My goal: read DC Comics' output from January 1980 (cover date) to
Crisis! This week, I'm looking at the comics at newsstands around February 19, 1981.
Legion of Super-Heroes #275: Conway is joined by Jane this issue so the art is a little better. The amnesiac Ultra Boy is becoming disenchanted with the cutthroat and cruel nature of the pirate crew and his new lover, Captain Frake, but an assault on the pirate base by the Legion brings the conflict to a head sooner than it might have. Ultra Boy begins helping the Legion, but when he takes a blast from the pirates' cannon, the device explodes and Ultra Boy disappears, leading Saturn Girl to conclude he now really is dead, so she doesn't tell the other Legionnaires that she ever suspected he was still alive. Not a terrible story, but it seems kind of pointless if it ends with the Legion in the same place they began.
Detective Comics #502: Conway does better here, accompanied by Newton/Adkins. Julia believes Alfred killed her mother, Mademoiselle Marie, famed resistance fighter. Her proof is that her mother kept repeating his name before she died. Alfred isn't helping his case by refusing to say anything and looking guilty. The group is going to execute him if Batman doesn't do something. Batman escapes to track down the real killer. He again visits Dupre, the French policeman that helped him before. He points Batman to the last person to speak with Marie alive. The old woman is in the hospital, but she gives Batman a bullet supposedly from the gun that killed Marie and tells him their was a traitor in Marie's resistance cell. Dupre surprises Batman, revealing that he was that traitor, but Batman is playing possum and captures him. He turns over Dupre and the bullet to Julia and the others, and Alfred is freed. In the end, the reader learners what Batman has already figured out: Julia is Alfred's daughter with Marie, and he has been supporting her, but doesn't want her to know the truth.
Burkett and Delbo continue the adventures of Batgirl in the backup. She overcomes her fears and defeats Dr. Voodoo in a buy-the-numbers yarn.
New Adventures of Superboy #17: Clark's classmate Moosie gives a speech in class arguing they shouldn't be so impressed with Superboy since he's never been tested against a truly super-powered opponent. Clark takes this to heart and designs a super-villain from one of his robots to beat him up all over town. Then this Kator winds up taking his role a little too seriously. Bates though this story was worthy of a two-parter. The backup is a mildly humorous Krypto tale by Rozakis and Calnan where the dog of steel must go to the vet for shots, but manages to avoid that and catch some criminals looking to dope a race horse.
Sgt. Rock #352: Kanigher and Redondo are back with one of their heavily-hammered theme stories. Rock and Easy keep running into other units asking the combat happy joes to "buy them more time" as they've been bloodied by German aircraft and need time to regroup before the ground assault. Rock and his crew take a forward position in a bombed out town, but after an assault by scouting party of Germans, Rock sends wounded Easy back to be treated while he holds the line, solo! When it looks out he's done for, Easy comes riding to the rescue, then all the units they had helped.
The Men of Easy feature by Kanigher and Mandrake "Winter Soldier" (heh) focuses on the Ice Cream Soldier. He likes ice cream so much he'll eat snow. That's about it. Then there's a story by Mandrake which is really more a Weird War Tale: A Roman soldier on the Antonine Wall. Oppressing the Picts, he stumbles into a fairy ring and gets transported to present day. The final story is a completely forgettable Civil War tale with art by Duursema.
Super Friends #44: Bridwell and Tanghal have the Justice League all forgetting their super-identities. The Wonder Twins are captured by the alien responsible, but manage to wake the Super Friends up by activating their JLA signal devices. The heroes battle the alien's troops who have transformed into alien monster bodies with the heads of JLA members. The backup is a Bridwell and Tanghal story of Jack O'Lantern. He catches a hit man who's happened to choose to disguise himself as the hero's uncle.
Unexpected #210: The cover story by Kashdan and Jodloman is the sort of ridiculous high concept I can appreciate. A town sees a vampire ape (!) attacking a guy, and tracks it to its lair and stake it, only to be informed by its scientist-creator that the vampire ape fed only on vampire. It was the only thing protecting the town from the depredations of the local Count and his brood. Kashdan follows that up with an EC-esque Timewarp yarn with art by Vicatan. In a totalitarian future society, a dissident chooses mysterious exile over execution. Her lover pines for her so, he commits a crime to take the same exile. He arrives on an alien world transformed to a sexless, grinch-looking wretch. He's been changed for the conditions of the world--and so has all the other exiles including his formerly lovely girlfriend.
Laurie Sutton and Brozowski/Mitchell deliver a slight tale about a mummy possibly moving around a museum at night and spooking the security guard. Finally, there's the latest installment of the Johnny Peril serial, now with Trevor von Eeden art. I'll just hit the highlights here: There's a "Nightmare at 20,000 Feet" riff with creatures sent by the baddie to tear up the plane Johnny and friends are in. Then, a psychic is possessed by the enemy, but Johnny talks her down. In the cliffhanger he flies off solo and the plane crashes.
Warlord #45: Read more about it
here. The OMAC backup by Mishkin/Cohn and LaRocque/Colletta is a story that could come from a script by Starlin. It even has an extradimensional sequence in a deadly funhouse that it's easy to see in the style of Starlin doing a Ditko homage, but the art is rough to the point of appearing amateurish.