BleakWarrior

When I encountered Alistair Rennie's "‘The Gutter Sees The Light That Never Shines" in the VanderMeers' New Weird anthology, I knew I wanted more. I tracked down "BleakWarrior Meet the Sons of Brawl" in Weird Tales, but it was still just a tease. Finally, the world has BleakWarrior, a novel-length excursion into the weird, pulpy, lurid, and violent.

In brief: BleakWarrior is less a novel than a series of shorts and vignettes in a fantasy world where a species of of super-powered sociopaths fight Highlander-style for...well, they don't really know. The characters have eccentric names like (The Light that Never Shines or Whorefrost) that sometimes point to their particular schtick, sometimes not. These Meta-Warriors stalk each other and fight to the death and  pursue idiosyncratic schemes and passions, all while dodging/slaughtering/abusing mundane--"linear"--humanity.

The effect of all this is like Masters of the Universe re-imagined by some 2000 AD-bred British writer into an edgy 90s comic. It's got sex, graphic violence, quirky badasses and colorful madmen with slightly silly nom de guerres, black humor, and the occasional faux-Shakespearean soliloquy. It's Sword & Sorcery remade for the post-anime and videogame world.

It will not be for everyone, but if any of  the above sounds interesting to do, then, check it out. Oh, and give Rennie's soundtrack it put together for it a listen. How cool is that?

( my friend Jack of Grotesque & Dungeonesque and I wound up reading it at the same time, so you can head over there and get his take, too.)

Secrets of the Past on the Planet of the Apes

"THE SECRET OF PAX" 

Player Characters:
Jarrett Crader as Aurelius
Justin Davis as Conrad "Rip" Ripper
Billy Longino as Olsen Potter Graves
Lester B. Portly as Eddy Woodward

Nonplayer Characters:
Mariette Hartley as Lyra-7
Alex Cord as Dylan-14, Dylan Hunt and Supervisor Dylan
Majel Barrett Prima
Percy Rodriguez Primus


Synopsis: The astronauts and their chimpanzee friend enter the cave complex of Pax. The people are as peaceful as their name, but soon it becomes apparent they are not what they appear.

Commentary:
The only shot fired in this episode was  a stun dart from a Paxer weapon (seem above) to keep an overwrought Aurelius from defecating on the floor. The PCs showed remarkable restraint.

Pax is the peaceful society built in a Carlsbad Caverns base by scientist after a nuclear conflict as seen in Genesis II. The Pax civilization thrived in 2133. Sometime between then and the arrival of our heroes in 31st Century, the Pax civilization moved to the north and left the original base as an experiential history exhibit using some sort of advanced artificial beings. They act out the discovery of Dylan Hunt in suspended animation. In moments of intense questioning, the automata revert to offering refreshments.

The PCs did discovered a map of more extensive subshuttle stations than they were aware of, but their were unable to get to the local station thanks to the automata.

In Pax's extensive library, they discover a pamphlet published in 1991 by Ape Management Publications titled How to Terminate Your Ape. This publication originally appeared in Adventure Comics's Planet of the Apes #19.

In the end, the astronauts leave the living museum much as they found it (thinking it might be a resource they can pillage later), ignore Aurelius suggestions they travel to the apes' Terminus City, and instead head south to the territory of the warring human tribes.

Wednesday Comics: Annotations on Future Quest #4

My on-going look at Don Lawrence's Storm will take a break so that we can revisit Future Quest, one of DC's re-imagining of classic Hana-Barbera characters. This will contain spoilers.

"The Land Before Quest" and "The Structure of Fear"

Future Quest #4 (2016), Written by Jeff Parker; Art by Evan "Doc" Shaner and Ron Randall

I am Mightor!" Mightor and Moby Dick ran from 1967-69. In that series Tor was a teenage caveman who used the power of the club to turn into Mightor. Here, Tor is older and mated to Sheera, Mightor's club apparently contains part of Omikron's mass, which is what gives it it's power. The Space Ghost cartoon has already established Mightor as existing in the same universe.

Listening to some music. The band streaming on Deva's tablet is the Impossibles,  The stars of the 1966 series were pop stars and superheroes.

"My name's Todd." Todd is one of the two main characters in 1966's Dino Boy in the Lost Valley. He meets a Neanderthal presumably named Ugh. Their first meeting is portrayed differently here than in the cartoon series and Todd is also given parents and a last name.

