Into the Zone

Images from a post-apocalyptic setting about exploration, strange artifacts, and even stranger threats, following up on this post.

Nomads, all mutated by one degree or another by Zone radiation to, roam the wastes.

Before the War, the Zones were only officially entered by teams in protective gear. These days, the average Zone Scavenger is more cavalier.

A community living on the periphery of a Zone manages to salvage and reprogram an old, alien, "Bigfoot" surveillance robot.

An encounter with an emergent techno-organic intelligence. If not completely hostile, neo-intelligences of this sort often wind up being worshiped as gods by superstitious tribes.

A well-equipped team encounters a gestalt-mind organism composed of alligators in the Southern swamplands.

An Introduction to the Elementals of Subazurth

The primal elements of Subazurth are not the same as in the Land of Azurth above, though why this is so is not entirely clear. Perhaps they represented altered or tainted refuse from the creation of Azurth by the giant crystal gnome, Gob, under the direction of the Lady Azulina. Here are the elements as found in the world beneath the world:

Art by Juan Diego Dianderas

Ooze/Slime:It's elementals are slimes or jellies. The viscous, semi-liquid Kingdom of Oozurth with its laminar fiefdoms connects to bubbling Lake Ooze,

Crystal: It's elementals are fae folk composed of gem or crystal. It intrudes upon the environs of Troglopolis as the Crystal Forest.

Magma: It's elementals are various fae folk composed of lava or magma. It's people are kept out of the upper levels of Subazurth for the trouble they cause, however innocently.

Art by Valterri

Dust: It's elements tend to be indolent folk, resting as often as they cane, though some cause mischief as swirling dust devils. They lay claim to unused caverns, but their primary habitat is the air itself beyond many a yawning precipe.

Wednesday Comics: Fallen Angels

I ran across a copy of the Fallen Angels collection for a great price this weekend. I was not particularly surprised to see it on discount. Few older comics readers probably remember it, and few younger readers are likely intrigued by an obscure limited from the late 80s. I think they're missing out, but then I'd probably by a Steeltown Rockers collection, too, so make of my judgement what you will.

So, for the uninitiated, Fallen Angels was an 8 issue limted series from Marvel written by Jo Duffy and drawn by Kerry Gammill, Marie Severin and Joe Staton. It was originally going to be called The Misfits and house ads use that name up until right before the release. It tells the story of a team (maybe more of a social group) forming from a group of disparate, predominantly young characters.

First there's a group of super-powered young thieves that Vanisher is playing Fagin to: cyborg Gomi with his cybernetically enhanced lobsters Bill and Don, Ariel with teleportation powers, and Chance with the ability to randomly enhance or limit other people's powers. Add to that crew the (relatively) bigger-named young mutants Sunspot and Boom-Boom, and throw in Multiple Man and Siryn for good measure. Finally--and this is the real wildcard--mix in Devil Dinosaur and Moonboy.

What do they do? Well, they hangout. They have misadventures. Learn some lessons--like not to trust Vanisher, who's really more laughable than a serious threat. They also get shanghaied to Ariel's strange home dimension Coconut Grove, but manage to evade becoming test subjects.

It's hard to know what Duffy was going for here. There doesn't seem to be a strong rationale for this particular group of characters. But it's pretty well done, and has a quirky charm about it. It's worth checking out.

Science Fiction Month Sale

May is Science Fiction Month on Rpgnow and Drivethrurpg. The *Strange Stars* pdf is one of the great science fiction titles at 15% off.

Need more convincing? Check out this new review.

Also, check out The Manor #8 (coming out later this week) for a Strange Stars feature!

Your Own Cinematic Universe

I saw Avengers: Age of Ultron this weekend and my short review is: it's good. I'm slightly troubled by the degree setting up future films and dealing with "universe" concerns are becoming more and more a part of the Marvel cinematic experience, while perhaps paradoxically also miffed they seem to drop plot threads from previous films. These are small concerns, though. I didn't seriously impair my enjoyment.

I had some game related thoughts after the movie--and maybe this is something everyone else thought of a long time ago and only my comic-centric thinking has kept me from considering it. As I mentioned last week, superhero games are potentially bedeviled by the problems of all licensed property games: fan-players' knowledge and connection to canon, and on the other side of the coin, inaccessibility or at least a steep learning cover for newcomers.

