group mind created in a transporter research accident. The Unity want Janet Hester, the researcher they hold responsible for their creation. On the ice moon of Mycena, Marquez, Duffy, and Theras, go looking Janet Hester and discovered her remains in a crashed shuttlecraft, buried in the snow. 

When shown Hester's body, the Unity dematerialize into subspace with it, freeing the possessed crewmen.

Commentary: This adventure was based on Marvel's Star Trek (1980 series) #8 written by Martin Pasko with art by Dave Cockrum.  

There's a good rundown on the issue here.

Weird Revisited: Bugbear Nightmare

In dark places where nightmares thicken and curdle, bugbears are born. They're gangling things with burning coal eyes that stare out of snarled fur, black and featureless as the night sky between the stars. They haunt abodes of fear and shadow: abandoned houses, ancient ruins, sunless forests; they even squeeze into the recesses of children's closets and the forgotten world glimpsed in the gaps between floorboards. Any dark corner is a door to a bugbear. They crawl out with great sacks clutched in their spider-fingered hands. Snickering, murmuring, they snatch up children and small folk in their sacks and kill those who try and stop them. They drag the children back to their damp, subterranean otherworld, and what happens there is best not discussed.

Besides (one presumes) their kidnapped victims, bugbears subsist on such inedible provender as glass shards, potash, and the heads of rabid bats. They consider certain venomous toads an utter delicacy.

Azurthite bugbears are statted like regular 5e bugbears with the following differences:

Skills Stealth +6

Special Abilities:

Plastic. Bugbears can squeeze through spaces as small as 1 inch.

Shadow Stealth. While in dim light or darkness, a bugbear can hide as a bonus action.

Sunlight Weakness. In bright sunight, bugbears have a disadvantage to attack rolls, ability checks, and saving throws.

Universal Monster Ravenloft

Over at at Tales of the Grotesque and Dungeonesque, Jack points out that it would be trivially easy to have Strahd meet Dracula given the underlying conceits of Ravenloft. I wonder why we need Strahd at all? Why not replace the Darklords with the Universal Studios classic monsters? We might call this version Karloft because... well, why not?

The Mummy, Dracula, and Frankenstein (the Darklord would probably be Victor rather than his monster), would fit right in. The Invisible Man and the Phantom of the Opera ought to have their place too. The realm of the Creature from the Black Lagoon would be a bit of departure from the usual Gothic horror trappings, but I think it could be done.

Hair-Raising Horrors in the Land of Azurth

Our 5e Land of Azurth game continued last night, with Kully and Shade plunged beneath the shop of the Demon Barber of the Sapphire City. They encountered a number of ill-tempered purple creatures, before the chair Kully was trapped in was whisked to a lower level: a subterranean barbershop of horrors!

The rest of the party saw the events upstairs through the eyes of Waylon's familiar and rushes in. Just in time, too, because the Evil Tom's assistant, a redheaded little maniac with a straight-razor had knocked Shade out. Under the assault of the full party, he was soon dead, as was Evil Tom. 

Kully was rescued, but he was behaving in a more bombastic fashion, and the party was concerned. Shade became convinced the barber had done something to him.

The party explored the various rooms in the barber level, discovering magical pomades and hair-dyes--and eventually, stone stairs descending in darkness. Also, hair like vines hanging over it. Hair that sometimes attacked. Knoggin's Pomade helped tame it, and the party descended without further trouble.

They encountered more of the purple creatures, this time with one of their witchdoctors, The party overpowers then pretty quickly, though, and takes a captive to interrogate.

The creature tells them he is a Znarr and his people serve a a beauteous female of their species named Zarvoola. Zarvoola is holding some very hairy creature captive and orchestrating everything that has happened in a bid for conquest...

TO BE CONTINUED

Weird Revisited: On Venus

This post appeared in 2016 and was itself an expansion of a post from a couple of years prior but with art...

Art by Luka Rejec

Wet where Mercury is desert and as fecund as that world is barren, Venus is covered by warm, shallow seas and dense, tropical forests. Its natives are women--or creatures in the semblance of women. They are seldom surpassed in all the Cosmos in beauty, if one can abide their inhumanly colorful skins and their hair the texture of flower petals. They go almost entirely naked, and chastity is not counted a virtue among them.