Called GARGANTUAN. Frankenstein Jr. shared a show with The Impossibles. Buzz Conroy was the son of a male Professor Conroy (his mother is never mentioned) who built the giant robot Frankenstein, Jr. Here, Ted Conroy was killed by sabotage by Dr. Zin (the same incident that took the life of Ellen Quest) and it is Buzz's scientist mother, Linda Kim-Conroy who builds Frankenstein Jr.

Hwaopt

Art by Jason Sholtis

Hwaopt are reptilian humanoids from a distant world. They have large eyes and their dorsal surfaces have tubercules and spines marked with splotches of drab colors. They have adapted to a trogloxenic existence, with the largest group dwelling in and maintaining a vast, library cave system, which may be the greatest repository of knowledge in the know world.

As their vocation would suggest, hwaopt are bookish creatures--to the point pedantry in the eyes of many. Their tendency to verbose lectures on obscure topics is minor social deterrent to other species compared to their odor.  Hwaopt use chemical signalling as part of their communication with others of their kind, but non-hwaopt often find these pungent scents unpleasant.

Hwaopt are generally nonviolent, perhaps even cowardly in the estimation of other races. This is not true of their degenerate, brutish relatives, the troglodytes.

Hwaopt Traits
Ability Score Increase. A hwaopt's Intelligence score is increased by 2 and Wisdom is increased by 1.
Alignment. Hwaopt tend toward lawfulness.
Size. Hwaopt are medium.
Speed. Base walking speed is 30 feet.
Darkvision. Accustom to life underground hwaopt can see 60 feet within dim light as if it were bright light, and darkness as if it were dim light for 60 ft.
Odor. Hwaopt scent glands deliver subtle chemical signals to other hwaopt. They can tell if another individual of their kind has been in a room or other enclosed location (60 ft. area) within an hour and make a DC 12 Perception to determine their general emotional and health state and whether it is an individual they have encounter before. Open areas, a lot of air movement, or other strong scents generally make this impossible. Other races tend to find hwaopt scents unpleasant, so they wear masking perfumes when they plan to be around other species in close quarters. Creatures with a keen sense of smell must make a DC 12 Constitution check or be poisoned until their next turn. A creature who succeeds their check is immune for 1 hour.
Languages. Hwaopt can speak and read the Common language of humans. They also speak their own tongue, a language whose grammar is notoriously difficult to master. Their scholar tendencies provide them one extra language.

Savage Swords of Middle-earth: Elves and Such

Continuing an attempt to pulpify Tolkien's legendarium, let's take a look at the races other than Men.

Elves
Elves in Tolkien are superior to men in just about every way. Pulp fantasy has that sort of thing, too. Check out this quote regarding an ancient race from "Queen of the Black Coast":

“Cast in the mold of humanity, they were distinctly not men. . .in physical appearance they resembled man only as man in his highest form resembles the great apes. In spiritual, esthetic and intellectual development they were superior to man as man is superior to the gorilla.“

Howard makes mention of  "evolution" in several places. Sword & sorcery pulp worlds tend toward pseudo-science, as they partake of the genre-blending weird fiction tradition, whereas Tolkien's is a mythic world. For the complete pulp feel, The Silmarillion would be merely myth and the true origins of most Middle-earth creatures would be scientific/materialistic--or perhaps some Theosophy-inspired mix of science and mysticism. No need to make a decision one way or another, though, for day to day adventuring.

"Do you not see now that your coming to us is as the footstep of Doom? For if you fail, then we are laid bare to the Enemy. Yet if you succeed, then our power is diminished, and Lothlórien will fade, and the tides of Time will sweep it away. We must depart into the West, or dwindle to a rustic folk of dell and cave, slowly to forget and be forgotten." 

- Galadriel in The Fellowship of the Ring

Decline of advanced races/cultures is a trope common to Tolkien and Howard, so good to go. The decline to "rustic folk of dell and cave" even kind of resembles the decline of the Picts as presented in "The Lost Race." Lord of the Rings is full of a lot of elvish badassery (the movies moreso) but the more that is downplayed and the more their waning and decline is played up, the more pulp fantasy it will be. Elves can still be a potent force, but they should mostly stay in their dwindling enclaves.

