Wednesday, February 12, 2025
Wednesday Comics: DC, May 1984 (week 2)
Monday, February 10, 2025
HarnMaster Kethira
I've long been a bit of the Hârn rpg setting, but recently a I decided to look at the latest iteration of the HârnMaster rpg system, HârnMaster Kethira. It's from Kelestia Productions and came out last year.
I convinced one of my two Sunday evening groups to give it a try. We used the pregens from the free starter adventure they have plus one character I generated, and I ran the group through a ranged and then melee combat just to jump right into the system where it is likely the most complicated.
In brief, HârnMaster in all its iterations is a system very interested in realism and simulation of the lineage of the likes of Runequest and Chivalry & Sorcery. Like those games it's a skills system, mostly resolving tasks with a percentile, roll-under system. It also has graduated success and several different iterations of how those degrees of success are used. In fact, like other games of this type from the 80s (which is when the original HârnMaster was released), many skills have sort of their own "minigame" in the sense that the resolving rolls may vary slightly (variations on a theme, in general) and the skill-specific results require consultation of a chart table often.
The rulebook is lucidly written and there were very few places compared to other games where the meaning of the rules was unclear or ambiguous. But there are a lot of rules. Particularly for melee combat where there are rolls for attack, defense, hit location and specific area, damage based on weapon type, armor as damage reduction, and then hit location-specific injury and shock rolls.
In the test I ran, the four PCs encountered seven gargun (orcs, roughly). This was admittedly probably more of a D&Dish encounter setup as opposed to a typical Harn one, but it was just a test and one I wanted to take up most of the session time. Mission accomplished in that regard!
The PCs eventually maimed enough gargun that the little guys broke and ran (stumbled or crawled mostly), but they kept getting really lucky morale rolls, so it took longer than it probably would on average. I also probably forgot to include some modifiers or effects in some places that might have made it quicker, but once I started to get the procedure done, if was more the toggling between screens of reference that took up time. It really needs a GM's screen or even better a VTT implementation!
Despite the learning curve and the length of the combat, I do like things about the system and want to run it again. I think it likely works best where combats are rarer and/or shorter, but I think the robustness of the rules support all sorts of other activities from wilderness travel to social activities to crafting.
Friday, February 7, 2025
Planar Pilgrims
I've been listening to the audiobook of A Travel to the Middle Ages, and its description of what, by the late Middle Ages, is essentially a travel industry built up around pilgrimages to Christian churches and holy sites is really interesting. One fascinating detail is the cheap, metal pins or badges pilgrims could buy to commemorate their visits. There were also more risque, erotic novelty badges sold too, as a quick internet search can show you.
All of this religion-focused travel got me thinking of something interesting to do with the standard Outer Planes. Given their nature, they would certainly fit the bill as "holy sites." Maybe a lot of planar travel is in pilgrimage? This is a take that wouldn't be congruent with all views of the planes, certainly, but I think it would fit with a Planescapian sort of attitude, with planar types taking advantage of the clueless Prime visitors.
All you would need is these sorts of visitor-catering facilities and services to be present on each plane. They don't necessarily have to be particularly safe or even particularly customer friendly, really, if real history is any indication.
Of course, there would need to be things for pilgrims to see. Certainly, there are a lot of wondrous (super)natural phenomena described in any D&D planar book, but I think some sorts of dubious relics are in order here, just like in the real world. Accoutrements of gods? Maybe even relics of martyred ones?
Wednesday, February 5, 2025
Wednesday Comics: DC, May 1984 (week 1)
Monday, February 3, 2025
The Darkling Princess
Our Land of Azurth 5e campaign continued last night with the party summoned to a counsel of the three rulers: Viola of Yanth, Desira of Virid, and Bellona of Sang. The PCs were informed of recent intelligence that suggested have her long deathless sleep, Nocturose, lover of the Witch Queen of Noxia might be awakening. None of them were sure who this event should it come to pass might tip the balance of the war as the Gloom Elf servants of the Witch Queen have been allies of the Wizard, but they want the party to get involved and find out.
Zabra, ever true to her alignment and her upbringing, makes inquires what might be in it for them. Alas, the rulers just appealed to the party's sense of right. Most of them have long ago resigned themselves to pocketing loot on the side, so they convince Zabra to go along.