Movies and animation all have to deal with that second problem (They have the first too in a way, but that crowd is much smaller for them.) and they get around it by creating their own universe, by picking and choosing from the existing mythology. Since anyone's in-game version of a comic book universe winds up being an alternate universe anyway, why not make it one from the start? To me, this sort of seems like the best option for getting the advantage of a established universe while having a good deal of creative freedom and not have to sweat your player's knowledge of the comics.

One final note: comics rpgs haven't completely ignore other media, but they tend to focus on trying to recreate the feel of certain other media adaptations rather than the continuity aspects I'm talking about. There haven't been any such supplements for licensed rpgs as far as I know.

Rumored Mysteriarchs of Zed

As their name should suggest, little is known of those great magi, the Mysteriarchs of Zed, and this is presumably the way they prefer it. Even great wizards are powerless before rumor and tale-telling, however, and so the names of some alleged members of that shadowy assemblage are widely whispered in the Land of Azurth:

art by Francisco Segura

The Great Enigma may or may not have ascended to a higher plane to compare his knowledge with that of more potent beings than humanity, or perhaps he lingers awhile yet to train worthy apprentices. He has placed himself under a peculiar geas wherein in a challenge he will only cast any spell his opponent hasn't thought of yet, but none that they have.

Art by Algosky

Agar the Green holds unorthodox theories about slime and its place among the primordial elements. He makes a study of various slimes, oozes and jellies, and spends much of his time in a semi-viscid form to aid his research. Some of his colleagues suggest he has even sought the lubricous embrace of Jellia, the Gelatine Princess of the Ooze Folk, but such matters are scarcely the topic of polite conversation.

art by Moebius

Generys the White is said to have lived half her life in the realm of dreams, and this has made her cold and cruel in her affairs in the mundane world. She knows secrets that are only shared in dreams and the making of potions that aid either forgetfulness or memory. Any gift of a jewel or precious stone from her is to be avoided at all costs, but must be refused politely.

Another Head of the Hydra

As mentioned by Chris Kutalik on his blog earlier this week, I've joined forces with the Hydra Cooperative. You already know Hydra, of course, from the very successful Kickstarter and release of Slumbering Ursine Dunes. I've worked with Hydra on some of the stretch goals (soon to be released!) for Dunes, so in addition to knowing the members socially from G+ and the blogosphere, I also know they are a creative bunch of guys and dedicated to turning out great rpg projects. I don't mind admitting that after the grueling last few miles in the marathon that was Strange Stars, I was considering taking a looonnng break from indie publishing after I got the gamebooks out. Working with Hydra has given me a bit of a rejuvenation.

So it seems natural to merge my Armchair Planet storefront with Hydra's. This will give them a higher profile and given customers one place to go to get all of our products.  Like what, you ask? Well, Strange Trails--my pre-Weird Adventures free pdf is already there. So is Mike Davison's feudal Japan-tinged old retro-clone, Ruins & Ronin, and a host of Hill Cantons-related goodies. And that's just the beginning. A Hydra website is in the works, but for now, check out the G+ forum for updates.

Atlas Super-Heroes Roleplaying

When contemplating a new superhero campaign, the choice is usually between creating an original setting or playing in an established comic book universe. It occurs to me another option be playing in a failed or defunct superhero universe: you get the advantage of having some established elements to pull from (not to mention art), but few people will have strong enough attachments to it and the worlds are unlikely to have last long enough to really constrain you with canon. You get to build your own house but with a foundation and all the building materials supplied.

No has-been or never-was universe became so as spectacularly and quickly as 70s Atlas Comics (or Atlas/Seaboard). I won’t delve into the history (you can read it here) but suffice to say despite prestigious talent and money no Atlas title lasted more than 4 issues. Conventional wisdom would hold that this failure was because the Atlas characters weren’t very good and their stories possibly worse. I would submit, however, that uninspiring or mediocre comic book characters are pretty much the stock and trade of supers rpgs. Game characters don’t need concepts that swing for the fences, they just need to get on base. That’s why Marvel and DC B and C-listers are the sweet spot for using as game characters—and Atlas’s “superstars” are pretty much at that level.  Let’s look at the standouts in turns of gameability:

Jeff “the Cougar” Rand is a stuntman that battles supernatural or weird menaces that keep cropping up in LA. He’s sort of Colt Seavers: The Night Stalker.