Orcs
Other Howard stories present Picts as not just declining but degenerating. The same thing happens to the Winged Folk in "Queen of the Black Coasts" who become winged ape men by the time Conan meets them. One of several origins Tolkien considers for Orcs is that they are elves distorted and corrupted by Melkor. Perhaps the corrupted part is the main thing, then they sort of degenerate on their own?

In fact, there should be more evil, degenerate elves in general; the equivalent of the Black Numenoreans. I don't want to say, "drow," but Gary's description of Erelhei-Cinlu in Vault of the Drow is pretty pulpy.

Middle-Earth with More Pulp

"Know, O prince, that between the years when the oceans drank Númenor and the gleaming cities, and the years of the Fourth Age, there was an Age undreamed of, when realms of Elf, Man, and Dwarf lay spread across the world like blue mantles beneath the stars. . . Hither came Aragorn of the Dúnedain, black-haired, sullen-eyed, sword in hand, a ranger, a wander, a chieftain, with gigantic melancholies and gigantic mirth, to tread the thrones of Arda under his feet." 

- The Red Book of Westmarch

I posted that bit of Howardian remix on G+ yesterday goofing around, but it's a serious idea: What would Middle-earth be if presented in a more pulp fantasy (not just Robert E. Howard) sort of way? You could do a really comprehensive overall, sure, where maybe only the names remain the same, but I think a few tweaks here and there would make a big difference. Just take a look at things that are already pretty pulpy: 1) a fallen age following the sinking of a "Atlantis"; (2) Orders of beings with some more advanced and others more degenerate than others; (3) a lot of ruins strewn about; (4) a lot of wilderness separating civilized areas; (5) Magic (to the extent it is practiced by Men--i.e. humans) seems the province of sorcerers who are engaged with evil forces.

So let's start with Eriador, also called the Lone-Lands, which is pretty cool, because that's where the stories do, and see how it goes. Eriador is definitely a "Points of Light" place; a former advanced kingdom where most of the cities have fallen into ruin after a war with a Witch-King.

Witch-King Cultists: When a guy named the Witch-King used to rule, I think there probably should be hidden enclaves (or whole villages) fallen to his service and maybe worship of Sauron or Morgoth. They probably also engage in sacrifices commiserate with their Satanic cultist behavior.

The Rangers of the North: The Dúnedain who struggled against the Witch-King were descendants of Numenoreans (like Conan was a descendant of Atlanteans). After their defeat they become badass wildland types organized into tribes or bands, I'd guess. They're about as much "barbarian" as Conan is, except they're in tight with elves. They roam the wilderness and hunt orcs and trolls (and probably those Witch-King cults). They could be part frontier lawmen, but also a lot like the settlers described in Howard's "Beyond the Black River":  "They were all gaunt and scarred and hard-eyed; sinewy and taciturn."

Replace the Picts in those Pictish Border Howard stories with orcs or Hill-men, and you've got it. Or replace Solomon Kane in any of a few of his stories with a lone ranger (heh), and that works as well.

Woses: Speaking of Picts, a couple of Howard's Pict stories are perfect inspiration for the mistreated, more primitive Drúedain. Check out "The Lost Race." Here's a perfect description:

"Scarce above four feet stood the tallest, and they were small of build and very dark of complexion. Their eyes were black; and most of them went stooped forward, as if from a lifetime spent in crouching and hiding; peering furtively on all sides. They were armed with small bows, arrows, spears and daggers, all pointed, not with crudely worked bronze but with flint and obsidian, of the finest workmanship. They were dressed in finely dressed hides of rabbits and other small animals, and a kind of coarse cloth; and many were tattooed from head to foot in ocher and woad" 

Hill-Men: Again speaking of Picts, in either Howards frontier stories or some of his other Pictish yarns where their degeneration is more sinister (after Machen) and less sad, the Hill-Men can be those sort of Picts. A little degeneration won't hurt. They're really likely to be those cultists mentioned above, too.

The towns: As to the civilized or more settled areas of Eriador. I strongly support MERP's idea that Tharbad (before it was a ruin) was a decaying city of cutthroats and thieves. A standard Conan tavern ought to fit in well, in any of those towns, too. Just substitute "Brythunian" with "Breeland" and you're good to go.

The humans are easy, I suppose. Next up, Elves, Dwarves, and Hobbitses.