There is a ruler on Venus, recognized by Earthly and Mercurian powers, called the Doge, who is always from another world. This title may be held by a man or woman, but in either case, the floral and lovely native Venerians are the Doge's solicitous wives or concubines. The Doge's identity is always hidden behind an ornate mask of that durable Venerian fungal matter that resembles teak. The ruler scarcely wears any more clothing than the Venerian women, save for the notable exception of an impressive phallocrypt, decorated and enlaided with gold, for public ceremonies.

A Doge’s rule lasts only a Venerian day, as measured by the fixed stars, which is hundreds of Earth days. When the sun sets, the Doge is taken by the Venerians into the forest and is seen no more.

We Have Always Lived in the Megadungeon

 I have on occasion riffed settings which were small or at least smaller than the typical D&Dish setting. This goes against the grain of published settings which tend to want to give you big, as in a world big, and perhaps classic play which starts circumscribed, but is about expanding the frontier.

There is one archetypal D&Dish experience that doesn't quite work this way and that's the megadungeon. Certainly exploring the megadungeon means opening up more area, but the scale is so much smaller generally than the hexcrawl. Distance is not a primary factor.

It strikes me that the dungeoncrawl could easily combined with the player's living space. Megadungeons under towns are pretty common, but then the town becomes a place of relative safety and refuge that may or may not enter into actual play as anything more than "base camp." What if the megadungeon space and the living space bled into each other? Like say the PCs lived in a place like Gormenghast or Xuchotl from "Red Nails," or the starship Warden, and the exploration was progressively moving into rooms, levels, sections or whatever that were unknown? (You could perhaps include small settings with actually dungeons/underground spaces in this. See MacDonald's The Princess and the Goblins.)

This could be combined quite easily with the mystery sandbox. Indeed, the incremental accumulation of vast wealth is probably a bad goal for a smaller setting of this sort. Not that money might not be a motivator, but the real big payoffs should only come at the end.

Obviously, this sort of setting would differ from the standard D&D approach even without the downplaying of vast wealth. Parties would likely be less eclectic. The length of the campaign is probably somewhat limited without a change in approach unless the structure they reside in is really weird, but I think it would make for interesting low level play.

Revisiting the Wild Wild West Season Two

Jim Shelley and I are continuing our selective re-watch of the Wild Wild West weekly on the Flashback Universe Blog. We're now starting the second florid, full-color season.

You can catch up on installments here.

Star Trek Ranger: Patterns of Vengeance (part 2)

Player Characters: The Crew of the USS Ranger, Federation scout ship:
Andrea as Capt. Ada Greer
Billy as Lt. Cmdr. Sobek, Ship's Counselor

Dennis, as Lt. Osvaldo Marquez, Medical Officer
Paul as Cmdr. D.K. Mohan, Chief Helmsman

Supporting Cast:

Ensign Elana Duffy, Security Officer

Lt. Thera ch'Reith, Security Chief

Synposis: With Capt. Greer trapped on the USS Brackett with a being that calls itself "Unity" possessing some of her crew, Mohan takes Ranger to the icy planetoid of Mycena to try and determine what this has to do with the transporter experiments of Janet Hester. They discover the experiments in long range matter transmission may have lead to one or more of Hester's team being somehow trapped in dematerialized form.

Commentary: The Deneva Research Team which Hester and her ill-fated team were a part of are first mentioned in the Spaceflight Chronology. 

Within the Star Trek Universe, long distance transporter experimentation was attempted by Emory Erickson has depicted in the Enterprise episode "Daedelus," and has been depicted in use by other civilizations such as the Kalandans in "That Which Survives."

The away team encountered a monster that burrowed under the ice on Mycena that was inspired by the Delta Vega creature in Star Trek (2009).

Adventuring in the Harveylands

I wrote a post about a year and a half ago about the Harveylands, the setting of the Harvey Comics universe as codified on the map above in the 80s.

While there are obviously elements of the comics that wouldn't fit a game of a D&Dish of even a somewhat unusual sort, I feel like you could jettison those and have something that wouldn't be that off-model. The only Tieflings of the "standard races" would appear, of course, providing for Hot Stuff and the Devils. There are several ghost races (for Casper types) floating around the internet, though. Witches like Wendy and rich kids like Richie would just be classes.