A Viet Nam vet joins a cult and gifted with supernatural powers, including a cape that serves as a portal to a pocket dimension. He turns on the cult when he found out thy’re out for Xenogenesis, and the advent of Demon-kind on Earth. This is pretty much the same character Rich Buckler would introduce at Marvel as Devil-Slayer.

The Destructor is young criminal whose scientist father gives him an experimental formula to save his life. He gets powers a bit like a combination of Daredevil and Wolverine. He’s sort of like a Peter Parker gone wrong, out for vengeance on the Syndicate who killed his father.

An astronaut rescued by aliens steals a super-powered suit from them and escapes, then fights to stop the aliens from destroying mankind. Phoenix has a bit of a Green Lantern or Captain Marvel vibe, with a little von Däniken/70s UFO conspiracy garnish.

18th Century Highway is released from Hell by Satan serve as his agent in the 20th century, sending the souls of evil-doers straight into Perdition’s flames. He’s sort of the Scarecrow of Romney Marsh by way of Spawn.


Not exactly the “new house of ideas,” but not that bad, either. Well, most of these characters got a big shift in the last issue, so the thought would be: take the first issue or two as “canon”, then build your own universe from there, using things from later stories as fodder for inspiration. PCs could have latitude in how to develop their characters further from their comic roots, perhaps doing some “retcons” to the backstory over time, just as would likely have happened had the comics kept being published.

There are other Atlas characters, some that could be good PC material with a “bold new direction” here or there. There are also several barbarians, a few horror characters, tough cops, and two future dystopias that can help fill out the universe and inspire further development.

What crashed and burned in the world of comics publishing may soar in gaming. The Atlas Age just might be here!

Wednesday Comics: Essential Ultron

With Avengers: Age of Ultron opening this week, there's no time like the present to get caught up on Ultron's greatest hits. Here are some stories you should probably check out, in no particular order:

The Rise of Ultron
Avengers #54-58
You get the Masters of Evil, the first appearance and origin of Ultron, and the first appearance of the Vision.
Collected in: Essential Avengers vol 3; Avengers Epic Collection: Behold the Vision (starts with #57).

The Return of Ultron
Avengers #66-68
Ultron's back, cementing his status as a major villian. This time, he's got a new body of adamantium.
Collected in: Essential Avengers vol 3; Avengers Epic Collection: Behold the Vision

The Bride of Ultron
Avengers #157- 166
Ultron, in all his Oedipal glory, kidnaps Wasp and makes his own robot bride based on her--Jocasta.
Collected in: Avengers: The Bride of Ultron; Avengers Epic Collection: The Final Threat

Ultron Mark 12
West Coast Avengers vol. 2 #1-2, 4-7, and Vision And Scarlet Witch vol 2 #2
Ultron turns good? Perhaps the most unexpected Ultron story of all!
Collected in: Avengers: West Coast Avengers Omnibus vol. 1

Ultron Unlimited
Avengers vol. 3 #19-22
Ultron at his most evil. He decimates a city, turning the dead into an army of Ultron clones.
Collected in: Avengers: Ultron Unlimited (this one's pretty pricey; the issues might be cheaper!)

Our Heroic Age

Though we played a lot of fantasy games (mostly AD&D) in my middle and high school years--probably more than anything else--our longest campaigns (defined as the same characters in the same setting/situation) were in superhero games. While we'd played with Villains & Vigilantes and with the first editions of TSR's Marvel Super Heroes and Mayfair's DC Heroes, our "Heroic Age" really got started in '86 after the release of the Marvel Super Heroes Advanced Set.