Zyrd: In the Crux

The Crux is the cross-shaped area of habitation in the center of the tesseract of Zyrd. At it's hub is the City of Zyrd, the last city of note after the end of the cosmos. Surrounding Zyrd and villages and farmland built amid the ruins of when the City of Zyrd was larger, grander. Everything's falling apart, now. Chaos is seeping in.

In the northern arm of the Crux are badlands. It's a broken place where stone is ground to dust--and built up from dust, too, somehow. Things don't grow well in their farthest reaches. There are brutish people and brutish monsters than look like they're are hewn from rock. It's colder here, colder than it should be, and the mountains that climb the farthest wall are coated with snow and ice.

In the east, farmland gives way to plains. Winds blow from the great face in the eastern wall. Giant birds ride the winds as do cliff-dwellers on gliders.

In the west, there is the only sea in Zyrd. It stretches to a great falls nearly fifty miles tall that plummets into the dungeon depths.

In the south, there are jungles, then desert and finally the uttermost southern wall were lava flows.

All around the Crux, settlements climb the walls as far as the air is breathable and at one time perhaps farther. Some of these vertical settlements haven't seen a flatlander from the Crux in a generation.

Wednesday Comics: Storm: The Legend of Yggdrasil

My exploration of the long-running euro-comic Storm, continues. Earlier installments can be found here.

Storm: The Legend of Yggdrasil (1981) (part 3)
(Dutch: De Legende van Yggdrasil)
Art by Don Lawrence & Script by Kelvin Gosnell

Storm makes the rather questionable leap of logic that the creatures whose tribe they have befriended must have evolved from dinosaurs. Since they are in the future, that can only mean their is a time machine somewhere. Storm wants to find it.

That will have to wait. The dino-people have a problem. They have been at war with humans for thousands of years, and they're loosing thanks to the the humans' more advanced weaponry. The humans have recently destroyed their eggs, wiping out the next generation.

Their only hope is to find Yggdrasil and reunite with their goddess. She is said to be imprisoned in a town to the South. Wag-Nar believes Storm can lead them their, fulfilling the prophecy.

The high priest is not so pleased. His prejudice and jealousy runs too deep. He and his cohorts plot to do away with Storm on the way south.

As they start their, they see many strange things: a floating suspension bridge, a dinosaur graveyard, a crashed starship. Ember begins to sense danger--and she's right. Human-fired bolts take out several of the dinos. Storm decides to ride out and try to talk to them. The humans are based in an ancient, crashed spaceship and call themselves the Jackal Troop. They take Storm captive and plan to kill him:

Ember bucks the dinos attempts to protect her. She convinces one of the warriors to help her stage a rescue.

Our heroes fight their way out, even stealing a vehicle. The Jackal's leader dies by his own giant insect.

Returning to the tribe, the dino-warrior relates the tale of their victory--when suddenly...

They discover an ancient tunnel!

TO  BE CONTINUED

Hercules's Labor Day

In honor of U.S. Labor Day, check out this classic post about Herakles Labor Day from a science fantasy Lens:

"Labor Day Labors"

ZYRD

Someone fucked up. Wizards blame the gods--who are dead or gone and can't defend themselves. It's official church policy to blame the hubris of man and unofficially to suggest that means wizards. Whoever did it fucked up. Whoever did it opened a rent in the fabric of the universe and chaos poured in and the world was dissolved.

Gods, Wizards, or devils, somebody made a last ditch effort to save something. Gods were sacrificed, either willingly or unwillingly, and a haven was created: a hypercube hewn from the bodies of titans left to drift in amundic chaos. Zyrd.

Buried deep in the center of Zyrd is a cross of land, the Crux. Once civilization was more than the Crux, but over time, things have broken down. Beneath the Crux is the Underworld--any direction from the Crux is the Underworld. It holds out the chaos and traps the monsters spawned by it in its labyrinthine depths. 

But the chaos keeps creeping in. The only way to save Zyrd is to clear it. To reclaim the dungeon depths and the riches of ages lost there.

That's where you come in.

A Harsh Welcome on the Planet of the Apes

"STRANGE NEW WORLD" 

Player Characters:
Jeff Call as Brock Irving, "Don't move or this chimp gets it"
Justin Davis as Conrad "Rip" Ripper, "Is the atmosphere breathable? I check the science stuff"
Billy Longino as Olsen Potter Graves, "Give that monkey a banana"
Lester B. Portly as Eddy Woodward, "They finally did it"
Jason Sholtis as Francis LaCava, "My God...They're communists."
And introducing:
Jarrett Crader as Aurelius, "But I must see it!'