As presented, something like the Harveylands would be a fairly small setting, but big enough for a campaign, I think. Particularly, if the edges bled into more fantastic realms: the Hells, the Land of the Dead, etc.

Weird Revisted: Monster Apocalypses

The original version of this post appeared in October of 2013...

Zombie apocalypses have been done to death with films, books, and tv shows. Other classic monsters deserve their (proverbial) day in the sun, too:

Vampires: The most obvious non-zombie contender for virtually extinction of the human species. Richard Matheson's I Am Legend and it's various movie adaptations have already ventured into this territory (as has the film Stake Land and the TV show The Strain) --and the comics Planet of Vampires and Vampire Hunter D have already shown on vampire overrun post-apocalypses. Trading bloodsucking for flesh-eating is almost too obvious.

Piscoids: Cast them as Creatures from Black Lagoons, Manphibians, or walking catfish men, fishy humanoids are ready to climb from the depths and overwhelm the surface world. Perhaps a full-fledged takeover is the ultimate goal of the Deep Ones in Shadow Over Innsmouth? Global warming and rising sea levels would no doubt be part of their plan. A piscoid apocalypse might wind up looking more like Waterworld than Walking Dead.

Werewolves: Like vampires and zombies, werewolfism is passed by a bite, making them a reasonable stand-in. I don't know of any media werewolf apocalypses, but Dog Soldiers sort of does the "trapped in an isolated farm house" riff of Night of the Living Dead. Depending on exactly how the werewolves worked, things might be pretty tough for humanity: zombies are slow and dumb, while vampires have to sleep in the day time. Werewolves have neither of those limitations. Of course, their just humans in the day, trying to scourge for survival just like everybody else. Only at night would they join packs of killers to howl at the moon as they hunt through the ruins.

Frankenstein's Monsters: This seems like the biggest stretch given than Frankenstein had only one monster (or maybe two, depending on who you believe). Still, two monsters can overrun the world (unless they're giant, which still movies us out of zombie apocalypse analogous territory). Technology has advanced a lot since Frankenstein's day, though. Wein's and Wrightson's Un-Men in Swamp Thing (and Burroughs' Synthetic Men of Mars, for that matter) point the way: Mass production of monsters. In some ways, this would resemble an alien invasion apocalypse or robot apocalypse more than a zombie one--though perhaps the monsters "consume" humans by dragging them back to their secret factories to use as raw materials for more monsters?

Wednesday Comics: Waiting for the Omnibus

 A couple of DC Omnibuses I've been waiting for sometime are finally available.

One was solicited over a year ago, then cancelled only to be resolicited again. As of last week, it was finally released. The Legion of Super-Heroes: Five Years Later Omnibus vol. 1 collects the series by Keith Giffen and Tom and Mary Bierbaum that imagined a darker future for the United Planets and the now adult members of the Legion.

This was the run that got my interested in the Legion of Super-Heroes.

The publication of the Batman by Grant Morrison Omnibus vol. 3 was probably never in doubt, but it's been one I've been eagerly anticipated since they embarked on this series. Batman RIP has good, but marred by changing ideas of what the series was going to be and the need to fit in with the Final Crisis event. Batman and Robin was better still, but to my mind Batman Incorporated is the best of Morrison's work it takes the Silver Age-y flourishes with a modern sensibility that had surfaced from time to time in the early portions of his run and makes it the centerpiece of the seris. 

Star Trek Endeavour: The Clarity of Crystal

Episode 2: "THE CLARITY OF CRYSTAL"

Player Characters: 

The Crew of the USS Endeavour, NCC-1895, Constitution Class Starship (refit):
Andrea as Lt. Ona Greer, Chief Engineer Officer and Lt. Taryn Loy, Geologist
Bob as Capt. Robert Locke
Gina as Cmdr. Isabella Hale, Helm Chief
Jason as Lt. Francisco Otomo, Chief Security Officer

Eric As Lt.Cmdr. Tavek, Science Officer
Tug as Dr. Azala Vex, Trill Chief Medical Officer

Synposis: Checking in on the research station on the inhospitable Erebus III, the crew of the Endeavour discovers the unscrupulous head of the station is drugging the scientist in an attempt to make psionic contact with an ancient crystalline computer network.

Commentary: This is an adventure I wrote based off a session for a Star Trek Starships & Spacemen game back in 2013. When this group finishes the adventure, I may redo the notes to be Star Trek Adventures congruent and reshare them.