Our first and longest running team was called the New Champions (taking the name from the L.A. based team of the Bronze Age and the idea of a new iteration from The New Defenders, which had just ended the year before). Our characters were street-level/near street-level characters, some of which were reformed villains. We picked the characters from the pages of the Official Handbook of the Marvel Universe, for the most part, rather than going with well-known characters. I used Paladin, my brother, Puma, and our friend Al, Hobgoblin (the former Jack o' Lantern version). That was the core group of players and characters, but other players and other Bronze and early Modern C-listers joined the New Champions ranks at some point: White Tiger, Madcap, Shroud, and Unicorn, among others I've likely forgotten. The team had a West Coast era (borrowing from West Coast Avengers, which I had a subscription to), as well, and probably at least one "all-new, all different" period--but it was also part of the same continuity.

The second edition of DC Heroes, was probably our last gasp of superhero gaming. The Marvel games had mostly been over the summer and with a crew somewhat different than my usual gaming group, since none of us were able to drive yet and it was tough to get together when we weren't in school. By '89 though, that wasn't the case, so the DC group was largely the same as my Dungeons & Dragons and GURPS crowd. This time, we made up our own characters and our own super-hero universe. Lower key, more "realistic" superheroes were the order of the day. About half of the group (which was never named as a team, really) didn't wear costumes, and the villains were are somewhat quirky, and many of them didn't wear costumes either. I suspect the primary inspiration was the Wild Cards universe, but Thriller, the New Universe, and Doom Patrol might have been in there, too.

We played some 4th edition Champions after that and maybe some GURPS Supers, but neither of them had the ease of use of MSHRPG or DCH so they didn't last long. These two campaigns created some truly memorable characters--or at least memorable sessions.

The Faeborn of Virid

I finally got a chance to look through the Elemental Evil Players Companion to see if there was anything that jumped out to me to add to my Land of Azurth campaign. I've already written about the Azurthite version of Aarakocraa, so I probably won't be using them as a PCs race. Deep gnomes are different, so they'll take a bit more adapting first. The Genasi work pretty well, we'll call them the Faeborn.

In the Land of Azurth, people with faerie ancestry are uncommon outside of the Country of Virid. Lady Desira, the Enchantress of Virid, is herself of fae descent. The most common sort of Faeborn folk are those who have ancestors among the elemental faerie who worked for Gob, the great craftsman, and Queen Azulina in fashioning the land of Azurth. Each of these types occupies various subkingdoms within Virid.

While they're variable as other folk, their personalities tend toward the humor associated with their element.

Each of the faeborn subkingdoms has a prince or princess and most of these are friends and/or former suitors of Lady Desira:  Parald, Ariel, Jin, Seraph, Gobe, Necksa and Nixi. They took part in the many adventures of her youth: ,

"Shuttlecraft to Traffic Control..."

So, how about a peak at some new Strange Stars art? I had originally planned not to get any new art for the gamebooks, but the sales of Strange Stars have gone a little better than expected, so I felt better about outlaying a bit more money for (just a few) black and white images. The piece above is by Reno Maniquis. You can also expect to see stuff by David Lewis Johnson and Adam Moore, who did the well-received DMG/King Kong homage in Weird Adventures.

Wednesday Comics: Weirdworlds and Slayers

Marvel has release a couple of new collections of interest both to the Bronze Age comic fan and the tabletop rpg playing comics enthusiast.

I've covered Weirdworld here before. Inspired by the work of Tolkien, It was the creation of Doug Moench and initially brought to life by the art of Mike Ploog. This is the first time all of the Weirdworld stories have been collected in one place.

Skull the Slayer is a bit pulpier. It involves a Vietnam vet in a plane crash in the Bermuda Triangle, which you might thing is about as 70s concept you can get, except that the other survivors are other 70s stock characters (angry black man, rebellious rich kid, downtrodden young woman trying to get liberated), and the world they've found themselves mixes The Land That Time Forgot with Chariot of the Gods. It's no Warlord, but if you like Warlord, it's probably in your wheelhouse.

Fate Strange Stars Page

Here's another page from the work-in-progress Strange Stars Fate gamebook. The text is by John Till, the picture by David Lewis Johnson, and the layout by Lester B. Portly.

More Savage Worlds Strange Stars

Mike's latest efforts over at Wrathofzombie:

from the Vokun Empire, the Kuath, ibglibdishpan, voidgliders, and the Yantrans; and the nomadic Star Folk.