Nonplayer Characters:
Ted Cassidy as Eezaya
? as Gorilla Sergeant Pullo
? as Gorilla Sergeant Vorenus
Mariette Hartley as Lyra-7
Alex Cord as Dylan-14

Synopsis: The astronauts land on the post-apocalyptic Earth, heading for their former base in Carlsbad Caverns. They are shocked to discover a group of talking apes--and a human thrall! After a tense standoff, they capture the gorrilla soldiers. With a chimpanzee hostage/companion they arrive at the ancient installation and are surprised to find it still inhabited by people who call themselves PAX.

Commentary:
At last, some apes on the Planet of the Apes! I used (modified) versions of the stats from Fight On! #12 for Apen by Andrew Trent.

The apes claim to be from a place called Terminus City but were a splinter contingent of an archeological expedition some distance to the north led by the ever-curious Dr. Georgius. He has with him a platoon of gorilla soldiers under the command of Lieutenant Perdix. The captured Vorenus threatens the astronauts with retaliation by a Colonel Salaco and possibly the human-hating General Orcus. Are these idle threats? We'll see.

The astronauts landed there ship in the area of what once was Whites City, New Mexico, but their is no sign of human habitation now.

Eezaya first appeared to be a meek slave to the apes but he claims to be a warrior of a tribe along the "ancient border" to the South. He plans to unite his people with their human enemies against the ape invaders. By Eezaya's appearance we might think he is a descendant of the "White Comanche" Izaiah as depicted in the pilot films Genesis II and Planet Earth.

The current inhabitants of Continental Command at Carlsbad Caverns look a lot like inhabitants back in 2133, as depicted in Genesis II (including unfashionable jumpsuits). They even have similar names. Probably just a coincidence, though.

Wednesday Comics: Storm: The Legend of Yggdrasil

My exploration of the long-running euro-comic Storm, continues. Earlier installments can be found here.

Storm: The Legend of Yggdrasil (1981) (part 2)
(Dutch: De Legende van Yggdrasil)
Art by Don Lawrence & Script by Kelvin Gosnell

The strange creatures hitch the wrekage (with Storm and Ember inside) to a ceratopsian that drags it back to their base. They leave them on a big bullseye. The reptilian humanoids inspect the the two humans, and one of them who claims to be a High Priest declares them fit sacrifices for Yggdrasil.

Ember is having none of that:

The High Priest wants to kill them now, but he's stopped by a towering member of his race. Wag-Nar reminds the Priest that the law requires that they choose the way they die: A quick merciful death or a death with honor in the arena.

At first, Storm tries to avoid a fight, but Ember wants to fight the priest, but Wag-Nar swats her aside. They can only fight the Master. Storm agrees--and he wants to fight now. Storm is the first human ever to fight Wag-Nar. The creature accepts his request.

Unfortunately, Storm is outmatched. Wag-Nar prepares to kill him. He holds up the holy symbol of Yggdrasil prepares to offer his sacrifice. Storm recognizes it: "a tyrannosaurus!" Wag-Nar stops and has Storm repeat the name, then he asks Storm what his name is.

There is a murmuring among the crowd. A prophecy has been fulfilled! The famous warrior Bora-Ston had a vision that a brave human name Storm who knew Yggdrasil's true name would unite these creatures with their goddess.

Storm and Ember are adopted into the tribe:

TO  BE CONTINUED

National Park Dungeoncrawl

Need a dungeon map for you next adventure? Just stock one of these cave national park maps.

Here's Carlsbad Caverns:

And Mammoth Cave (at least the tour routes):

Subterranean Heaven

Who says mythic underworlds have to be dark and unpleasant? The underworld of Patala in Hindu cosmology is described as more luxurious than celestial heavens. It's the abode of various clans of Asuras and nagas. The sage Narada says of it in the Vishnu Purana:

"What," exclaimed the sage, "can be compared to Pátála, where the Nágas are decorated with brilliant and beautiful and pleasure-shedding jewels?"