This adventure (inadvertently) featured yet another planet you couldn't transport down to. I'll have to avoid that in future adventures.

A Tale of Two TV Show Episode Guides

It would be reasonable to ask what's the use of a print episode guide to a TV show in an age where the internet makes the basic information readily available on the likes of Wikipedia or IMDB? If you're dead set against it, I won't be able to convince you, but I would say a good episode guide doesn't just relate facts easily amenable to one internet search. At a minimum, a print episode guide should collate information that would likely require multiple searches to get, but a truly good episode guide presents a depth of research not generally achievable on the internet. It moves beyond the basic facts to give insight into episodes for someone already familiar with the basic facts.

The three volumes of These Are the Voyages: TOS by Marc Cushman and Susan Osborn are the most comprehensive guide to Star Trek the Original Series available. Cushman's commentary on the episodes as tv drama is limited (though as much as many other guides available), but he presents a wealthy of information on the development of each episode from story idea to final aired version, with quotes from interview with creative staff and memos from producers and network execs. 

If it has a flaw, it is that it is not concise. Every season is its on volume, and every volume is sizable. But then, the audience for this sort of detail would just go Wikipedia if they wanted surface detail.

Scott Palmer's The Wild Wild West: The Series is sizable and pricey, but is lacking in the sort of details that make These Are the Voyages worthwhile. The appeal of Palmer's book is that, unlike with Star Trek, there are few books on The Wild Wild West available. In fact, there's only one other: The Wild Wild West, The Series by Susan E. Kesler. 

Where Kesler's book resembles Alan Asherman's The Star Trek Compendium in being a similar sort of thing to These Are The Voyages, but much less detailed and confined to one volume, Palmer's book only gives a detailed plot summary of every episode, a list of the primary actors involved (with pictures), and a number of stills from the episode. In the number of photos it exceeds the other works mentioned, but that's the only way. There is not insight into the creation of the episodes. It doesn't even list the screenwriters. 

So is it valueless in this age of the internet? Well, it does contain information you'd need to go to Wikipedia, IMDB, and Aveleyman to get, so it simplifies your searches, but it's got a high price tag for that. My recommendation would be Kesler's book, if you can find one.

Buck Rogers XX5e: Venusians

Venusians are a genetically modified strain of humanity, with smaller, closer set ears than is typical for humans of Earth, and a nictating membrane over their eyes. The tend to heavier-framed due to Venus' thicker atmosphere.

There are three cultural groups the partially terraformed Venus of the 25th Century: the Aerostaters, Ishtarians, and Aphroditians.

The Aerostaters are nomads you engage in trade and herding from their dirigible cities. They are stereotyped as friendly and fond of festivals and large parties.

The Ishtarian Confederation dominates the planets surface-to-orbit transport. They are most known for their theocracy and mystic religion.

The Aphroditians are natives of the southern continent. They are descendants of the original colonists of Venus and live in a society constructed around large fiefs controlled by one of several families. The people are mostly farmers or miners. They are stereotyped as shrewd traders, but also stubborn and hot-tempered.

Venusian Genotypical Traits
Ability Score Increase. Your Constitution and Wisdom scores increase by 1. You may also increase your Strength or Intelligence by 1.
Age. Same as humans.
Alignment. Any.
Size. Venusians are Medium.
Speed. Base walking speed is 30 feet.
Nictating Membrane. You have a Advantage against attacks which might cause you to be Blinded.

Revisiting the Wild Wild West

Here's a periodic reminder that Jim Shelley and I are continuing our selective re-watch of the Wild Wild West weekly on the Flashback Universe Blog.

You can catch up on installments here.

Star Trek Ranger: Patterns of Vengeance

Player Characters: The Crew of the USS Ranger, Federation scout ship:
Aaron as Lt., j.g. Cayson Randolph, Operations Officer
Andrea as Capt. Ada Greer
Billy as Lt. Cmdr. Sobek, Ship's Counselor
Paul as Cmdr. D.K. Mohan, Chief Helmsman

Supporting Cast:

Lt. T'Sar, Science Officer

Ensign O'Carrol, Security Officer

Synposis: The USS Ranger encounters the derelict USS Brackett, lost 22 years ago. They find all the crew dead having inexplicably murdered each other. Then, the Ranger away team begins to fall prey to the same strange madness.