They are transported across northern Yanth Country and the border at the Vale of Thorns into gloomy Noxia where the sun is eclipsed by Umbra, the Shadow Moon, by air elementals in the service of Desira. They are deposited at the entrance to the dark forest where the chapel where Nocturose lies in state is located. The elementals wish them luck and say they'll wait.
The dark canopy of the forest is full of stirges and the shadows are unusually thick. The trail is blocked by twisted treant who tells them that Nocturose's fitful spirit seeks a mirror that was shattered. With it reassembled she can fully awaken. He reveals to them in verse the locations of the mirror pieces. The party takes on the task of finding the mirror shards, though they still aren't sure of their purpose or their side here.
They manage to talky to gothy nymphs into giving up the shard that they have. Then they trade a +1 battle axe and a low level potion of healing to a winged morlock-thing for the shard he and his tribe have. Next, they descended into a dark pit and found a cace. Before they could locate a shard there, a voice challenges them from the darkness and a shadowy dragon moves into view!
This relates to the characters and concepts mentioned in the Dictionary of Azurth.
Friday, January 31, 2025
In Translation
Constructed languages, at least for naming, are a big part of fantasy literature. Evocative coinings like Minas Tirith, Lankhmar, Aes Sedai, An-Athair, Khaleesi, Tharagavverug, and sranc are an important part of the enjoyment.
In fantasy rpgs, however, even constructed naming languages can be tough for some players. Not only can names like Hrü'ü be hard for some to pronounce, but a number npcs with difficult/unfamiliar names may be difficult for players to keep straight or remember at all and so keep those players from fully engaging with the imagined world.
Tolkien, bitten though he was by the conlanging bug, offers a solution: translation.
We all know, of course, that we must imagine translation as having occurred so that we can read books and play characters in rpgs in our native languages and not in whatever language exists in the setting. Tolkien, unlike most authors, doesn't just leave this to necessary convention. He tells us that the book he ostensibly got the story of LotR from was in Westron and that the names of the Hobbits Bilbo Baggins and Peregrine "Pippin" Took (for example), are translations/localizations of Bilba Labingi and Razanur "Razar" Tûc, respectively.
Those nice details aside, Tolkien goes a step further. Other imaginary languages in his work beyond Westron get rendered as different, real languages: Rohirric, the language of Rohan gets translated into Old English, and names in the tongue of Dale and that of the dwarves get translated into Old Norse. This allows him to retain the "foreignness" of those other tongues from the perspective of Westron which has become mostly invisible since it's rendered as Modern English.
But he's not done there! Tolkien often chooses languages to "translate" into that retain the essence of the imagined linguistic relationship between his fictional languages. For instance, the names of the ancient kings of Rhovanion are rendered in Gothic, preserving in Gothic's relationship to Old English something of the relationship of the tongue of ancient kings to Rohirric and Westron. This graph from Wikipedia shows it:
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Chiswick Chap |
I think this approach is a natural fit for rpgs. True, any use non-Modern English (or whatever the native language of your group is) might present difficulty for some players, but I think "coding" the use of unfamiliar languages to only certain groups both aids the memory and decreases the total number of unfamiliar things to remember. If Elvish names are translated as French (or Farsi, or whatever you like), well maybe the player still can't remember a particular elf's name, but they stand a better chance of recognizing names as Elvish.
There was a Dragon article back in the 80s that sort of hit upon this. The author suggested using a mix of Old and Middle English to represent the ancestor of Common. In my Azurth campaign, I have high elves speak in sort of the cod-Shakespearean manner of Marvel Comics' Thor to represent how their long lives left them behind current language changes.
Wednesday, January 29, 2025
Wednesday Comics: DC, April 1984 (week 4)
The interesting story, though, is the second one by Kraft and Mazzucchelli/Rodriquez which serves as a coda to the Pantheon saga that concluded in issue 300. As the other heroes depart, Batman asks Superman if he'd like to get a drink with him. The two go to a pub full of African colonialist scum and villainy and a couple of them don't believe these funnily dressed strangers who order milk and talk about their feelings are real superheroes and decide to challenge them. Humorously, the two heroes defeat the tough guys without leaving their seats and only barely disrupting their conversation. The strange thing about this story from the modern perspective is seeing Batman talk to his friend about his feelings. He references his loneliness and concern that the two of them seldom get to talk because they are always dealing with some crisis. I can't say Kraft's script completely sells me on it, but it's kind of refreshing to see a time where friendship was important to these characters.