There, its described as more like another plane in D&D terms, or at least a fairyland. The Bhagavata Purana keeps in definitely subterranean (though it does use a word for it that  cna be translated as "planet"):

"Below that world there is Pâtâla, the world of the master snakes...Most addicted to material happiness they all live with the shortest temper. They have five, seven, ten, a hundred or a thousand hoods, with on their crests fixed the most valuable gems the effulgence of which disperses the vast darkness of the caves of Pâtâla."

So a subterranean ream lit by the light of all the jewels worn and used in construction? Sounds like the sort of place adventures would want to visit. Of course, they have to contend with the material wealth loving demons, ghosts, and snakes that live there.

I don't see any reason dungeons (in the D&D sense) have to be so, well, dungeon-like. If they're opulent, but no less deadly, adventures have even more reason to go there.

Get Aboard the HMS Apollyon

Over at the Dungeon of Signs Gus L has released the Player Manual Part 1 Combat and Exploration for his HMS Apollyon game. Gus has really put some thought into what procedures aid and abet a good dungeoncrawl, and this manual is full of his thought and experimentation. Lots to steal. Check it out.

Metaborea

In the Sanguine Desert, the tribes revive the ancient war machines with blood sacrifices and whip themselves to frenzy with howling music and liquor made from the half-clotted ichor siphoned from the machines' lines. Sometimes an Iron Warlord rises, making a pact with a fierce machine, and leads the tribes to sack and pillage cities.

One can still traverse the Wastes, but the old astral road becomes ever more Unreal. A fleet matagot is the swiftest and surest way to go, but agree on the price beforehand, for matagot's are always ravenous at the end of a long journey.

Art by Enrique Alcatena.

Wednesday Comics: Storm: The Legend of Yggdrasil

My exploration of the long-running euro-comic Storm, continues. Earlier installments can be found here.

Storm: The Legend of Yggdrasil (1981)
(Dutch: De Legende van Yggdrasil)
Art by Don Lawrence & Script by Kelvin Gosnell

The Azurian War is overed and peace reigns. Storm and Ember are bored. Storm is an astronaut, not a leader, but as a figure in the revolution he's saddled with responsibilities. After showing off in an ancient airplane just earns him a lecture from a councilor, Storm decides to try for Jupiter's Great Red Spot and see if he can return to his own time.

Ember wants to go to, but Storm worries it's too dangerous and she would be out of place in the past, so he sneaks off to go without her. He steals a spacecraft only to find Ember has stowed away aboard!

The two fly into the red spot. The intense gravitational forces knock Ember out and threaten to do the same to Storm--and then destroy the ship. When he can't take any more, Storm activates the automated reverse trajectory to return them to earth.

The ship has been damaged and the chances of landing safely are slim, but they have no choice. Storm's piloting skill keeps them from burning out but the landing is far from an easy one. After the crash, everything is silent. Strange watchers look on from a distance:

TO  BE CONTINUED

Down In A Hole

On 5e Land of Azurth game continued yesterday with our heroes deciding to investigate the large and mysterious sinkhole in the nearby village of Huggson. After suitably gearing up for such an endeavor the group made their way to the town. They found the villagers building a fence around it as they reported the lose of a heard of goats and two drunken farmers to the 20 foot wide maw.

They waited until night to make the descent themselves as they wanted to see the strange oscillating colors of light that seem to project from an unseen source deep within the hole. The after tying their rope off to a stout tree and rigging a block and tackle, they went in. They found that some the sides sloped away and they were climbing in darkness with still no bottom in sight. Even stranger, they discovered that the deeper they went the slower things fell. Near the end of their rope it was almost as if an object was falling through water.

They went back to the surface got more rope and bought a chicken to experiment further. None of that experimentation led to much of anywhere, other than to prove a chicken could "fly" at least until it got tired in the weird gravity of the hole. Ultimately, three daredevil party members jumped. Not wanting to be left behind the holdouts Kairon and Shade eventually followed suite.

The group fell for a long time at a slow rate. Eventually, they passed through an opening into a new sky, passed the too bright but not warm orb of a sun orbited by crystalline lens of color, they cast the light into a new shade as they passed. They fell or floated toward onion-shaped crystalline structures arranged like a series of small towns.