Commentary: The USS Brackett (named for science fiction writer Leigh Brackett) is a Malachowski class ship as seen in Star Trek: Discovery. It's naming follows a pattern of naming Malachowski class ships for science fiction writers, including the USS Clarke and the Asimov (in the Christopher Bennett novel The Higher Frontier).

This is the second episode for Science Officer T'Sar. She was inspired by Phil Noto image:

Buck Rogers XX5e

I've recently been looking at 1990s Buck Rogers XXVc rpg from TSR. It's a not unclever update on the original Buck Rogers comic strip, which started as post-apocalyptic science fiction story but transformed over the original comic strip into a more pulpy space yarn. It keeps both of those elements, but weds them to a elements of hardish sci-fi, post-cyberpunk. 

Earth is mostly devastated and under the thumb of RAM (Russo-American Mercantile), a megacorporation that rules Mars. Several planets have been partially terraformed, and humans have been genetically engineered to live on them. Plus there are gennies, artificial transgenic organisms developed to help in the colonization of the solar system. 

The system the game used was a 2e derivative, which means it would probably be relatively easy to adapt to 5e. Not that any version of D&D is ideal for science fiction gaming, in my opinion, but hey, it's there so it's good for a blogpost or two.

Weird Revisited: Attack of the (Star Wars) Clones

The cultural phenomenon that is Star Wars had an effect on comic books, even in its first decade. Despite my pithy title, it's unfair to call these guys clones exactly, but some sort of force is clearly with them. Since science fiction comics and Star Wars draw on some of the same influences, it's not always easy to know what is Star Wars inspired and what isn't. Chaykin's Ironwolf had a rebel fighting a galactic empire in '74--3 years before Star Wars. Still, if one looks at Chaykin's followup Cody Starbuck (also '74) the pre-Star Wars appearances have the look of Flash Gordon and the widespread swordplay of Dune. In the post-Star Wars appearances, costumes have a bit more Japanese influence and guns are more in play; both of these are possibly Star Wars inspired innovations.

Star Hunters (1977)
Empire? A sinister Corporation that controls Earth
Rebels? Sort of, though the protagonists start out forced to work for the Corporation
The Force? There's an "Entity" and a cosmic battle between good and evil
Analogs? Donovan Flint, the primary protagonist, is a Han Solo type with a mustache prefiguring Lando's.
Notes: If Star Hunters is indeed Star Wars inspired, its a very early example. The series hit the stands in June of 1977--a bit over a month after Star Wars was released.

Micronauts (1979)
Empire? A usurpation of the monarchy of Homeworld.
Rebels? Actually previous rulers and loyalists; a mix of humans, humanoids, and robots.
The Force? The Enigma Force, in fact.
Analogs? Baron Karza is a black armored villain like Vader; Marionette is a can-do Princess; Biotron and Microtron are a humanoid robot and a squatter, less humanoid pairing like Threepio and Artoo.

Metamorphosis Odyssey (1980)
Empire? The Zygoteans, who have concurred most of the galaxy.
Rebels? A disparate band from various worlds out to end the Zygotean menace.
The Force? There's Starlin cosmicness.
Analogs? Aknaton is an old mystic who know's he's going to die a la Obi-Wan. He picks up Dreadstar on a backwater planet and gets him an energy sword.

Dreadstar (1982)
Empire? Two: the Monarchy and the Instrumentality.
Rebels? Yep. A band of humans and aliens out to defeat the Monarchy and the Instrumentality.
The Force? Magic and psychic abilities.
Analogs? Dreadstar still has than energy sword; Oedi is a farm boy (cat) like Luke; Syzygy is a mystic mentor like Kenobi; Lord High Papal is like Vader and Palpatine in one.
Notes: Dreadstar is a continuation of the story from Metamorphosis Odyssey.

Atari Force (1984)
Empire? Nope.
Rebels? Not especially.
The Force? Some characters have special powers.
Analogs? Tempest is a blond kid with a special power and a difficult relationship with his father sort of like Luke. There are a lot of aliens in the series, so there's a "cantina scene" vibe; Blackjak is a Han Solo-esque rogue. Dark Destroyer is likely Vader-inspired, appearance-wise.
Notes: This series sequel to the original series DC did for Atari, taking place about 25 years later. The first series is not Star Wars-y.