Check them out.

Azurth Monster Review

Yesterday's tigerpillar was only the beginning. Here's some other entries from the bestiary you might have missed:

Deodand, Hirsute and Gleimous varieties.
Dragonborn are a different thing in the deserts of Sang.
Manhound. "He who makes a beast of himself gets rid of the pain of being a man."
Moon Goon arrives in a lead balloon.
Super-Wizard ancient, ultra-powerful alien wizards.

Azurthite Bestiary: Tigerpillar

by B.R. Guthrie

Tigerpillars are horrible because they are always hungry. Owing to their magical nature (their creation blamed on one ancient and obviously depraved sorcerer or another), their organs are all mixed up--in one place tiger-like and another more like an inchworm--and they can never get fully satiated. They make their lairs in remote places in the wilderness or underground not because they prefer these places, but there they can devour whatever unfortunates might happen by with less interference.

Some say the tigerpillar metamorphizes into an adult form--a tiger moth or slaughterfly, perhaps--at some point, but others say this is nonsense.

TIGERPILLAR
large monstrosity, unaligned
AC 13 (natural armor)
Hit Points: 51 (6d10+18)
Speed: 30 ft.
STR 17(+3) DEX 13(+1) CON 16(+3) INT 3(+4) WIS 12(+1) CHA 8(-1)
Skills: Perception +3, Stealth +3
Senses darkvision 60 ft., passive Perception 13.

Keen Smell. The tigerpillar an advantage on Wisdom (Perception) checks relying on smell.

Pounce. If the tigerpillar moves at least 20 ft. straight toward a creature then hits it with a claw on the same turn, that target must succeed on a DC 13 Strength saving throw or be knocked prone. If the target is prone, the tigerpillar can make one bite attack it as a bonus action.

Actions:
Multiattack. The tigerpillar makes two attacks: one with its claws and one with its bite.
Bite. +5 to hit, reach 5 ft., one target. Hit: 8 (1d10+3) piercing damage.
Claws. +5 to hit, reach 5 ft., one target. Hit 7 (1d8+3) slashing damage.

Wednesday Comics: Timelines, Sliding and Otherwise

These panels are no longer in continuity. Best forget reading them!

The advance of years has led Marvel and DC to pull make changes to keep their characters young. In 1968, Marvel took the first steps toward what would come to be known as a "sliding time scale" where the amount of time from the beginning of the heroic age stays the same, even as more and more adventures get forced in, and the beginning of that age never gets any farther away from the present. This has been coupled with an increasing avoidance of specific references to current time or events--"topical references--though there are exceptions (like right after 9/11). DC does something similar now, too, but that wasn't always their approach. Earth-Two was invented as the home of their Golden Age heroes, so it was natural for it to also become the home of Golden Age versions of their never-launched characters like Batman and Superman. For a while, this allowed DC's characters to stay "topical" and tied to the real world, though they seldom took advantage of it.

Before "Marvel Time" completely took hold--throughout much of the 70s--Marvel characters stayed somewhat topical. This is best exemplified by Claremont's run on the X-Men. Magneto's past is tied to Auschwitz and the Holocaust. We are told Ororo "Storm" Munroe was born in 1951 and that was orphaned by the Suez Crisis. Jean Grey's tombstone gives the extent of her life as "1956-1980."

Did Professor X let a 13 year-old fight Sentinels?

This can't be the Jean Grey that first appeared (likely as a high school sophomore) in 1963, though. (In fact, it doesn't seem likely that it's the same Jean Grey in that talked about meeting the Sentinels in '1969' in X-Men #98--don't know what Claremont was doing there.) Like the Golden Age Superman slowing melding into the a Silver Age one, the Silver Age Jean Grey slowly became the Bronze Age one while nobody was really paying attention.

A lot of people might not agree, but I kind of wish the DC approach had been stuck with by both companies. Instead of squishing and distorting things to fit a sliding time with very little to link it to real history, why not just switch the particular version of the characters you're chronicling every decade or so? The Silver Age Reed and Ben that fought in World War II would eventually become the Bronze Age Ben and Reed that fought in Korea or Vietnam, and the Modern Age ones that weren't in any war, You can keep the things they wanted and reboot others for each era.