When they landed with only a slight hurt for all they distance, they were accosted by people they initially thought were all wearing hats, but turned out to be humanoid mushrooms. They accused the party of assaulting them from the air. Apparently, some of their buildings had been damaged in the "rains of rock and meat" that had come before.

art by zelldweller

The Sovereign of the Matangoos (as they were called) convened his elders to decide what to do with the strangers. The options seem to be kill them and throw them in the Spawning Garden (where the hapless goats and farmers must have gone) or toss them in the Black Pit. The party searches for another option, first hitting up the stoner Matangoo wizards, Gweeg, for information, then deciding on a engineering regime change: it seems the current Sovereign had been purposely be delaying the transfer of power to the now fully grown new Sovereignm who was still sleeping in the Spawning Garden.

After killing a few guards, they made it to the Garden and awakened the new Sovereign, Her first act to was kill the old ruler and return his spores to the ground. Her second was to convene her council. The party's hopes were dashed when she too ordered them to the Black Pit.

It turns out the Black Pit isn't so bad, just a cave in the side of the mountain that forms the curious wall of this weird world. They passed through it, leaving the Matangoos behind and enter an idyllic looking valley. Idyllic, except for the crashed pulp rocketship at its center...

Bronze Age-Four Color Fantasy Adventure Seeds

A follow up on Friday's post. These aren't actual stories from comics, but pastiches of the sort of thing that does show up.

1. A madman seeks a golden disk to bring life to colossal automaton, an ancient weapon of war, that lies half-buried in a remote desert.

2. A city under seige! Legend holds a magic gem will restore to life the mummy of the cities demigod founder. His body lies in a crypt in deep within the city's catacombs.

3. The jungle-choked ruins of an ancient city surround a vast, walled garden, an earthly paradise, inhabited by beautiful, golden-skinned youths. The brutish beast-folk that dwell in the ruins will let no stranger enter the garden, nor any of the garden's inhabitants leave.

4. An arboreal village of elfs is harassed by pale, giant bat riding goblins from a cave  high on a nearby mountainside, who raid the village for victims for their cook-pots.

5. A PC has a rare trait that fits a prophecy--a prophecy predicting the downfall of a tyrannical ruler, who means to ensure it does not come to pass.

6. A lake of lurid, swirling mists where time becomes strange. At it's center is an island with a castle where an immortal witch queen dwells with her eternally youthful handmaidens. No one comes to the witch's castle without being summoned.

7. A playing piece from the game of the gods falls to earth, perhaps accidentally or at the whim of a capricious godling. This touches off a race to acquire the piece with the rat-men minions of one sorceror contesting with the shadow demons of a cambion child--and the PCs caught in the middle.

The Elements of Bronze Age Four-Color Fantasy

By Bronze Age, I mean the Bronze Age of Comics, which largely conicides with the 1970s. Any readers of this blog will know that's an era I have some affection for--particularly its fantasy comics. These comics (particularly when original to the comics medium and not adaptation) present a flavor of fantasy distinct from other fantasy genres or media.

I feel like this sort of fantasy would make for a good game, and I don't think that's really been done. Warriors & Warlocks supposedly set up to do this, but that supplement really winds up adapting a wider range of fantasy to the Mutant & Mastermind system. I've been trying to think of the elements/tropes of this sort of thing:

1. Very much a “Points of Light” thing with large stretches of wilderness and clusters of civilization.

2. Cities tend to look more fantastic ancient world/Arabian Knights/Cecil de Mile spectacle than grotty Medieval

3. Above ground ruins and natural obstacles as more common adventure locales than underground “dungeons”

4. Fantastic terrain is more common (because it makes more good visuals)

5. Magic-users generally fall into 1 of three categories: 1) almost god-like patrons (who maybe secretly be of Type 2); 2) villains; 3)bumbling,  sometimes comedic helpers, makers of anachronistic references

6. Magic tends to be visual and flashy.

7. Elves and dwarves (or Elfs and Dwarfs, more likely) are more Disney and Keebler than Tolkien. They are less powerful than humans and perhaps comedy relief.

8. Beings that stand between humans and gods (like Tolkien elves) are either extremely rare, degenerate, or both.

9. Monsters tend to be unique or very uncommon (even if of a recognized “type”). There are seldom nonhuman territories. More fairytale naturalism than Gygaxian naturalism.

10. Magic items are rare and tend to be unique.

11. Frequent faux-Lovecraftian references, but virtually no cosmicism.

12. Sometimes, there's a Moorcockian as filtered through Starlin sense of cosmic struggle.

13. Armor is as a signifier of profession/role (soldier) or intention (the hero goes to war) rather than actual protection.