Omniverse: Looking for Professor Zunbar

This Omniverse post first appeared on the lost G+ on February 20, 2018...

In 1954, Captain Marvel and the whole Marvel Family disappeared. Later stories would suggest the Sivana Family had finally gotten the upper-hand on their enemies and placed them in suspended animation. This version of events also suggests that the Sivanas were caught in there own trap, as well.

But were they? Later that same year, the exiled Prince Namor encountered an ugly, diminutive scientist with a scheme to create a race of amphibious humanoids. He already had a prototype, but the creature proved to be afraid of water! Zunbar hypothesized that transplanting key areas of Namor's brain to the creature could resolve the problem.

Even if Zunbar's physical appearance didn't suggest he was in reality Thaddeus Bodog Sivana, the mad nature of his scheme might give him away. Why Sivana should be operating under an alias at a time when his greatest foes had been defeated remains a mystery.

The Demon Barber of Azurth

Our 5e Land of Azurth game continued last night, with the party at long last making it to the Sapphire City at the center of the Land--merely a waystation on their trek to Virid Country in the West. They immediately heard tales of a strange disappearances, and people being returned with no memory, sometimes strange minor physical alterations, and really good hair-dos.

Naturally curious, the party seeks out the district's only barber, Tom Sorr. Tom is a nice enough guy, but the party isn't convinced he isn't involved, particularly after they note an aura of transmutation magic about him. They become even more suspicious when a conversation with his young daughter reveals he sometimes has a false iron tooth and sometimes he doesn't, and his personality changes as well.

Deciding to watch the doings at his shop at night, they first have to deal with a misshapen, lumpish creature, they attacks them in the street. They don't know what that's about, but they assume it's somehow related.

They tried to entrap Tom with an illusion of the creature, but he's appropriately scared, so they drop it, and he chalks up the vision to stress. A few hours after he and his daughter are in bed, another Tom with wicked arched eyebrows reopens the shop.

Kully and Shade go in from a haircut. When Kully is seated in the barber's chair, manacles clamp in in place, and he is dropped down into an underground area, with Shade diving in after them. Whistling a tune, the nocturnal Tom descends after them.

(This adventure is based on "The Barber of the Silverymoon" by Jason Bradley Thompson.)

Weird Revisited: Hwaopt

This post first appeared in 2017...

Hwaopt are reptilian humanoids from a distant world. They have large eyes and their dorsal surfaces have tubercules and spines marked with splotches of drab colors. They have adapted to a trogloxenic existence, with the largest group dwelling in and maintaining a vast, library cave system, which may be the greatest repository of knowledge in the know world.

As their vocation would suggest, hwaopt are bookish creatures--to the point pedantry in the eyes of many. Their tendency to verbose lectures on obscure topics is minor social deterrent to other species compared to their odor.  Hwaopt use chemical signalling as part of their communication with others of their kind, but non-hwaopt often find these pungent scents unpleasant.

Hwaopt are generally nonviolent, perhaps even cowardly in the estimation of other races. This is not true of their degenerate, brutish relatives, the troglodytes.

Hwaopt Traits
Ability Score Increase. A hwaopt's Intelligence score is increased by 2 and Wisdom is increased by 1.
Alignment. Hwaopt tend toward lawfulness.
Size. Hwaopt are medium.
Speed. Base walking speed is 30 feet.
Darkvision. Accustom to life underground hwaopt can see 60 feet within dim light as if it were bright light, and darkness as if it were dim light for 60 ft.
Odor. Hwaopt scent glands deliver subtle chemical signals to other hwaopt. They can tell if another individual of their kind has been in a room or other enclosed location (60 ft. area) within an hour and make a DC 12 Perception to determine their general emotional and health state and whether it is an individual they have encounter before. Open areas, a lot of air movement, or other strong scents generally make this impossible. Other races tend to find hwaopt scents unpleasant, so they wear masking perfumes when they plan to be around other species in close quarters. Creatures with a keen sense of smell must make a DC 12 Constitution check or be poisoned until their next turn. A creature who succeeds their check is immune for 1 hour.
Languages. Hwaopt can speak and read the Common language of humans. They also speak their own tongue, a language whose grammar is notoriously difficult to master. Their scholar tendencies provide them one extra language.