Basic Strange Stars Tech

Art by Don Maitz

Despite its somewhat retro trappings, the actual technology of the Strange Stars owes more to modern science fiction. Across worlds and habitats it varies, of course: some places are at a Stone Age level while others border on post-scarcity. Here's a rundown of the common technologies available to the average citizen of the "standard" world or habitat:

Metascape: Most people experience the world through an augmented reality overlay. It contains useful information for travels, social media messages, and lots and lots of spam. Nobody walks through a public square without their filters on, lest they be bombarded by all sorts of virtual messages. Clothing is enhanced--or even sometimes completely generated--in the metascape. Some jurisdictions make it a crime to view the world infiltered by metascapes as this is seen as an unwarranted invasion of others' privacy.

Noosphere: The cyberspace of the far future, essentially, encompassing traditional internet activities, the metascape, and the living environment of infosophonts.

Implanted Cyberware: brain-computer interface is as common as smartphones are today and used for similar purposes. The typical pre-programmed software allows metascape interface, noospheric connectivity, communication (where messages can either be read or heard as read by an avatar or the sender or anyone else), chronometry, basic calculation, and interface with most modern devices. Most individuals don't navigate their own apps, but use a personal daemon--a nonsophont ai--as an advanced "Siri" and an answering service. Some cultures (like the Vokun) find implanted devices distasteful as do some individuals. They use wearable devices for the most part.

Fabber (or mini-fabber): A nanofabrication unit--essentially an advanced 3D printer--assembling at a molecular level, finished products from raw materials. These aren't exactly portable, but they are near ubiqitous household and shipboard items and public units can be used for a fee. Anything from foodstuffs (though this would only be done on long space voyages) to starship parts can be made given enough substrate and the necessary "blueprints." Commercially available models can be "jailbreaked" to make illicit drugs or weapons, but its generally easier just to buy or steal such common items.

12 Monkeys and the Temporal Investigation Game

I after the first episode, I though SyFy's 12 Monkeys series was going to be an episodic "hunt down the lead of the week" sort of thing. I was not totally wrong, but I didn't anticipate the interesting background mythology the writers would weave into the show or the clever twists they had in store. With season one over, I think its a great example of how an investigation/mystery game could be done with points in time taking the place of physical locations.

This sort of setup requires time travel to be limited in its utility. No Dr. Who-esque traveling to anywhere in space and time. Limited the number of times a person can time travel helps. Also, having the timeframe of the mystery roughly delineated so that it covers a period of a few years or decades at most.

Like when developing a hexcrawl or a pointcrawl the events (and clues) available at every time point should be planned out before hand, so that PC's can investigate them in any order they want to, Obviously, time travel institutes the possibility that PCs might do something to change the past (or the present). The easiest way to handle this is to have changes sprout alternate timelines, so the original clues remain untampered with. The problem with that is, it removes an easy reason PCs would have to be doing this travel to begin with--to change the future.

Another way to do it would be to add new points and new clues to accomodate PC changes. The antagonists have to react to the PCs actions, perhaps though, they're helped by a tendency of the time-stream to resist change.

Finally, if you're going to go to the trouble of time traveling to solve a mystery, the stakes need to be high and the clues evocative and strange. Besides shows like 12 Monkeys, Lost, Helix, and to an extent True Detective, are good at doing this sort of thing. Getting players to wonder about the location and nature of the Night Room or who the Magic Man or Jacob is will help keep PCs interested even with setbacks or leads that don't pan out.

Another Savage Friday

In what's becoming a regular feature, let's again turn to channel Wrathofzombie as Mike has been hard at work again this week adapting Strange Stars for Savage Worlds:

Neshekk: privacy obsessed bankers.
Gnomes: eusocial asteroid miners.
Deva: mysterious, angelic, post-humans.
Blesh: alien bioroids with the minds of long-dead humans.

In the Vicinity of Vega

The setting for DC Comics Omega Men. The links here will take you to detail about some of the locations, but of course, it might be much more game-useful to make up your own details.

Wednesday Comics: Multiversal Spotlight: Earth-19

Earth-19
Concept: Earth Victoriana/Steampunk
Pictured: (left to right) Bat Man (Bruce Wayne), Accelerated Man, the Shrinking Man, the Wonder Woman (Diana).
Sources/Inspirations: Gotham by Gaslight (1989) and Batman: Master of the Future (1991) collected in Batman: Gotham by Gaslight, Wonder Woman: Amazonia (1997), Countdown Presents: The Search for Ray Palmer: Gotham by Gaslight #1 (January 2008).
Analogs: Pre-Crisis Earth-1889 was the home of Victorian Batman as established in Absolute Crisis on Infinite Earths (2006); post-52 Earth-19 features Batman plus several more Victorian analogs as shown in Countdown Presents: The Search for Ray Palmer: Gotham by Gaslight (January 2008) #1; Post-52 Earth-34 was the setting for Wonder Woman: Amazonia as revealed in Countdown to Adventure #1 (October 2007).
Comments: Gotham by Gaslight, with its story of an 1889 Batman facing off with Jack the Ripper, started the whole Elseworlds franchise (though its first printing predated the label). It's sequel has Batman fighting a Robur the Conqueror stand-in in 1892.

The Elseworlds Wonder Woman: Amazonia is set in an alternate 1928, which presents a different identity and history for Jack the Ripper (he becomes King after killing Victoria and her family). How these two distinct worlds are melded in Earth-19 has yet to be revealed.

Hyehoon, Ksaa and Kosmoniks

Mike continues his Strange Stars adaptations for Savage Worlds.

Check out the avian Hyehoon, the scheming "Cold egg" ksaa, and the star-roving Kosmoniks.

Azurthite Bestiary: Super-Wizard

Before there ever was a Land of Azurth, an ancient race known as Super-Wizards strode the various worlds as demi-gods, bending the forces of matter, energy, and time to their inscrutable and sometimes nonsensical will. They built strange cities and monuments and worked weird wonders, and they among themselves and with primordial monsters. It was hubris that led to their end. Either by their own hand they unleashed forces that even they could not master, or their arrogance troubled the sleep of the Slumbering God enough that his dreams conceived their doom. In any case, their very planet that once occupied the sphere between Mars and Jupiter was lost in a cataclysm.

The Super-Wizards' power being what it was, there is always a chance, however, that some escaped the fate of their world and are plotting with immortal patience their re-ascendance. It is the official position of the most learned arcane scholars of Azurth that the Super-Wizards are no more. However, the Wizard of Azurth and the Mysteriarchs of Zed are known to pay handsomely for an information about the Super-Wizards, particularly as might hint to their continued existence.

The following stats represent an "average" member of the Super-Wizard race. Exceptional individuals will be far more formidable.

SUPER-WIZARD
medium humanoid, any alignment
AC 17 (natural armor)
Hit Points: 139 (13d10+74)
Speed: 30 ft.; fly 90 ft.
STR 18(+4) DEX 18(+4) CON 18(+4) INT 17(+3) WIS 17(+3) CHA 18(+4)
Saving Throws  Con +8 Cha +8
Skills Arcana +7, Insight +7, Perception +7
Damage Resistances bludgeoning, piercing, and slashing from nonmagical weapons, cold, necrotic
Senses passive Perception 17

Spellcasting. Most Super-Wizard's are 10th-level spellcasters, with a number of spell slots equivalent to a Sorcerer of the same level. Their spellcasting ability is Charisma (spell save DC 16, +8 to hit with attack spells). Their spells never requirement material components. They The following spells are common:

Cantrips (at will): Friends, Light, Mage Hand, Message1st level: Comprehend Languages, Disguise Self, Thunderwave2nd level: Alter Self, Detect Thoughts, Scorching Ray3rd level: Blink, Haste, Protection from Energy4th level: Dimension Door5th level: Teleportation Circle

Magic Resistance. A Super-Wizard has an advantage against spells and other magical effect.

Actions:
Multiattack. A Super-Wizard can make two melee attacks.
Melee Weapon. Super-Wizards employ a variety of over-sized or exotic appearing simple or martial weapons which function like standard ones of their type.