This is not an exhaustive list, I'm sure, and it bears some overlap with pulp fantasy/sword & sorcery and fantasy/sword & sandal films that influenced it, and rpg fantasy that arose around the same time, but I think it has elements on emphasis distinct from those forms.

Orbiting the Planet of the Apes

"FUTURESHOCK" 

Player Characters:
Jeff Call as Brock Irving, "We need that liquor!"
Justin Davis as Conrad "Rip" Ripper, "Two-Fisted Psychiatrist"
Billy Longino as Olsen Potter Graves, "Psychological Profiles for Everyone"
Lester B. Portly as Eddy Woodward, "The Pilot Stays with the Ship"
Jason Sholtis as Francis LaCava, "Madre di Dio!"

Nonplayer Characters:
James Gregory as Dr. Jacob Krigstein

Synopsis: Five astronauts taking part in a suspended animation experiment on a space station awaken a thousand years after they were schedule to revive and find civilization apparently destroyed by a nuclear war. With no way to return to Earth, they make a desperate trip to nearby station, The Broderick Astro-Mall, long ago quarantined in an effort to find another way home. They discover a working commercial shuttle, but also semi-gelatinous plague zombies!

Commentary:
System-wise we used a combination of Mutant Future and skills from Stars Without Number, which worked pretty well for a low-effort kludge, though a single zombie fight turned into a a bit of a comical slog thanks to low damage weapons and low level.

Jacob Krigstein is likely the same Doctor Krigstein that shows up in the Marvel Planet of the Apes comic and in the novel Conspiracy on the Planet of the Apes. By the 1980s, he has been promoted to the head of ANSA.

Krigstein mentions the tragic fate of Dylan Hunt, lost in a cave in the laboratories in Carlsbad Caverns. These events are depicted in the Genesis II pilot film. The experiment our PCs were taking part in was a continuation of Hunt's work.

Broderick Astro-Mall was built by aerospace entrepreneur Harry Broderick. His rise from scrapyard owner to ersatz space program director is depicted in Salvage pilot film and the series that followed, Salvage 1. The Astro-Mall was a more "realistic" (i.e. no artificial gravity or matter transporters) take on the station appearing in the Gamma World classic adventure "Albuquerque Spaceport." The zombie-creating plague in our version is caused by a botched attempt to find a cure for the alien malady that wiped out all domestic dogs and cats in 1983 (see Conquest of the Planet of the Apes).

The shuttle the PCs found allowing them to safely head for Earth (their own spaceplane had damaged heat-shielding) is of the same model as Spindrift, the suborbital commercial vehicle seen in Land of the Giants.

Wednesday Comics: Future Quest #3 Annotations

My on-going look at Don Lawrence's Storm will take a break so that we can revisit Future Quest, one of DC's re-imagining of classic Hana-Barbera characters. This will contain spoilers.

"Birdman in: The Deadly Distance" and "Vortex Tales: The Herculoids in Mine-Crash"

Future Quest #3 (2016), Written by Jeff Parker; Art by Steve Rude/Aaron Lopresti and Karl Kesel

Vortex Tales. The stories in this issue are a departure from the storyline in the first two. They showcase past exploits of characters.

Mt. Avia. We see Birdman in his secret hideout with his pet eagle, Avenger. We learn he was an academic before he was endowed with power in the temple of Ra (a process he doesn't understand) and became a secret agent.

"I wonder if Mentok has surfaced again?" Mentok was a villain with mind control powers who appeared in a 1967 episode aptly titled "Mentok the Mind-Taker."

"Her name is Deva Sumadi." We are seeing the events just before the start of the first issue. Birdman leaves Avenger behind and sets off to meet his contact.

Xenomass. The amorphous creature called Omnikron appears again, though Birdman

Amzot. The homeworld of the Herculoids, at least until the 1981 Space Stars series.

Quasar, The name of the Herculoids homeworld in the Space Stars episodes. Here it is used as the name of a sister planet, the former home of Zandor and Tara.

Organite. A living mineral. It makes up much of Igoo's rocky hide and it's used to make the synthetic brains of the robot overlords of Quasar. The Herculoids are the gardens of the largest deposits on Amzots.

Land of Azurth Rumors

I've got a Land of Azurth 5e game coming up next weekend. Here's another round of rumors/adventure hooks I'll give to the players: